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Ghost Quotes

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Ghost Quotes

“If your spirit is persistently harmless or if it has shown itself to you, in a non-threatening way, then you most definitely have a ghost. The ghost can be frightening, by its very nature. But the ghost will never intentionally frighten you. They will be there for three reasons: 1. They used to live there and are attached to the location 2. They are trying to communicate something to the living or 3. They are protective of somebody who lives in the house and so they are “standing guard” so to speak, over the loved one.”

“Do you think she’s crossed over? I mean, I’ve always wanted her to figure things out, but I never expected her to cross over the very instant she remembered. What if she’s gone?” “We’ll celebrate.” Still, she kept quiet. “I know it’s difficult to believe, but something is going on. Sara is not like this. She would never do anything to hurt me. I didn’t even say good-bye.”

“And this is how it happens. Someone does something shit to you, makes you suffer, maybe you die, and you get tunnel vision for the revenge you want to feel in your hands—The punishment you believe you deserve to dole out. You come back to find the fucker that ruined your life and you’ll do anything you can to get them back. You can’t see anything else and everyone becomes collateral damage to the pain you have to cause or the justice you have to find. It hurts too much to think of what someone else took from you, that you can’t see anything outside of the future you can’t grasp anymore. Then, when you hurt someone else because your focus is on whoever fucked you up, they come back feeling the same pain, same anger, their future taken from them too and it just keeps going, again and again, over and over, until everyone’s been promised mutual destruction by proximity and nothing else matters. No one cares about any story that’s not their own. The pain caused is invisible to everyone else until it becomes personal and everyone’s reaching for the thing that blew their lives to pieces. Regret and rage are toxic seeds, planted to consume the heart.”

“Hi Hazel Well here I am in the office and it’s dead quiet. What I’ll do is email pics of some of the stuff in the files and the comments with them. This is exactly what you wanted – stuff about the Games people played together with comments people made. Perfect!”

“In this way, the Dream House was a haunted house. You were the sudden, inadvertent occupant of a place where bad things had happened. And then it occurs to you one day, standing in the living room, that you are this house's ghost: you are the one wandering from room to room with no purpose, gaping at the moving boxes that are never unpacked, never certain what you're supposed to do. After all, you don't need to die to leave a mark of psychic pain. If anyone is living in the Dream House now, he or she might be seeing the echo of you.”

“Everybody is equally weak on the inside, just that some present their ruins as new castles and become kings –”

“Why these daily wanderings through the streets? And all these human beings I encountered: how could they possibly help me? Each of them filled the universe with his or her person. I would trail humbly after them, expecting the unworkable miracle from the first person I bumped into. Then, in order to prove to myself that I was not merely this pitiful rag, this insubstantial object, I would force myself to hate them, well knowing that my hate was artificial, that it too had no existence, that I was turning it on like a lamp in a ruin that had stood deserted for hundreds of years, as though this light was all that was needed to establish the belief that it was lived-in. And I was incapable of retaining my hold even on hate. It gave me the slip, like all the rest, like everything around me. All I could do was roam the streets, an innocent in quest of a miracle.”

“The Atlantean Road by Stewart Stafford A snake of stones beneath the waters Soldiers march past spectral daughters Phantom travellers To work or home Atlantean lives replay in foam The water drowned out extinct times Of joy and war Of love and crime The divers rapt by sound immemorial Echoes entombed Sweet voices choral The flame of Erasmus and barking sounds Of canine guards and strangers found The road roused from silent sleep To tell explorers how ancients weep © Stewart Stafford, 2023. All rights reserved.”

“His kiss was like no other! His kiss was enchanted and fairy-tale like. He applied pressure, but just enough to feel his tenderness and warmth. I could feel his heart beating wildly as he pressed his chest against my chest all the while his loving lips brushed up against mine with a care-filled affection. His tongue lightly licked the outer edges of my mouth, and then searched for my tongue. The pursuit allowed a marriage of both tongues to meet - inspiring a mingling tango of hot and heavy French kissing to manifest profusely. We kissed like two hot and horny teenagers, our mouths moving and craving each others lips, in animalistic desires!”

“All I did know was that after that initial shock of thinking that Lily had come back I had felt a cool, small relief, a moment of adjusting to Lily’s ghost so that I could be . . . not unsatisfied with the quality of her being there. I can only explain it in comparison to something mundane—my adjustment to Lily’s ghost was sort of like when you’re insanely thirsty, but for some reason you can’t get the cap on your water bottle to open properly so you tussle at it with your teeth and hands until you can get a trickle of water to come through. A little water at a time, and you’re trying to be less thirsty and more patient so that the water can be enough. The thing with having seen Lily was just like that, a practical inner adjustment to meet a need. At least she is there, I’d thought, even if she is just a ghost and doesn’t speak, at least she is there”

“On Relationships – The end of Midsomar is harrowing but the director claims that it’s meant to be a breakup film. The man has the right concept although you have to question the execution (no pun intended). Contrast that heroine to Demi Moore’s Molly in the movie Ghost. When her lover dies, she spends the majority of the film in maudlin tears, holding on to the scraps of their affair. His ghost lingers near her, inaudible and invisible, staring in disbelief when she clings to the stub of a concert they once attended. He points out that she hated that concert so why keep that stub? Why cling to the detritus of an affair spent with a man too gutless to say he loved her? When a relationship is over, then it’s time to sell the ex’s possessions on Ebay. What can’t be sold should be donated to Goodwill—and don’t forget to get that slip of paper so you can claim the donation on your taxes! What Goodwill won’t accept, you give to your family, friends and loved ones. What they won’t take, you toss in the trash or, for the true cathartic effect, you pile in a heap on the lawn and burn it to ashes.”

