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Rock N Roll Quotes

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Rock N Roll Quotes

“I worked in Bhs, but I was only there for a couple of weeks before I got fired because I needed the Saturday off to go to drama club. I was useless - I was so bored. There was nothing to do, so I'd go and do a circuit of the store, throwing jumpers on the floor, then go and pick them up. It wasn't rock 'n' roll rebellion, it was just to look busy. They tried to teach me how to work the till and I'm useless with numbers, so I was making it all up as I went along. I must have lost them tons of money.”

“Being materialistic is part of the hip-hop community's nature, because jazz and blues and rock 'n' roll, when they started out in the urban communities, were about the American Dream, and the lack of opportunity in that structure. So they talked about everything - uplifting and getting what is perceived as success in America.”

“Destroy everything. That's all well and fine, but you got to offer something in it's place. Since I always have a point and purpose to what I do, thats why people accuse me of being calculated. it's the way I am. I always know my next move. I could never conjure up a death wish, this is all I have is life. I don't know what comes next, and frankly I'm in no rush to find out. I don't believe in playing a martyr just for the sheer hell of it. And for something as chidish as Rock 'N' Roll is not on.”

“The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.”

“There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.”

“Stonehenge had an aura but it was also just stone. Then in the sixties, it became a great hedonistic, hippie, druid, rock-n-roll party site. There are amazing pictures of people up on the stones going wild and that's the image I recreated for my model of the project: full access to everyone. I even invented a Stonehenge soccer team that uses spaces between the stones as goals.”

“You must prepare yourselves, young people, because Uncle Dave's generation is getting old. We are almost ready to go to the retirement home to spend the rest of our days tapping our bedpans rhythmically in time to "easy listening" rock 'n' roll. We must pass the torch on to you, and you must grasp it, ideally by the end that is not on fire.”

“I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).”

“Rock 'n' roll and playing live is very addictive. But you have to really be careful, because you don't want to do it all the time. It's like when you are young and you think if you are not having sex you're wasting your time. But as you get older you realise everything has its place. It's the same thing with performing.... Performing is a great thing to do but you don't want to have to be doing it every night.”