“Pianists of extraordinary talent, such as Christina Petrowska,spend a large part of their early lives perfecting technique…Miss Petrowska,a Canadian with a phenomenal ability to play the most difficult music cleanly, gave a demonstration of her achievements at Carnegie Recital Hall. A product of the Juilliard School who studied with Karlheinz Stockhausen and Gyorgy Ligeti in Europe, Miss Petrowska built most of her program around fiercely difficult contemporary works. She has fingers that work like chrome-plated pistons, and her high-seated position let her bring pulverizing power to bear.” PlaySchoolDifficultAbilityTalentMissingPositionProductsBearsAchievementEuropeBuiltProgramFingersExtraordinaryTechniqueContemporaryHallsDemonstrationPhenomenalPianistCarnegieChristinaEarly LifeRecitalsChromeJuilliardStockhausen Author:Donal Henahan
“What I resist is techniques. I find techniques very problematic. So when critics talk about my work in those terms, I find that they miss the condition. I am comfortable with the notion of pattern and ornament as a system of organization, [but] for me it acts as a textile. So it's not about pattern, but the notion of architecture through the lens of textile, rather than architecture through the lens of brick and mortar.” TermConditionsMissingComfortableOrganizationCriticsNotionPatternsArchitectureTechniqueLensesBricksOrnamentsMortarTextilesBricks And Mortar Author:David Adjaye
“There is something missing in a lot of digital filmmaking, something I call "poetic reality." That's something you see played out in film noir, where the technique establishes the mood.” RealityFilmMissingTechniqueMoodDigitalPoeticFilmmakingNoirFilm Noir Author:Vilmos Zsigmond