“Imagine being just strong enough to remember what life was like, feeling things, your heartbeat, the world around you. And imagine you couldn’t have it anymore, couldn’t even properly remember it, but there was just enough that some deep part of you knew what you were missing. Wouldn’t you do anything to get it back, if it was right there for the taking? Wouldn’t you be willing to kill for it?”

“Can you forgive me, sweet boy? For that night?" Hank tilted his head to the side again, and seemed to reply by giving Ellis's hand a sloppy lick. "Thank you, Hank. I know you can't understand, but you saved me. Again and again, just by being there. My life was fuller because of you. I'm so sorry, I'm so sorry. And I love you, so much." He patted the air softly. "You can go now, sweet boy." Hank stilled, as if Ellis's words were settling over him. Rosemary felt the air around them swell and for a second the world grew soft and permeable. She heard a raspy bark, as if down a long echo, and Hank dissolved into moonlight.”

“But the living are burdened with bodies. They make shadows, footprints. I would prefer that Athena were alive and stalking me, because then she would leave traces—public spottings, narrative inconsistencies, breadcrumbs of proof. The living can’t appear and disappear at will. The living can’t haunt you at every turn. Athena’s ghost has wormed its way into my every waking moment. Only the dead can be so constantly present.”

“As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.”

“It had begun to be present to him after the first fortnight, it had broken out with the oddest abruptness, this particular wanton wonderment: it met him there--and this was the image under which he himself judged the matter, or at least, not a little, thrilled and flushed with it--very much as he might have been met by some strange figure, some unexpected occupant, at a turn of one of the dim passages of an empty house. The quaint analogy quite hauntingly remained with him, when he didn't indeed rather improve it by a still intenser form: that of his opening a door behind which he would have made sure of finding nothing, a door into a room shuttered and void, and yet so coming, with a great suppressed start, on some quite erect confronting presence, something planted in the middle of the place and facing him through the dusk.”

“...though leaving him always to remark, portentously, on his probably having formed a relation, his probably enjoying a consciousness, unique in the experience of man. People enough, first and last, had been in terror of apparitions, but who had ever before so turned the tables and become himself, in the apparitional world, an incalculable terror? He might have found this sublime had he quite dared to think of it; but he didn't too much insist, truly, on that side of his privilege.”

“He looked sharply towards the pollarded trees. 'Yes, just there,' he said. 'I saw it plainly, and equally plainly I saw it not. And then there's that telephone of yours.' I told him now about the ladder I had seen below the tree where he saw the dangling rope. 'Interesting,' he said, 'because it's so silly and unexpected. It is really tragic that I should be called away just now, for it looks as if the - well, the matter were coming out of the darkness into a shaft of light. But I'll be back, I hope, in thirty-six hours. Meantime, do observe very carefully, and whatever you do, don't make a theory. Darwin says somewhere that you can't observe without theory, but to make a theory is a great danger to an observer. It can't help influencing your imagination; you tend to see or hear what falls in with your hypothesis. So just observe; be as mechanical as a phonograph and a photographic lens.' Presently the dog-cart arrived and I went down to the gate with him. 'Whatever it is that is coming through, is coming through in bits,' he said. 'You heard a telephone; I saw a rope. We both saw a figure, but not simultaneously nor in the same place. I wish I didn't have to go.' I found myself sympathizing strongly with this wish, when after dinner I found myself with a solitary evening in front of me, and the pledge to 'observe' binding me. It was not mainly a scientific ardour that prompted this sympathy and the desire for independent combination, but, quite emphatically, fear of what might be coming out of the huge darkness which lies on all sides of human experience. I could no longer fail to connect together the fancied telephone bell, the rope, and the ladder, for what made the chain between them was the figure that both Philip and I had seen. Already my mind was seething with conjectural theory, but I would not let the ferment of it ascend to my surface consciousness; my business was not to aid but rather stifle my imagination. ("Expiation")”

“The Castle Of Fear by Stewart Stafford The ghost sweated out from battlements, Appeared bleeding into full-bodied shape, The riddle of this phantom's raison d'être, Opaque as the spectre walked transparently. The armour that clad the body blinded eyes, The bagpipes it carried underarm deafened, The steely gaze froze the viewer on the spot, The sour odour it emitted made all nauseous. The wraith's left foot piteously dragged behind, Shuffling moans of pain, trailing the footsteps, Banshee shrieks, harrowing to all that heard, Dawn drained the strength, and it took flight. © Stewart Stafford, 2023. All rights reserved.”

“Making a poltergeist can be a simple recipe: allow a girl to have her first menstrual period, tell her she is a naughty girl for thinking dirty thoughts, punish her, bore her, disenfranchise her from her life, and wait. It is not a universal outcome. More than likely, you will summon nothing more than a moody teenager who slams her bedroom door and wishes aloud she had never been born. In exceptional cases, the dishes will fly off the shelves.”