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Reverie Quotes

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Reverie Quotes

“The poor young man must work for his bread; he eats; when he has eaten, he has nothing left but reverie. He enters God's theater free; he sees the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams some more, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the countless enjoyments nature offers, gives, and gives lavishly to open souls and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred leaves his heart as all light enters his mind. And is he unhappy? No. The poverty of a young man is never miserable.”

SoulGodSufferingHumanityNaturePoorCompassionPovertyCreationContemplationReverie
Book:Les Misérables
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“Or… maybe I’m not going crazy. “Maybe I’m some sort of android-cyborg-clone-thing, and I’m just breaking down. I’m not sure which way is worse. Dad laughs. “You’re not in your right mind, dear,” he says. “No, no, no, you’re not.” And then— —Silence. Dad fades away. The reverie chair disappears. There’s just blackness. I remember then that I am in the reverie of something dead. Whatever that thing was, it was dead. And, just as I’m starting to wonder if, perhaps, I have died, too, I see a light, far away in the corner of the dreamscape. The light isn’t soft; it’s not glowing. It crackles like silent lightning, burning with electricity, sparks flying out and fizzling in the dark. I don’t know why—it makes no sense, the way dreams often don’t—but I want to touch the light. So I do.”

MindLightSilenceCrazyDeadBreaking DownBlacknessReverieAndroidDreamscape
Book:The Body Electric
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“For a few moments, Edgar Wilson yields to the late afternoon sun that has not yet fully set, but that is rushing headlong into a moonless, starless night. He knows how to listen in silence, even when others are just sighing or snorting. Life in the country has made him like the ruminants, and being a cattleman, he is able to strike a perfect balance between the fears of irrational beings and the abominable reverie of those who dominate them. He sinks two fingers into the paint can and marks the foreheads of the four cornered cows.”

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Book:Of Cattle and Men
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“There are still souls for whom love is the contact of two poetries, the fusion of two reveries. The epistolary novel expresses love in a beautiful emulation of images and metaphors. To tell a love, one must write. One never writes too much. How many lovers, upon returning home from the tenderest of rendezvous, open their writing desks! Love is never finished expressing itself, and it expresses itself better the more poetically it is dreamed. The reveries of two solitary souls prepare the sweetness of loving. A realist passion will see nothing there but evanescent formulas. But just the same it is no less true that great passions are prepared by great reveries. The reality of love is mutilated when it is detached from all its unrealness.”

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Book:The Poetics of Reverie: Childhood, Language, and the Cosmos
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“Childhood is a human water, a water which comes out of the shadows. This childhood in the mists and glimmers, this life in the slowness of limbo gives us a certain layer of births. What a lot of beings we have begun! What a lot of lost springs which have nevertheless, flowed! Reverie toward our past then, reverie looking for childhood seems to bring back lives which which have never taken place, lives which have been imagined. Reverie is a mnemonics of the imagination. In reverie we re-enter into contact with possibilities which destitute has not been able to make use of.”

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Author:Gaston Bachelard
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“...the solitude was intoxicating. On my first night there I lay on my back on the sticky carpet for hours, in the murky orange pool of city glow coming through the window, smelling heady curry spices spiraling across the corridor and listening to two guys outside yelling at each other in Russian and someone practicing stormy flamboyant violin somewhere, and slowly realizing that there was not a single person in the world who could see me or ask me what I was doing or tell me to do anything else, and I felt as if at any moment the bedsit might detach itself from the buildings like a luminous soap bubble and drift off into the night, bobbing gently above the rooftops and the river and the stars.”

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Book:In the Woods
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“And then I realize: this isn’t dirty water falling from the sky. It is—literally—blood. I look up, and a droplet of blood splashes directly into my eye. I curse, rubbing my face, trying to get the blood out, but it’s everywhere, it’s like trying to dry off in the middle of the ocean. Shielding my face as best I can, I stare up into the sky. I am in the center of a cyclone. Giant white clouds swirl like a spiraling galaxy above me, the eye a tiny dark speck. The storm rages, throwing out bloody rain like punches, the wind so vicious it tears my clothes and cuts my skin. Representative Belles’s mind is swirling with dark thoughts—bloody thoughts—and they have created the biggest storm I have ever seen. I have to stop the cyclone. I have to get him into a peaceful reverie, something that he can hold on to while I root around his brain, looking for answers. I focus all of my concentration on stopping the bloody rain. The drops come slower and slower. I take a deep breath, imagining the clouds breaking up, spinning into fluffy bits of cotton-candy like clouds. I don’t open my eyes until the sounds of beating rain disappear and I can feel the warmth of the Mediterranean sun on my face.”

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Book:The Body Electric
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“One passes imperceptibly from one scene, one age, one life to another. Suddenly, walking down the street, be it real or be it a dream, one realizes for the first time that the years have flown, that all this has passed forever and will live on only in memory; and then the memory turns inward with a strange, clutching brilliance and one goes over these scenes and incidents perpetually, in dream and reverie, while walking a street, while lying with a woman, while reading a book, while talking to a stranger . . . suddenly, but always with terrific insistence and always with terrific accuracy, these memories intrude, rise up like ghosts and permeate every fiber of one's being. Hencefoward everything moves on shifting levels—our thoughts, our dreams, our actions, our whole life. A parallelogram in which we drom from one platform of our scaffold to another. Henceforward we walk split into myriad fragments, like an insect witha hundred feet, a centipede with soft-stirring feet that drinks in the atmosphere; we walk with sensitive filaments that drink avidly of past and future, and all things melt into music and sorrow; we walk against a united world, asserting our dividedness. All things, as we walk, splitting with us into a myriad iridiscent fragments. The great fragmentation of maturity. The great change. In youth we were whole and the terror and pain of the world penetrated us through and through. There was no sharp separation between joy and sorrow: the fused into one, as our waking life fuses with dream and sleep. We rose one being in the morning and at night we went down into an ocean, drowned out completely, clutching the stars and the fever of the day.”

