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“Islamist-jihadist terrorism-a plague that has spread to almost every corner of the world-creates painful dilemmas for the peoples and decision makers who confront it. Its rapid, shape-shifting advance has sometimes confounded efforts to comprehend its origins, motives, and aims. Its sophistication in exploiting liberal values poses challenges and difficulties for the Western world, and for liberal democratic states in general, in attaining effective and balanced counter-terrorism policies.”

“It's when most of the guests have gone that the party really gets interesting - peering under the table and into the bath to see who's stayed and what shape they're in. It is then that those who are still conscious divulge things you had not known before: sometimes about themselves, sometimes about other people and sometimes about you. It does not necessarily make pleasant hearing but it is always fascinating. In the relaxed atmosphere, in the wake of the hubbub, they unwind and grow confidential - nay, indiscreet. If they are not already, they end up as your closest friends.”

“If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.”

“I often prefer the shapes within the raw materials to ‘do their thing’, as this makes it movre interesting for me. Sometimes a piece of hubcap fits in such a way that the shark becomes almost alive in my hands, climbing, twisting or just hanging motionless and predatory, and this gives me a buzz. It makes me feel like a vehicle for the creation process rather than a controller, and not knowing the exact outcome is exciting.”

“Surely, if we take on thinking partners - or, at the least, thinking servants - in the form of machines, we will be more comfortable with them, and will relate to them more easily, if they are shaped like humans. It will be easier to be friends with human-shaped robots than with specialized machines of unrecognizable shape. And I sometimes think that, in the desperate straits of humanity today, we would be grateful to have nonhuman friends, even if they are only the friends we build ourselves.”

“Walking your path doesn't mean you don't hurt, it means the pain is worth the progress. Sometimes you have to break something down in order to remake it, and that includes yourself, or it did for me. There were moments when I wept for an easier road, but in the end I would not trade my path for anyone else's. It is mine and the traveling of it has made me who I am, and continues to shape and remold me into the best, happiest, most productive, most playful me, I've ever been.”

“I think that's a really important role that people sometimes forget about, especially with all these newspaper shutting down and having trouble, where are all these stories going to go? I think you have something really great with all those stories waiting to be told, but I just don't know how it shapes up exactly. I don't think there are going to be a lot of newspaper reporters sitting around not writing.”

“I hadn't thought about the balance in mood. You see that we did it in alphabetical order, so if there's any kind of shape, or any kind of flow, it's random. Gender...we didn't think much about it. It was sort of interesting to see that women often were choosing women and men often were choosing men. And sometimes they wouldn't and that was fun. I didn't know that I would be excited by that, until I saw it happen.”

“The writing I have in mind and sometimes indulge in myself is concerned, not with plants, mountains or birds as items of scientific description, but with experiences of nature that impinge upon our moods and emotions, enrich our imagination and reveries, and shape our sense of how we stand in relation to the environing world. In a broad sense of the term, this kind of writing is an exercise in phenomenology, an attempt to render the significance that birds, plants or whatever have for us.”

“It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.”

“We often sometimes forget that- prior to the invention of removable pipe- there really were no English Bibles. We have treasures, we have Bibles in every size and shape and color. But there's a failure to recognize what's contained inside the cover of the Bible. We grow apathetic, and I think that the issue is reacting to the Word of God. Not just carrying, but get back into the Word of God and then get the Word of God into us. It's all about mining the scripture, memorizing the scripture, and meditating with our scripture.”

“Signs are small measurable things, but interpretations are illimitable, and in girls of sweet, ardent nature, every sign is apt to conjure up wonder, hope, belief, vast as a sky, and colored by a thimbleful of matter in the shape of knowledge....wrong reasoning sometimes lands poor mortals in right conclusions: starting a long way off the true point, and proceeding by loops and zigzags, we now and then arrive just where we ought to be. Just because Miss Brooke was hasty in her trust, it is not therefore clear that Mr. Casaubon was unworthy of it.”

“Boys are just boys after all, but sometimes girls really seem to be the turn of a pale wrist, or the sudden jut of a hip, or a clutch of very dark hair falling across a freckled forehead. I'm not saying that's what they really are. I'm just saying sometimes it seems that way, and that those details (a thigh mole, a full face flush, a scar the precise shape and size of a cashew nut) are so many hooks waiting to land you.”

“I am very fond of the oyster shell. It is humble and awkward and ugly. It is slate-colored and unsymmetrical. Its form is not primarily beautiful but functional. I make fun of its knobbiness. Sometimes I resent its burdens and excrescences. But its tireless adaptability and tenacity draw my astonished admiration and sometimes even my tears. And it is comfortable in its familiarity, its homeliness, like old garden gloves when have molded themselves perfectly to the shape of the hand. I do not like to put it down. I will not want to leave it.”