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“You want to know about a certain period and what happened?-You go into this building and all of a sudden you are transported! You're not just shown pictures, not even 3-D pictures, not even movies, but suddenly you are transported live by a time machine to that very time, that very age and you see it happen, you watch it happen, you hear it happen, you feel it happen! Think of it! Not only the movies but the 'feelies'! You are there!”

“This is a living planet. Look around. Mars, Venus, Jupiter. Look beyond our solar system. Where else is there a place that works, that is just right for the likes of us? It has not happened just instantly. It is vulnerable to our actions. But it's the result of four and a half billion years of evolution, of change over time. And it changes every day, all the time. It would be in our interest to try to maintain a certain level of stability that has enabled us to prosper, to not wreck the very systems that give us life.”

“Here and there it happened in my practice that a patient grew beyond himself because of unknown potentialities, and this became an experience of prime importance to me. I had learned in the meanwhile that the greatest and most important problems of life are all in a certain sense insoluble. They must be so because they express the necessary polarity inherent in every self-regulating system. They can never be solved, but only outgrown.”

“Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.”

“The last few decades have been marked by a special cultivation of the romance of the future. We seem to have made up our minds to misunderstand what has happened; and we turn, with a sort of relief, to stating what will happen-which is apparently much easier...The modern mind is forced towards the future by a certain sense of fatigue, not unmixed with terror, with which it regards the past.”

“I worked as an actor for a few years before anything happened, so I'm used to going up for auditions, and then not getting the role. But sometimes I don't read the book of the film, in case I just totally fall in love with it, and then it just becomes an obsession and you want to do it so much because you've completely fallen in love with the story and the characters. And then, if the part doesn't go your way, it's heartbreaking. So, there's a certain amount of distance you have to keep before you can throw yourself in 100%.”

“With non-fiction writing I feel like I'm confined and driven by what actually happened. That makes the "plot". So it's a process of getting all of my notes typed up, then scanning through the notes, trying to extract or find certain vignettes that seem like they might write well - that might have a potential for good energy, shape, etc. And then at some point I start stringing these together, keeping an eye on the word count.”

“What happens in a play is determined to a certain extent by what I thought might be interesting to have happen before I invented the characters, before they started taking over what happened, because they are three-dimensional individuals, and I cannot tell them what to do. Once I give them their identity and their nature, they start writing the play.”

“In a hospital, there's not anyone who's generally trying to do you harm. You're generally given a backstory about what happened to them, but not about their life, so you get to work on saving their life. But you know whose lives you're saving overseas, in the Army, to a certain degree. You know whether's it your guy or a bad guy, and it's generally not anybody in between.”

“At least to look back over their own lives, as I have looked back over mine, for certain themes and patterns and signals that are so easy to miss when you're caught up in the process of living them. If God speaks to us at all other than through such official channels as the Bible and the church, then I think he speaks to us largely through what happens to us, so listen to what has happened to you-for the sound, above all else, of his voice.”

“Her sister [June Havoc] said the musical portrayed who Gypsy [Rose Lee] wanted to be before the burlesque thing happened she wanted to be this beautiful, romantic person with dreams. So Gypsy told the story of her life as she wished she'd lived it: embellishing, softening the edges, eliminating certain things altogether.”

“If anyone had told us in 1945 that there are certain battles we'll have to fight again we wouldn't have believed it. Racism, anti-Semitism, starvation of children and, who would have believed that? At least I was convinced then, naively, that at least something happened in history that, because of myself, certain things cannot happen again.”