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Hollywood Quotes

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Hollywood Quotes

“The problem that we have is the President himself- a President who prides himself on his own weakness and incompetence and whose love of false prophets and strange women knows no bounds and has no end. A President who is as confused and as clueless as the comic character called Chancey Gardner in the celebrated 1970's Peter Seller's Hollywood blockbuster titled ”Being There”

“There were many generations of Latino people coming to this country, coming from difficult political or social situations in their own countries, and they worked very hard to have their kids go to universities. Well, those kids came out and they are now doctors and architects, or they are on the Supreme Court. That has a reflection in Hollywood. So, we are actually very proud that our characters are Latinos, and I think it's good for diversity and cultural interaction.”

“The great exception to that, of course, is Johnny Depp, who is absolutely the ultimate character actor. Johnny Depp is the future of the character actor and thanks to his success maybe we will see the return of an era when my sort of actor is back in vogue. It's not in vogue for me to be in Hollywood movies as lots of different people.”

“It's immoral to parent irresponsibly... And it doesn't help matters any when prime time tv, like "Murphy Brown", a character who is supposed to represent a successful career woman of today, mocks the importance of the father by bearing a child alone, and calling it just another "lifestyle choice." Marriage is probably the best anti-poverty program there is... Even though our cultural leaders in Hollywood, network TV, the national newspapers routinely jeer at [such values] I think most of us in this room know that some things are good, and other things are wrong.”

“I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.”

“is grey, and I like that about all the characters, the killer, the driver... the movie has a very unlikely Hollywood ending, at the same time it helps you for a sequel too. Those are the things that I think are attractive, it's more, its real life, and people can identify with it and it just grounds it to a certain degree. That's the reason why.”

“In my mind what novels do best is that they immerse us deeply into our character's world - they truly transport us deep into these spaces - but the same way you know a Hollywood movie won't end after thirty minutes, you carry in yourself the implicit contract that the novel won't throw you out of itself 'til the very end. That bulk of pages is a form of consolation, of security.”

“I have friends who are leading men, and they're only ever allowed to play leading men of a certain type. But as a character actor, there's a wider variety of projects available. On the big Hollywood films, all they care about is having their lead in place, so it's actually easier for someone like me to slip in. And I'm happy to do so.”

“The thing that I've run up against is that it's always been an either-or proposition, especially in Hollywood. You're either young and glamorous and you're going to get the lead and get the man at the end of the picture, or it's the opposite: you're a character actress, you're not attractive enough for the other role, and so you're playing the friend or the killer or the lesbian or the doctor or whatever.”

“Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.”

“You can't take yourself too seriously. Like, yeah, I'm doin' all that, but still I don't feel like I've done anything, really. I feel blessed 'cause I'm doin' all these things, but I'm not satisfied. I still have that feeling like, "Who am I? Who am I to have an ego? Who am I to change up and act like some Hollywood character?" Technically, in the grand scheme of things, I haven't done anything.”

“It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.”

“I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we’re going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn’t feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It’s a proper character and that’s my favorite stuff to do.”

“I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink covered bathroom fixtures. I went Hollywood on the inside and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses. I received bad advice - from dramatic coaches, from agents, and from studio executives. I stopped being a human being. I blame myself and I blame Hollywood's star system.”