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Guitar Quotes

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Guitar Quotes

“Whenever I start working on a song, I immediately try to forget everything, to empty my head. I try to approach it like,“This is the first time I've ever played a guitar. What am I going to do?”. That's one way of getting straight through the conscious mind into the subconscious layer where the true creative spirit lies.”

“Nowadays, by contrast, Christianity specialises in soft-focus mood music; its threats of hell, its demand for poverty and chastity, its doctrine that only the few will be saved and the many damned, have been shed, replaced by strummed guitars and saccharine smiles. It has reinvented itself so often, and with such breathtaking hypocrisy, in the interests of retaining its hold on the gullible, that a medieval monk who woke today, like Woody Allen's Sleeper, would not be able to recognise the faith that bears the same name as his own.”

“People have a very limited idea of what being creative is - playing the guitar or the flute or writing poetry - so people go on writing rubbish in the name of poetry. You have to find out what you can do and what you cannot do. Everybody cannot do everything. You have to search and find your destiny. You have to grope in the dark, I know. It is not very clear-cut what your destiny is, but that's how life is. And it is good that one has to search for it - in the very search, something grows.”

“Imagination is the key to my lyrics. The rest is painted with a little science fiction...All I'm writing is just what I feel, that's all. I just keep it almost naked. And probably the words are so bland...I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around...Music doesn't lie. If there is something to be changed in this world, then it can only happen through music.”

“There was this big skiffle craze happening for a while in England.... Everybody was in a skiffle group..All you needed was an acoustic Guitar, a washboard with thimbles for percussion, and a tea-chest- you know, the ones they used to ship tea from India- and you just put a broom handle on it and a bit of string, and you had a bass..you only needed two chords; Jing-jinga-jing jing-jinga-jing jing-jinga-jing jing-jinga-jing. And I think that's basically where i've always been at. I'm just a skiffler, you know. Now I do posh skiffle, that's all it is.”

“I've seen a lot of people getting into Jazzmasters because of me, and, well, people don't know what they're in for. I mean if you're looking for endless sustain, you're going to have to get it out of your hands (laughs). Because a saxophonist gets it out of his breath. You've got to work for it on the guitar - it means you have to pull it out of yourself, otherwise, what are you doing? You end up playing a lot of noise or scale exercises.”

“Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.”

“It grabs me, but not as much as it grabs some of the other people that rave about them. With the Black Keys, I'm missing crescendos with the sax, keyboard or guitar solo. It never comes to me. All my favorite music is rife with crescendo and I'm not hearing enough with them. If you can get the Black Keys to hear this, tell them I offer my crescendo guitar anytime they desire it.”

“I don't care if it's Bruno Mars or Aerosmith or ZZ Top... it's about songs. 'Paperback Writer,' 'Satisfaction,' 'Cat Scratch Fever,' 'Walk This Way,' all the killer songs in the world start with an identifiable guitar pattern that is basically a bastardization of either honky-tonk or boogie-woogie. And that's in every cool piece of music in the world that you and I love.”

“I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.”