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Goes On Quotes

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Goes On Quotes

“The most reckless sinner against his own conscience has always in the background the consolation that he will go on in this course only this time, or only so long, but that at such a time he will amend. We may be assured that we do not stand clear with our own consciences so long as we determine or project, or even hold it possible, at some future time to alter our course of action.”

“We are not compelled in naturalism, or even in materialism, to ignore immaterial things; the point is that any immaterial things which are recognized shall be regarded as names, aspects, functions, or concomitant products of those physical things among which action goes on.”

“A young professor I watched in action at one of our large eastern colleges used to stand with his back to the class and mumble explanations of blackboard problems. He was "let out" at the end of two years because students refused to attend his classes. He was given an evasive reason for his dismissal and he left with justifiable bitterness toward the administration. If someone had told him the truth he could have avoided this denouement. Sometimes professors go on for years without any conception of remediable faults which irritate their listeners.”

“I think a lot of times when people have "creative blocks" and I know my share of friends do as well if they're at just some stuck point. They're not sure what to do with their lives or their writing or their photography or their filmmaking or whatever it is that they're doing. I think the best advice is you have to change your life up completely; to go on a trip, to go spend a year being of service. Be willing to take some major drastic action to get you out of your comfort zone and go inside, not outside.”

“But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.”

“I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?”

“To create one must be able to respond. Creativity is the ability to respond to all that goes on around us, to choose from the hundreds of possibilities of though, feeling, action, and reaction and to put these together in a unique response, expression or message that carries moment, passion and meaning. In this sense, loss of our creative milieu means finding ourselves limited to only one choice, divested of, suppressing, or cendoring feelings and thoughts, not acting, not saying, doing, or being.”

“There are so many kinds of different feelings - not good feelings - going on in the room, and he comes in with so much compassion. He's a straight talker and pulls them into what feels like a really positive action-struggle kind of feeling. Without seeing that, you might have all kinds of judgments or feelings about what might go on in a place like that. But it felt akin to a spiritual healing more than I could have possibly anticipated.”