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Records Quotes

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Records Quotes

“The program grew out of a desire to address a gap identified after 9/11 ... The program does not involve the NSA examining the phone records of ordinary Americans. Rather, it consolidates these records into a database that the government can query if it has a specific lead - phone records that the companies already retain for business purposes.”

“My father urged Alan [Lomax] not to repeat the mistakes of the European folklorists who, a century ago, had collected these peasant songs and then arranged them for part choir and accompanied them on piano, and then told the young people of their country, "Don't change a note, this is our sacred heritage." Father said, whether it's a fiddle tune or a gospel song, learn it right off the record from the people who grew up with it. Don't just learn it from a piece of paper.”

“I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.”

“In the dream of approaching forty I saw myself as about to die and realized that I was no longer myself, but a creature inhabited entirely by parasites, as a caterpillar is occupied by the grubs of the ichneumon fly. Gin, whisky, sloth, fear, guilt, tobacco, had made themselves my inquilines; alcohol sloshed about within, while tendrils of melon and vine grew out of ears and nostrils; my mind was a worn gramophone record, my true self was such a ruin as to seem non-existent, and all this had happened in the last three years.”

“Our whole intention was to make a record of songs that we grew up with and change them up a little bit, but we kind of stumbled on writing "Joseph's Lullaby." The irony is when I originally wrote the song, it was called "Mary's Lullaby." I wrote it from Mary's standpoint and it was in a higher key, a real falsetto, and it just wasn't right. One day, the producer's wife said, "Well, it's kind of odd that you're singing from Mary's perspective, being the guy. Why don't you do Joseph?”