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Hollywood Quotes

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Hollywood Quotes

“Horror hostess, bondage goddess, Charles Addams cartoon comes to life, Vampire was every first-generation fanboy's wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B&D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women's choices, bodies, and desires. This book is a subversive masterpiece.”

“Louis B. Mayer is one of those with a claim to posessing the equation... he began to buy up nickelodeon arcades in the years before the First World War in and around Boston. He had noticed that people liked going into the dark to see the light... the appeal of the movies is beyond the sensible, rational or the hard-working. Going into the dark, afte centuries of progress in which mankind has staggered toward artificial light, smacks of delicious perversity.”

“In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?”

“There is no blacklist. In the first place, in the entertainment business, money talks, bullshit walks. So Susan Sarandon and Tim Robbins won't be blacklisted because they are bankable stars. In the second place, if you are a woman, the only things you're going to be blacklisted for in Hollywood are body fat and aging.”

“The first thing you notice about women in Hollywood, besides their low percentage of body fat, is how few are married. And the number of great-looking, successful single women without a social life is staggering. ... The most glaring misconception about Hollywood is that it is the romance capital of the world.”

“I was 12 when I ordered my first guitar out of the worn and discolored pages of the Sears and Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay. Prairie hay, used as feed for the cattle in winter. It was mean work for a wiry boy, but ambition made me strong.”

“What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.”

“When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."”

“I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.”

“You know, unfortunately divorce it happens in Kansas as much as it does in Hollywood. And, you know, women having to start over at 40, you know, for the first time in their life having to find a career and being a single parent and having to date. You know, all of those things happen everywhere in the world. It's not just Los Angeles. So I would defend the fact that there are, you know, there are other reasons to watch than just to get a laugh.”

“My first memoir, 'Home,' was about my childhood, early training and formative years in the Theater, i am so pleased that my good friends at the Hachette Book Group have encouraged me to share the next phase of my life, beginning with my arrival in Hollywood and the wonderful movies and television programs I was asked to be a part of.”

“I've worked in almost every other place in Canada except Toronto, funny enough, where my husband's from. The first time I was here it was winter, and I got engaged. The second time I was here it was summer, and I was married. My family lives here, my stepson lives here, so it's a wonderful place. Everyone's very nice and hospitable, unlike Hollywood.”

“A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.”

“I grew up a really nerdy kid. I read science fiction and fantasy voraciously, for the first 16 years of my life. I read a lot of classic Cold War science fiction, which is much of the best science fiction, so I speak the language well, which is a commodity that's not easy to come by in Hollywood.”

“I've always hate child stars, starting from way back when, when I was a child. The first child star I saw was Shirley Temple. She was six years old, two foot six and the biggest star in Hollywood. She wore ribbons in her hair, and frilly little pinafores and shiny patent-leather tap shoes - just like the boys in Glee do.”

“When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.”