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“Part of what we want to do with the Heroic Imagination Project is to get kids to think about what it means to be a hero. The most basic concept of a hero is socially constructed: It differs from culture to culture and changes over time. Think of Christopher Columbus. Until recently, he was a hero. Now he's a genocidal murderer! If he were alive today, he'd say, "What happened? I used to be a hero, and now people are throwing tomatoes at me!”

“Karma is not something pessimistic. If you think of karma as something wrong, you are seeing karma only according to what happened in the past. You look at the past and karma becomes a monster. So you should also look at karma in the present and future. Then karma becomes something very wide and really alive. Through karma you can understand what your destiny is. Destiny itself has no solid form; it's something you can create. You can create your life. That is why we study karma.”

“I think it's very disheartening and undermining to focus on nostalgia or youthful sentimentality as the lens through which you view art and culture, because then you feel like everything good already happened. I really just try to be in the present with music and just find the things that are invigorating and make me feel happy to be alive right now.”

“Only a dreamer or a fool would pick a stock at random and expect it to take off like a space ship from its launching pad. Certainly this has happened - about as often as a dime-store clerk has become a Hollywood star or a boy born in a log cabin has been elected President of the United States - just often enough, that is, to keep alive the Great American Dream.”

“You have to hope that [good things] happen to you. [...] That's the only thing we really, surely have, is hope. You hope that you can be alive, that things will happen to you that you'll actually witness, that you'll participate in. Rather than life just rolling over you, and you wake up and it's Thursday, and what happened to Monday? Whatever the best part of my life has been, has been as a result of that remembering.”

“If we apply the term revolution to what happened in North America between 1776 and 1829, it has a special meaning. Normally, the word describes the process by which man transforms himself from one kind of man, living in one kind of society, with one way of looking at the world, into another kind of man, another society, another conception of life.... The American case is different: it is not a question of the Old Man transforming himself into the New, but of the New Man becoming alive to the fact that he is new, that he has been transformed already without his having realized it.”

“When I was doing drugs and alcohol, I thought I'll have a drink and a line of this and I'll smoke this. I didn't go, 'Then I'm going to go out and get drunk, come back strangle my wife and wake up in jail on charges of attempted murder,' but that's what happened. I'm not telling people what to do. If they can enjoy doing it and they get on with it and they can handle it fine, but don't involve me. I'm lucky to be alive; you're playing with Russian roulette.”

“Every morning I wake up, it's kind of like wow, I don't know what happened or how it happened, I can't put my finger on it, but I'm grateful. I'm grateful to be alive. To spend one more day with my family. One more day to make my dreams become a reality. One more day to help somebody. So the first thought on my mind is, thank you god for another day.”

“I could be dead or something even more tragic could have happened, but by God's grace I am still alive. I was hooked on Crystal Meth for eight years and did it every single day, all day long. I honestly have no idea how my heart survived or how I didn't suffer multiple overdoses, I don't get it.”

“That was sheer luck that it [being immersed into folk scene] happened when my voice began to develop. I don't know exactly what would have happened if I hadn't been alive and well and really lively in the Cambridge scene. But (the folk scene) was, and I fell into it absolutely naturally in the little coffee shops, and pretty soon it was Newport and then it was an overwhelming response internationally, actually.”

“I would say that not many German people are still alive, who experienced what happened during the third reich. We don't have to go to the Stasi, we can go to the Gestapo, and see what happens, when your human rights, your ability to a freedom of expression and a freedom of thought is infringed upon. This is terribly, terribly dangerous territory.”

“I couldn't take my eyes off of Stan [Lee]! As good as the movie is, all I could think about is, "What's he thinking?" So the movie ended, and then he, very whimsically, expressed all of his feelings about how long he waited, and how the TV shows in the '70s were all, "If only they could do this," and now they could. And he didn't get choked up and blubbery, but he was moved. Like, "Ohmigod, it happened while I was alive." And I can't believe I got to see that. He was very raw. It was quite beautiful.”