Quotessence
Home / Topics / Listening Quotes

Listening Quotes

Browse 4050 quotes about Listening.

Related topics

Listening Quotes

“Sometimes listening to music can motivate you. It can. But if you're a musician, that isn't always the way to get new ideas because you don't want to take somebody else's ideas. You need to find your own. So if you go to different artistic mediums, whether it's dance or it's visual arts or films or books, stories, sometimes it gets you hearing things, hearing progressions that you wouldn't come up with if you were just listening to other music because you don't want to copy progressions you've just heard.”

“I think this transition to a candidacy will allow me to be more direct about my advocacy of the leadership skills necessary for the next president to fix a few things, and as a candidate, contrary to someone who has been listening and learning along the way, I'll offer up alternatives to the path we're on as well, so I'll be more specific on policy.”

“Whether you find it through mediation or sighing over tea or just turning all your devices off for five minutes, listening is an ancient lifeline by which we are awakened time and again. Once reawakened, we more easily find our way to each other, and so help each other live.”

“The audience is invisible and that's good. Somewhere my voice is drifting through a swine barn and the sound of it seems to perk up the sows' appetite. Or a lady is listening on headphones as she jogs along a beach, running to my cadence. Or a dog sits in front of the radio, head cocked, and the sibilants excite him in some mysterious way. A dog's humorist, that's me.”

“The ways of change are dictated by the circumstances of each country, each place and each time. I don't think that arrogant intellectuals should be dictating to the people which way they should be heading. I think we should be listening to the people, see in which directions things are developing. People are walking where they can, not where they want to. But they are walking!”

“I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.”

“I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.”

“Things do fall apart. It is in their nature to do so. When we try to protect ourselves from the inevitability of change, we are not listening to the soul. We are listening to our fear of life and death, our lack of faith, our smaller ego's will to prevail. To listen to the soul is to stop fighting with life-to stop fighting when things fall apart, when they don't go our way, when we get sick, when we are betrayed or mistreated or misunderstood. To listen to the soul is to slow down, to feel deeply, to see ourselves clearly, to surrender to discomfort and uncertainty, and to wait.”

“I just think we as consumers of information media must be very clear what it is we are consuming. Whether we are choosing to get our information by listening to people fight about it. Or whether we're choosing to get it by listening to the facts or watching the facts as they're laid out and then reaching our own conclusions. It's very different ways of info gathering, but it's not all journalism.”

“Reading and writing music is a wonderful way of getting ideas in your head down to someone else who reads and writes, but if you don't read and write, and the other musician you're playing with are trying to express something who doesn't read and write, than it's a question of "I wrote" so that you must learn from listening and from understanding where that's coming from.”

“I go all the way back to the Hot Boys days and being 13, listening to this dude. Just remembering the staple he put on the game back then all the way to now, to have that longevity years beyond it. So for him to actually acknowledge what I'm doing right now and seeing it as a path, the same way the longevity he created, it's a great feeling to actually share that same stage and a moment with him. Wayne ain't no new jack to this game. He influenced a lot of styles and a lot of sounds. I would say I was influenced by a recent sound and flow, and cadence that he brung to the game.”

“Communicate, communicate, communicate: If anything, make sure to communicate what you're doing, what you're up to, what's going on and what issues your facing as often as you can - even if [you think] no one's listening. This serves both as a log of your activities and a personal record that you can refer to later but also opens the possibility that someone might just come along and be able to help you in some unexpected but totally necessary way!”

“One of the tricks is to have the exposition conveyed in a scene of conflict, so that a character is forced to say things you want the audience to know - as, for example, if he is defending himself against somebody's attack, his words of defense seem Justified even though his words are actually expository words. Something appears to be happening, so the audience believes it is witnessing a scene (which it is), not listening to expository speeches. Humor is another way of getting exposition across.”

“When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.”

“Some people will follow their minds without listening to their hearts, and others will follow their hearts without listening to their minds. This is why reason exists, for there to be balance between the heart and mind. We were not meant to follow the mind and ignore the heart. Instead, we were meant to follow the heart over the mind, but without completely abandoning logic. The middle way is the preferred way, and this path simply means to allow your heart to drive you, but do not forget to balance reason with your conscience.”

“I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.”

“I have physical problems with listening to reggae. It's weird, I don't know why. It doesn't fit the way my heart pounds, and I feel very bad when I hear it. I have a neighbor--she's a waitress who comes home every night at four in the morning and she plays reggae very loud. I hate that. I can't sleep and I can't wake up either to that music.”

“A lot of people are not comfortable being apart from the group, from the whole herd, and listening to the inner voice. They just follow what the crowd does and wear what the crowd wears and think what the crowd thinks. They get very caught up in doing what the world says is the cool thing to do and living the way the rest of the world lives. Once we make a decision to break away from that and not be part of the herd anymore - by going inside and finding our own voice - then life just becomes magical.”

“There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.”

“As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.”