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Pages Quotes

“When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"”

ThinkingWritingLooksDoeDifferentBodyFormSoundVoiceSuccessfulPagesToolsRelationYour BodyLoudSpoken WordToolbox
Author:Phil Kay
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“The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.”

ThinkingWayLooksMeanTogetherSoundSpacePoetPagesCriticsObsessedVisualsProseWorking TogetherStrictCuratorMean Words
Author:Masha Tupitsyn
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“I am obsessed by the idea of silence. I went through an entire library studying art, artists and their critics, philosophers, too, on the meaning and significance of the color white. I dreamed of white birds and white bears. I thought about the white pages of my mother's journals. I became enthralled with John Cage and his work, 4'33”, his masterpiece of ambient sound. Rauschenberg, too. And then at some point I let go. What sticks to the soul is what gets placed on the page. Maybe that's the unknown part, the mystery, the power of the empty page.”

ArtIdeasSoulMotherArtistSoundWhiteSilenceStudyMysteryColorBearsLetting GoPagesBirdEmptySticksCriticsLibraryPhilosopherObsessedSignificanceJournalCagesMasterpieceAmbientColor WhiteStudying ArtWhite Birds
Author:Terry Tempest Williams
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“Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.”

PeopleIfsWellsBookIdeasRealSeemsReadingSoundTalkingExampleBearsPagesHonestlyReal LifeTricksDialogueGood IdeasResemblancePeople TalkingReading Aloud
Author:Patrick Rothfuss
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“From the perspective of someone with two grown and wonderful kids, that your instincts as parents are correct: a minute spent reading to your kids now will repay itself a million-fold later, not only because they love you for reading to them, but also because, years later, when they’re gone and miles away, those quiet evenings, when you were tucked in with them, everything quiet but the sound of the page-turns, will, seem to you, I promise...... sacred.”

YearsTwoSeemsKidsTurnsReadingParentSoundMillionsGoneWonderfulMinutesLove YouPerspectivePromiseQuietPagesSacredInstinctMilesEveningFoldsI PromiseMiles Away
Author:George Saunders
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“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”

IfsWayMayBookDifferentPlayLyingSoundBlackVoicePiecesHeardAirReaderMusicianPagesLettersMarkMusicalScoreInterpretationFrozenAlphabetViolinist
Author:Margaret Atwood
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“Pretty much every issue that we've put out, there have been at least one or two things that really surprised me. It sounds like bullshit, but most of the stories that we've run had that effect on me. We get thousands and thousands of submissions and I don't think we've published a story yet - very few, anyway - where there wasn't something like what Mona Simpson described, where a first sentence or a first page didn't just really command attention.”

ThinkingFirstsHas BeensTwoStoriesRunningSoundAttentionIssuesEffectsPagesSentencesCommandTwo ThingsBullshitSubmission
Author:Lorin Stein
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“You read about that Black Lips/Wavves fight as a spectator and you're like, "Oh man, I'm gonna pick a team to be on! I'm gonna put my two cents in as my status update on my Facebook page" or something. Not to sound like an anti-technology person, but it's just a real drag that people live their lives that way.”

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Author:Bradford Cox
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“Those of us with a microphone who are blessed with the gift of being in the public eye have a special opportunity to give voice to all those groups whose activism is sometimes ignored or put on the back pages with the the dumbing down of television and the tabloidization of journalism. As Ralph Nader called it, "sound barks," not even sound bites.”

GivingSometimesEyeOpportunitySoundVoiceGroupsSpecialTelevisionPagesBlessedActivismJournalismBitesIgnoredBarkMicrophonesPublic EyeSound BitesDumbing Down
Author:Bonnie Raitt
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“Imagine a smashed stained-glass window, a page torn from a Bible, or a snippet of choral singing. You would still recognize their religious roots, wouldn't you? In 1915, Coca-Cola designed a bottle so unique that if it were smashed into thousands of pieces, from a single shard of glass you'd still be able recognize the brand. We call such a device a Smashable. It can be anything from a color to a sound, from a pattern to a smell to an icon.”

IfsStillsAbleSoundReligiousPiecesImagineColorPagesUniqueSingingRootsWindowGlassesPatternsSmellBrandsDevicesBottlesTornIconsCoca ColaStained GlassStained Glass WindowsShards Of Glass
Author:Martin Lindstrom
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“Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.”

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Book:Inkspell
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“So imagine a fire going -- wood snapping the way it does when it’s a little green — the wind rattling the windows behind the curtains -- and one of those Chopin melodies that feel like sorrow and ecstasy all mixed together pouring from the keys -- and you have my idea of happiness. Or just reading, reading and lamplight, the sound of pages turning. And so you dare to be happy. You do that thing. You dare.”

WayFeelsLittlesDoeIdeasTogetherReadingSoundBehindsFireImagineWindKeysSorrowPagesWindowGreenDareWoodsMelodyEcstasyCurtainsPouringSnappingPages Turning
Book:The King in the Tree
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“I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.”

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Book:Linger
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“I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.”

GivingFeelsMayBookHandsPurposeTurnsSoundSimplePleasureReaderFitShapesPaperPagesGive MeMereSizePatternsPrintPracticalityVersatilityFonts
Author:Susan Hill
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