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Productions Quotes

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Productions Quotes

“It's very difficult to have any faith in the sincerity of the SLORC about stamping out drug production if they find it so easy to forgive a drug baron whom at one time they said they would never, never forgive and would never, never regard as anything but a drug runner. The SLORC is far more aggressive in its attitude toward the National League for Democracy than against drug traffickers.”

“It's just about having faith in what I wrote and following through on the plan and making sure I get the pieces the way that I need them. It's just about executing properly in production and then in post, you know, it's working [with] and trusting my editor, and then also playing the film for people and seeing how they react.”

“I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.”

“As far as producing, once we started shooting, I soon realized where the critical decisions about the movies were really being made, and it wasn't on the set. They were being made in the production meetings. That's where producing a movie happens. And that's where I wanted to be. I didn't just want to be a piece, a pawn being played. I wanted to take part in the creative process, and that's how I sort of got introduced to the idea.”

“We try to use obvious Canadian touches whenever we can, and I'm really proud of the way we use Vancouver for its production value. Nobody is pretending that we're not shooting in Canada, which is really important to me. The other wonderful thing is that ABC has bought us, but they air us after CTV has had the full season air on Canadian television. That's another thing that I think is really a nod towards the importance of us acknowledging our own industry.”

“Well, what if we did this in the mind as opposed to the brain? So instead of blood vessels and dendrites, what if it was consciousness and dream production? And that would allow us to have characters that represent emotions. And that felt like, man, that's exactly what animation does best - strong, opinionated, caricatured personalities. And that just got me excited.”

“I actually do see rock and roll as pop music. I think the distinction I was making was that I was going out of my way to have a very consistent approach to production, where nothing kind of punctures the reality - or, I guess, the fake reality - of the album and what you're listening to from beginning to end.”

“I'm most excited that the hard work has paid off for myself and the team. You put your heart and soul into something and you want to show it to an audience outside of Jersey Boys. It gives a chance to not only show my work, but of Jeffrey Schecter as an actor and co-writer. It gets to show off our cinematographer, my production team. That's what I'm most proud of… everybody gets to have their own moment to enjoy it.”

“If I'm not mistaken, I believe it was written beforehand. And it just happened in rehearsals Basically giving each person their vocal-line and I ended up getting that line! I'm so grateful I did because it was really special to sing that and you feel something when you sing it it's a very distinct piece that fits perfectly in the production.”

“The Internet has been an invaluable acquisition. I wonder how we would do without it. Information can be sent from one country to the other within the space of minutes, crossing channels, crossing oceans, crossing continents. But still, we can't compete with the might and power and wealth of those who dominate, control, and own the means of the production of information today.”

“Well, I tried being in front of the camera as a student and that was terrifying. But the press stuff about me growing up on his [film] sets has been exaggerated. I was an extra as a kid and I was also a PA [production assistant] on one of his movies, so I was lucky to get production experience. But I was nowhere near him.”

“Mr. Hillaire Belloc has pointed out that science has changed greatly, and for the worse, since it became popular. Some hundred years ago, or more, only very unusual, highly original spirits were attracted to science at all; scientific work was therefore carried out by men of exceptional intelligence. Now, scientists are turned out by mass production in our universities.”

“I think we have reached a stage now where we need to find solutions to economic injustice in the same place and in the same ways that we find solutions to sustainability. Sustainability on environmental grounds and justice in terms of everyone having a place in the production and consumption system - these are two aspects of the same issue. They have been artificially separated and have to be put back again in the Western way of thinking.”

“When you take the entire system into account, ways of developing more of something in one dimension can actually create scarcities in another. If we say we have to increase production because people need more food, more housing, more meat, or more milk, we can make one thing grow in a certain way. But by doing that we create externalities so that there are scarcities in other related things.”

“The system of technological production that we have today has been justified in terms of creating more goods to feed more people and to meet more needs. But it actually destroys more of the resources that we need in order to meet those multiple needs. If we shift to an ecological perception, a diversity perception, we realize that some of the instruments of which we are very proud are actually extremely primitive for dealing with nature. To me that is the great lesson of ecological awareness at the turn of the millennium.”

“I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".”