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Happened Quotes

“Just remember, loss is imaginary. Nothing ever disappears in the universe; it only changes form. If there is something that still wounds you, it's because of the meaning that you have linked to it. Maybe what you need to do is to have faith and say, 'Even though I don't know why this has happened, I am willing to trust. Someday, when the time is right, I will understand.'”

“Well, Rush, look what happened? 9/11 happened, and we didn't know it in advance. That's right, we got hit, we got hit big time. We need a new agency to make sure it doesn't happen again, Rush." And that was the excuse for starting Department of Homeland Security. The government grows and grows and grows and grows, and what do we get? Little old ladies wanded, scanned for bombs and weapons under their skirts next to the incontinence diapers. A bunch safer.”

“What happened is that in the middle of my life I went away and in my own sense of hubris, pride, cynicism, thought, I am an autonomous being in the world, I can control things, I am God.' But my experiment at being God failed! And they do have a great saying in AA: 'Get down off the cross, we need the wood!' And the important thing is to realise you are not the centre of the universe, you are not God.”

“When it comes to horror there's a strange need to analyze. When "evil children" fad happened, there was The Exorcist and The Other and The Omen. People would say, "What this really means is that Americans don't want to have kids anymore. They feel hostility towards their own children. They feel they're being tied down and dragged down." In fact, in most cases, what those books are about is nice children who are beset by forces beyond their control.”

“Comedians, such as yourself, Jon Stewart and others, are a valuable supplement, and here's why: Good journalism at its best frequently speaks truth to power. What's happened with journalists - again, I don't except myself from this criticism - in some ways we've lost our guts. We need a spine transplant. What's happened is comedians, in their own way, speak truth to power and fill that vacuum that we in journalism have too often left, particularly post 9/11.”

“So the idea was that, some catastrophic event had happened. There was a long dark age and then out of that, 100 years ago in this world, seven barons - these men and women - rose up and formed the new society. It's a feudal world, a part feudal barons and part warlord and part mob boss and they each control a huge resource so that there's an uneasy alliance, but they all need each other.”

“What happened is I was going to college in 1950. L. A. City College. A guy I knew was going to an acting class on Thursday nights. He started telling me about all the good-lookin' chicks and said, "Why don't you go with me?" So I probably had some motivation beyond thoughts of being an actor. And sure enough, he was right. There were a lot of girls and not many guys. I said, "Yeah, they need me here." I wound up at Universal as a contract player.”

“I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!”

“Christians have an important role to play in contending that no human life is "devoid of value." We can do so through courageous protest, as happened in Germany, as well, as in compassionate care for the most vulnerable members of society, as Mother Teresa did. In both approaches theology - what one believes about God and human life - matters. The world desperately needs that good news.”

“The other thing to realize is that almost all these shootings, including this shooting [in San-Bernardino], happened in a government building where people are not allowed to defend themselves. While it's not the ultimate answer, the ultimate answer would be no violence, part of the answer is saying, "We need to allow people to defend themselves."”

“Any place where you have to deal with many social actors like a school - you have the parents, the Ministry of Education, the school board, and the teachers - you need all kinds of sets and rules. You're trying to foresee anything that can happen and everything becomes really rigid. They don't want to talk about death because they don't want to overwhelm the children, but that has already happened, so you're not going to overwhelm them more.”

“Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.”

“Here is how I work: when I think that a film needs to have a principal theme, I search for a melody. I have a very strange melodic gift: melodies come to me effortlessly. So I write melodies-thirty, forty, fifty-then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide. That happened one time with Jacques Demy for the duo of the twins [in Les demoiselles de Rochefort]: I went to his house in Noirmoutier to play 35 possible themes for him.”

“We need to write because so many of our stories are not being heard. Where could they be heard in this era of fear and media monopolies? Writing allows us to transform what has happened to us and to fight back against what's hurting us. While not everyone is an author, everyone is a writer and I think that the process of writing is deeply spiritual and liberatory.”

“There's a bigger question again about how to do prevention. It's not simply about putting out the early warning. The early warning was put out on Abyei; everybody knew that this was coming. This was intentional, and still it happened. So this idea that we fail to stop these things because there's not awareness about them, or that we need better early warning information, I'm increasingly skeptical of. I think it's about how you move that information into the policy process.”

“The hijab or a variation of the word shows up eight times in the Quran. And it never means headscarf. And so what's happened is that the identity of a Muslim woman especially is being equated to this piece of cloth on her head. And in that ideology there's a very fundamental assumption that people need to think very deeply about, which is do you believe that a woman is too sexy for her hair?”

“What won't work - what can't work - is to act like the last years never happened, and that the survival of the [mass media] industry will be found by hiding content behind walled gardens. Instead of sticking their finger in the dike, trying to hold back the flow of innovation, companies need to ride the rapids of progress and seize the opportunities it provides.”