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Painting Quotes

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Painting Quotes

“I bought a painting in Madrid on my first trip there too and a lot of people say, 'Well it's not the greatest painting' and I say, 'It is to me.' OK, you can look at a beautiful painting and say, 'That's beautiful' but to me, it feels warmer to fill my home with pictures of friends and family and paintings of places I've gone. That's what I want to come home to.”

“Whether it is gun control lobby, health care lobby, or abortion, pro-choice lobby, whatever it is, people are always trying to say that it is about restricting rights and they are never really prepared to talk about what the honest tradeoffs are. One of the things we need to do a better job of is actually painting those tradeoffs.”

“What's confusing about that, though, is you [Marco Rubio] say if he [Donald Trump] were the nominee, it would destroy the conservative movement. You're painting scary pictures of him being the nominee. But then you're saying he will never be the nominee. You have signed onto the hashtag #neverTrump.I guess what people wonder is, you say all these terrible things about him, but then why might you not, like Chris Christie, who said bad things about him, just turn around and endorse him once - once he gets the nomination?”

“I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.”

“The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.”

“It became a question of taste. I have a certain taste in art history. And that - I had a huge library of art history books in my studio. And I would simply have the models go through those books with me, and we began a conversation about, like, what painting means, why we do it, why people care about it why or how it can mean or make sense today.”

“We had lead emitted in gasoline and in paint, painting generations of housing for an entire century, practically, before it was regulated. That's what I'm talking about, is that we have a regulatory system that is biased to protect profit and not to protect people. We need a much more precautionary and proactive regulatory system that is not influenced by the revolving door.”