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Hollywood Quotes

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Hollywood Quotes

“Drama is life with the dull bits left out. There is no terror in the bang, only in the anticipation of it. I believe in putting the horror in the minds of the audience, and not necessarily on the screen. The length of a film should be directly related to the endurance of the human bladder.”

“Centuries from now our great-great-great-grandchildren will look back at us with amazement at how we could allow such a precious achievement of human culture as the telling of a story to be shattered into smithereens by commercials, the same amazement we feel today when we look at our ancestors for whom slavery, capital punishment, burning of witches, and the inquisition were acceptable everyday events.”

“Who can now deny the loss of natural light, of skin tones, of real place, and common but precious things in our movies, to be replaced by the gorgeous imagery of things that have never been and never will be? The most special effect in movies is always the human face when its mind is being changed.”

“Like the panic stricken populace of 'The War of the Worlds' and countless other 1950s invasion movies, the victims are there to provide the human ground over which monster and expert, threat and defender, disordering and ordering impulses can battle it out. Second-class citizens of the genre, they are narratively indispensable because physically entirely disposable. We are only really involved with them in the momentary tension of their capture or demise.”

“Along with supernature and science, there is one other major source of horror movies disorder: the human psyche, most commonly homicidal psychosis. Unlike 'mad' scientists, horror-movies madmen are not visionary obsessives, glorifying in scientific reason as they single-mindedly purse their researches. They are, rather, victims of overpowering impulses that well up from within; monsters brought forth by the sleep of reason, not by its attractions.”

“success in L.A. is completely arbitrary. One day you're the brilliant genius of life, the next day people act like there's a bad smell when you approach. Lots of expensive, late-model cars are offered in the L.A. Times every day by people who have suddenly begun to smell bad. The stakes are just too high for human dignity.”

“We're all flawed, and we all make mistakes, and we all have weaknesses. And those are the kind of people I want to see onscreen, the ones that feel like real flesh-and-blood human beings and not the weird, whitewashed, Hollywood stand-ins for people with the rough edges sanded off that I can't connect to because they just don't resonate with me.”

“I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.”

“It was just a wonderful experience, one for the memory book for sure. The sad thing about it was that the picture came under this absurd cloud of controversy. Here was a movie based on the central theme that racism is something that is taught, and it's illustrated by this story of a dog and the efforts of humans to re-train it after it had been trained to go after black people. And it created this ridiculous controversy and wound up being the last Hollywood movie that Sam [Fuller] made.”

“I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we’re going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn’t feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It’s a proper character and that’s my favorite stuff to do.”

“I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink covered bathroom fixtures. I went Hollywood on the inside and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses. I received bad advice - from dramatic coaches, from agents, and from studio executives. I stopped being a human being. I blame myself and I blame Hollywood's star system.”