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“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

“I didn't miss any games, but Coach Knight came out and spent three days with my family in Chicago when my dad passed away. I came back and played and it was good therapy for me. Having a basketball family and a coach who understood and actually became like a father figure for that time was comforting to me, and I'm sure that will be comforting to Coleman.”

“Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.”

“When I first started I didn't know a lot about the job, so I kinda had to figure it out by wire, ya know? It was hit and miss, I made mistakes, and fortunately I was able to recover from most of 'em. But I promised myself if I ever get to a point where I can help somebody that's trying to learn how to do this, that I would try to do that.”

“We live in a culture that insists on "moving on" (even while our loyalty to and love of the franchise and the sequel give away a larger loopiness). But I tend to dwell or obsess or meditate, and I came back to, for instance, the figure of Dickens's "Miss Havisham" with some (self) recognition if not relief.”

“Miss Havisham is an important feminine literary figure in the tradition of Antigone (though it's significant that Antigone is fighting to bury something and Miss Havisham refuses, as it were, to bury the corpse). Like Hamlet, she's focused on what everyone would rather not know or would like to forget, and she seems crazy / stuck as well as bitter, but she's also a perfect prototype of a performance artist. She's intentionally hard to deal with inviting the audience to remain with the violated body, the evidence of violence.”