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Rehearsal Quotes

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Rehearsal Quotes

“We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.”

“Phil Harris and Pat Boone were once paired as guests on an episode of Andy Williams' TV show. During a rehearsal break, Harris suggested the three of them go out for a drink. When Boone declined, explaining he did not drink, Harris asked Williams, "Andy, can you imagine getting up in the morning knowing that's the best you're going to feel all day?"”

“I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?”

“If the best way to learn to succeed is to fail as fast as possible, then the second-best way is to watch someone else fail as fast as possible. Watching someone else screw up is a kind of rehearsal for your own eventual downfall. A close observation of someone else's attempt to resolve a difficulty is a great way to acquire real-world insight into whether and when to deploy their method in your own times of trouble.”

“We rehearsed for a bit for an Indie film, which is kind of unusual, we had a week of rehearsals before we actually shot the films so we were able to really break down the script and kind of work through all of the improvisational things that he wanted to do, so he had a chance to really feel his way through before we actually shot it and I think that helped a lot.”

“The directors were often really nice and I was well behaved, so I would just sit there in rehearsal. That allowed me to see the process - not just the result, the red carpet, all of the wonderful, fun things that happen afterwards - the nuts and bolts, the nitty-gritty, "Let's try to build this character from the page," tech rehearsals.”

“After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.”

“I don't have much to compare it to because I really didn't know much about theater. After I signed on, I started reading a lot of Sam Shepard plays just to brush up on my history and do some research. What's great is that Sam's been here and he's been in rehearsals with us. Sometimes you don't even notice him come in; he's just sitting there in the theater seats watching you.”

“We're shaking up a format, which I think is always a good thing. The thing about [2011 Oscar hosts] James [Franco] and Anne [Hathaway] is, they've both hosted Saturday Night Live, and they both did a good job at it. So they are accustomed to working with short rehearsal time, and live, lots of pressure, rewrites, things like that. They can make quick changes, which is very advantageous, and they're skilled comedians.”

“Ivo van Hove is directing The Crucible, and rehearses in quite an unusual way. We started rehearsals last week and dived straight into the first act, like, five minutes after we all turned up. No warm-ups. We were very intensely immersed in that whole world on day one. It was quite surreal because I've never done any theater before.”

“If I'm not mistaken, I believe it was written beforehand. And it just happened in rehearsals Basically giving each person their vocal-line and I ended up getting that line! I'm so grateful I did because it was really special to sing that and you feel something when you sing it it's a very distinct piece that fits perfectly in the production.”

“An example I love: Diwata auditioned for the school play by doing a big number from Once Upon A Mattress. I went home and my boyfriend plunked out the notes for me, and I had to learn and prepare that song just so I could learn and know how that feels. I've never had that kind of detail in a rehearsal process. Jason Moore is absolutely unbelievable.”

“The music director, Stephen Oremus, was telling me: "I hope you've done your work." We only have ten days rehearsal. The music is no joke. My solo singing is not that hard. But the stuff I have as part of the choir or as a "Dead Guest" in the second-half... I'm singing some really incredible chorus stuff that I haven't done in a long time. It's extremely difficult.”