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“When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.”

“Relationships help you learn more about what you want. If one doesn't work out, you just kind of look at it and go, Okay, well, this is what I did like and this is what I didn't like, and this is what I did wrong, and maybe I need to be more like this. And so you learn things, and that's why you grow. And you bring all the stuff that you've changed about yourself to a new relationship until you finally find that person you really, really want.”

“When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.”

“All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?”

“I went out to Bali, and I cast all of these supporting roles. I love that stuff. I just love actors. And then, Ryan Murphy asked me to direct second unit for him on Eat Pray Love. I was already booked on something else, but I joined them later. And then, I wrote him a thank you email and I got no response. I was like, "Okay, that's it." We didn't interact much on set either.”

“Do you ever go off with a long grocery list and come home from the store with a bunch of different stuff? And somebody in the family unsacks the groceries and wants to know why you got this and didn't get that and just where is the whatever? And you want to say, 'Well, just be glad I came back, okay?' And the unpacker says, 'Well, next time bring what's on the list.'”

“I think whoever runs next time has to have a very clear idea of where he or she wants to take America and has to run on those ideas, because the election cannot be about personalities, participants sniping, all of the irrelevant stuff the day after the election sort of dissipates, and you wake up and say, okay, now what am I going to do?”

“For fifty years, we heard NATO is necessary to save Western Europe from the Russian hordes, you know the slave state, stuff I was taking about. In 1990-91, no Russian hordes. Okay, what happens? Well there are actually visions of the future system that were presented. One was [Mikhail] Gorbachev. He called for a Eurasian security system, with no military blocs. He called it a Common European Home. No military blocs, no Warsaw Pact. Just an integrated security system with no conflicts.Now the other vision was presented by George Bush, this is the "statesman".”

“All children in the '50s were taught manners, they were taught to say please and thank you, they were taught not to be rude. And I'm seeing some problems today where somebody's losing a job because they made fun of a fat lady that couldn't fit in the elevator. I mean that was the sort of thing that, when I was eight years old, my mother made it very clear to me that that was not okay to say that kind of stuff.”

“A writer with her work needs to be like a dog with a bone all the time. She needs to know where she's hidden it. Where she's stored the good stuff. She needs to keep gnawing at it, even after all the meat seems to be gone. When a student of mine says (okay, whines) that she's impatient, or tired, or the worst: isn't it good enough? this may be harsh, but she loses just a little bit of my respect. Because there is no room for impatience, or exhaustion, or self-satisfaction, or laziness. All of these really mean, simply, that the inner censor has won the day.”

“Just because you're into Kate...well, it doesn't necessarily mean you're gay. Although it's okay if you are. But if that's what's worrying you...' Ariel sighed. 'God. It shouldn't be so hard to talk about this stuff. All I'm saying is maybe you're gay and maybe you're not. Maybe you're bi. Or maybe it's totally a Kate thing. Maybe you'd want to be with her whether she was a girl or a boy.' I blinked. I didn't know if what she said made things better or worse.”

“Sam:"Okay, what words would you use then?" I leaned back in the seat, thinking, as Sam looked at me doubtfully. He was right to look doubtful. My head didn't work with words very well- at least not in this abstract, descriptive sort of way. Grace:"Sensitive" I tried. Sam translated: "Squishy" Grace:"Creative" Sam:"Dangerously emo" Grace:"Thoughtful" Sam:"Feng shui." I laughed so hard I snorted. Grace:"How did you get feng shui out of thoughtful?" Sam:"You know, because in feng shui, you arrange funiture and plants and stuff in thoughtful ways.”

“I love the idea of the big life - the life that matters, the life that makes a difference. The life where stuff happens, where people take action. The opposite of the life where the girl can't even speak to the boy she likes; the opposite of the life where the friends aren't even good friends, and lots of days are wasted away feeling bored and kind of okay, like nothing matters much.”

“Okay, so if that's not real, what is? What counts, to you?" He thought for a second, then said, "I don't know. Just because someone's pretty doesn't mean she's decent. Or vice versa. I'm not into appearances. I like flaws, I think they make things interesting." I wasn't sure what answer I'd expected. But this wasn't it. For a second, I just sat there, letting it sink in. "You know," I said finally, "saying stuff like that would make girls even crazier for you. Now you're cuteand somewhat more attainable. If you were appealing before, now you're off the charts.”

“You okay?" "Fine." "Your heart's beating really fast." "Gee, thanks. That's very comforting that you can hear it." He smiled, and it was the old Michael, the one she'd first met before all the vamp stuff. "Yeah, I know it is. Sorry. Just stay behind me if there's trouble." "You sound like Shane." "Well, he did say he'd kill me if I got you hurt. I'm just looking after my own neck." "Liar.”

“We're all afraid of the same stuff. Mostly we're afraid that we're secretly not okay, that we're disgusting, or frauds, or about to be diagnosed with cancer. ... We want to teach you how to quiet the yammer ... how you can create comfort, inside and outside, how you can get warm, how you can feed yourself. And even learn to get through silence. ... There is a wilderness inside you, and a banquet. Both. [p. 253]”

“Okay. Morality in a nutshell. Don't hurt people if you can avoid it. Don't steal stuff unless you're starving or it's really, really important. Work hard. Pay your bills. Try to help others. Always double-check your math if there are explosives involved. If you screwed it up, you need to see it gets fixed. And don't eat anything that talks. If it doesn't fall under one of those categories, just do the best you can.”