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Hollywood Quotes

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Hollywood Quotes

“Hollywood is a very male business, and it has in vast portions of it - the whole action movie part of it might as well be the United States Army in 1943 in that the ethics of it are, you know, boot camp and action movies and guns and explosions and all the rest of it, and that - so that means that about 50% of the business is not only pretty much closed off to women, but women don't even wanna be in it!”

“Those individuals from the far left, and I'm talking about the Hollywood elitists and the United Nations and those individuals want us to believe it's because we are contributing CO2 to the atmosphere, that's causing global warming. It's all about money. I mean, what would happen to the Weather Channel's ratings if all the sudden people weren't scared anymore?”

“I was 12 when I ordered my first guitar out of the worn and discolored pages of the Sears and Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay. Prairie hay, used as feed for the cattle in winter. It was mean work for a wiry boy, but ambition made me strong.”

“Out in Hollywood, where the streets are paved with Goldwyn, the word "sophisticate" means, very simply, "obscene." A sophisticatedstory is a dirty story. Some of that meaning was wafted eastward and got itself mixed up into the present definition. So that a "sophisticate" means: one who dwells in a tower made of a DuPont substitute for ivory and holds a glass of flat champagne in one hand and an album of dirty post cards in the other.”

“Ah, Marilyn, Hollywood's Joan of Arc, our Ultimate Sacrificial Lamb. Well, let me tell you, she was mean, terribly mean. The meanest woman I have ever known in this town. I am appalled by this Marilyn Monroe cult. Perhaps it's getting to be an act of courage to say the truth about her. Well, let me be courageous. I have never met anyone as utterly mean as Marilyn Monroe. Nor as utterly fabulous on the screen, and that includes Garbo.”

“Today, we know that time travel need not be confined to myths, science fiction, Hollywood movies, or even speculation by theoretical physicists. Time travel is possible. For example, an object traveling at high speeds ages more slowly than a stationary object. This means that if you were to travel into outer space and return, moving close to light speed, you could travel thousands of years into the Earth's future.”

“Once you capitulate to one dictator, does that mean that the next dictator or the next terrorist that says you're not going to make a comedy about - or a film at all about ISIS. All of us in public life have a responsibility right now to speak out and to say, 'No, Sony, you did the wrong thing' and to say to Hollywood, come behind - the other studios should come behind Sony and offer their support.”

“I know, that trends and all of those things and formulae that calculate what audiences want to see and what audiences don't want to see and various other demographic demarcations are the eccentric and ludicrous prerogative of Hollywood studios. But out there in the real world - by which I mean the rest of the world where we make truthful organic films, independent films unimpeded by interference - it's not about all those sort of calculating what is commercial. It's about wanting to say things and saying them in a way that will get through to people.”

“I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'”

“I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.”