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“When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.”

“I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.”

“I was powerless over my childhood but the coping strategies that I developed, to survive, all of which were creative and brilliant and got me through, as an adult those became my defects of character. Those became my shortcomings, control and all that kind of stuff... and that's my responsibility. I was a blameless child in what happened in the home; I take responsibility for my behaviors as an adult.”

“I'm able to laugh now, because I've gone through a lot of mental and physical therapy to heal over the years, my music's been wonderful for me. But I was a shell of my former self at one point. I was not myself. To be fair, I was about 19, so ... I went to Catholic school and all this crazy stuff happened, and I was going, 'Oh, is this just the way adults are?' I was very naive.”

“Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him.”

“I actually don't have any fear of people reading Wild and going out unprepared. Because one of the best things that ever happened to me was that I went out unprepared. And when you really think about it, all I did wrong was that I took too much stuff, which is the most common backpacker mistake. The part that I wasn't prepared for is the part you can't prepare for.”

“I grew up with him [Michael Jackson] and I've spent a lot of time at Neverland and nothing has ever happened with me in any way. You have to look at both sides. I do think it is very convenient that his album came out and all this stuff is happening. I definitely do think that's very convenient... It really hurts me to see that his whole life is ruined.”

“What's really going on here is, this is a media shift. It's comparable to what happened in the 1950s and the birth of electronic mass media back then.This is the birth of a new kind of personal media, where, instead of we're all watching one program, we're all watching each other. And the history of media makes it really clear. Whenever we have a big innovation, the first wave of stuff we do is pretty crummy. The printing press gave us pornography, cheap thrillers, and how-to books. Television gave us Newt Minow's vast wasteland.”

“I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.”

“Well, I think that's been my career. I always choose stuff that's the same, yet different. These projects just happened. I didn't plan it out that way. I just happened to be free, and the director, Dan Pritzker, decided to do his film again. I say again because we did it seven years ago. A lot of the actors were not available, so he just couldn't wait anymore and he recast everything. Me and two other characters are the only people involved with the new one, who were involved with the previous one.”

“I happened to write a book about the stuff I've been involved in over the years. It just so happened that my profession is that I was a cop in the New York City Police Department. I guess people thought it was pretty interesting to have these two things meshed together. My life is pretty boring, I don't know why they're doing this. It's fun.”

“The NYPD never really had anything to do with it. This is stuff I did on my own time. It just so happened to be that I was a cop for my career. It was my religious belief. The NYPD very wisely stayed away from that. I was grateful that they let me do what I needed to do without getting involved because when you're a cop the NYPD controls you 24/7.”

“Everybody remembers numbers and computers remember numbers. People remember procedures and computers certainly remember procedures. But the other thing that's still important is that your perception as a human is affected subtly by all this stuff that you can't quite articulate. You run your life according to all this stuff that's happened to you. All of your memories affect everything you do whereas with a computer, there's adaptive software and things, but it's more literal.”

“What happened during the previews of 'Taboo' [musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.”

“Harvard and Yale concentrated with venture capitalists that got the best calls and brainpower. Very few firms made most of the money, and they made it in just a few periods. Everyone else returned between mediocre and lousy. When returns happened, envy rippled through institutional money management. The amount invested in venture capital went up 10 times post-1999. That later money was lost very quickly. It will happen again. I don't know anyone who successfully resists this stuff. It becomes a new orthodoxy.”

“There are moments, moments of fun but it's never necessarily a wink/wink. It's just interesting and odd and crazy things happen inside the world just like a crazy thing happened inside our world. So we don't shy away from that stuff. We take semi-ordinary characters, even though they have their own skill sets, we take those guys and we drop them into extraordinary situations and watch how the get out of them.”

“I do take a computer to do some processing live and I might use a couple of plug-in synthesisers, 'cause obviously you can take quite a lot of power in terms of sound generation on a computer that I can trigger from a couple of keyboards. And it means I don't have to take some of my vintage stuff and have it trashed by various airlines which has happened in the past. But I still take some vintage stuff with me, I'll take that risk because I like using all that stuff.”

“But my body was telling its story. I have read a lot of stuff about cancer. I needed this book. I wish I'd had this book when I had cancer. I wanted someone to be talking to me about "fart floors." I wanted somebody telling me what it was like to have a colostomy bag. I felt so alone. And if you're a person who's been traumatized by past abuse, it's so potentially re-traumatizing. You slip right into "oh my god, this is the only person this has happened to before" mentality: "I'm especially bad and I have especially bad cancer..."”

“The stories we tell ourselves about ourselves are very often not really what happened. And as I started to write stuff down, I started to challenge what I thought I knew about myself, my culture, my family, all of it. It was a huge, destroying process that completely took over my life. I just wasn't here, I mean I was physically present, but I wasn't here, I was back in the 1980s.”

“When the riots happened in L.A., they didn't go to Beverly Hills to trash Rodeo Drive. They trashed their own neighborhoods. It's one of those tragedies that we always see in riot situations, where the only thing that they can lash out against is the stuff that's right there in their own communities. They destroy the very things that help them survive in their own community. There is a level of futility in that.”

“In '94, I started writing a novel about an enormous terrorist act that destroyed the United States. The novel takes place twenty years after this destruction, with all the stuff that we're dealing with now - a dirty war, the disappeared, the concept of terrorism. Anyway, 9/11 happened some years into the process, and I was like, OK, I don't have a novel.”