LifeDreamYouthNostalgiaMaturityWholenessReverieDividedness
Book:Black Spring
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“All knights must bleed, Jaime," Ser Arthur Dayne had said, when he saw. "Blood is the seal of our devotion." With dawn he tapped him on the shoulder; the pale blade was so sharp that even that light touch cut through Jaime's tunic, so he bled anew. He never felt it. A boy knelt; a knight rose. The Young Lion, not the Kingslayer. But that was long ago, and the boy was dead.”

RegretMelancholyTransitionReverieAscensionJaime LannisterKnightingArthur Dayne
Book:A Feast for Crows
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“He saw my confusion and led me a slow, stately march to the library. There were shelves all the way around the room, and every shelf was crowed with books. I had not thought so many books existed.[...] There was a desk, several big leather chairs, a wooden floor covered with faded rugs, and in front of the fireplace a sofa with soft pillows. The shelves stopped several feet short of the ceiling, leaving room for a row of busts of what I imagined must be famous gentlemen. Lamps cast little pools light in the room, and the sound and smell of the fire reminded me of the fires the Kikuyu would make outside theirs huts when they roasted goats.”

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Book:Listening for Lions
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“A certain amount of reverie is good, like a narcotic in discreet doses. It soothes the fever, occasionally high, of the brain at work, and produces in the mind a soft, fresh vapor that corrects the all too angular contours of pure thought, fills up the gaps and intervals here and there, binds them together, and dulls the sharp corners of ideas. But too much reverie submerges and drowns. Thought is the labor of the intellect, reverie it's pleasure. To replace thought with reverie is to confound poison with nourishment.”

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Book:Les Misérables
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“As the dreamscape around me grows clearer, I slip further away from it. The mind is a magical thing, I’m discovering. A dreamscape is made of thought and is wider than the sky, able to grow large enough to fit not just our own world, but every possibility and impossibility beyond it. Once I quit thinking of it as being forced into the laws of physics, it’s easy to manipulate the dreamscape into anything I want. I don’t know how I know all this, no more than I understand how I know things when I dream. I just do. I throw up my hand, and a wall rises between the orange grove and me. Behind the wall, I start creating the world I need in Representative Belles’s mind.”

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Book:The Body Electric
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“Ella!” the voice yells, but I cannot tell where it is coming from. The sound wraps around me, spreading like spilt water and then evaporating into silence. “Where am I?” I whisper again. The darkness stretches out for eternity. I take a few steps forward, but the feeling is surreal—I cannot tell if I’ve actually moved or not, because everything is nothing. I feel something wet and warm slide down my cheek, and I touch the tear with my fingertips, swiping it away. Representative Belles is dead. I’m certain of that now. He’s gone. I’m… I’m in the place where he was, and now he’s gone, and now I’m stuck. I’m stuck in the nothingness of a dead body, and I don’t know how to get out. My heart thuds against my chest, and I gasp for air. What if I can never get out? What if eternity is nothing more than me, alone, in the darkness? Trapped in someone else’s death. I collapse, but it’s not like I fall on the floor. There is no floor. There was the illusion of one, but as my body gives way, I realize that I’m floating. I stretch out, my fingers and toes aching to feel, but there’s nothing, nothing at all, and I draw myself into myself, hugging my legs, my knees tucked under my chin. I’m alone. Maybe when Representative Belles died, I died too. Maybe this is it.”

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Book:The Body Electric
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“The demands of our reality function require that we adapt to reality, that we constitute ourselves as a reality and that we manufacture works which are realities. But doesn't reverie, by its very essence, liberate us from the reality function? From the moment it is considered in all its simplicity, it is perfectly evident that reverie bears witness to a normal useful irreality function which keeps the human psyche on the fringe of all the brutality of a hostile and foreign non-self.”

HumansSelfMomentsRealityBearsDemandNormalEssenceFunctionSimplicityWitnessEvidentHostileFringeBrutalityReverieHuman Psyche
Author:Gaston Bachelard
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“May your trails be dim, lonesome, stony, narrow, winding and only slightly uphill. May the wind bring rain for the slickrock potholes fourteen miles on the other side of yonder blue ridge. May God's dog serenade your campfire, may the rattlesnake and the screech owl amuse your reverie, may the Great Sun dazzle your eyes by day and the Great Bear watch over you by night.”

MayEyeNightSidesWatchesSunDogWindBearsRainBlueMilesOver YouTrailsFourteenOwlReverieLonesomeDazzleRidgesCampfireRattlesnakesPotholes
Author:Edward Abbey
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“We are effectively destroying ourselves by violence masquerading as love. I am a specialist, God help me, in events in inner space and time, in experiences called thoughts, images, reveries, dreams, visions, hallucinations, dreams of memories, memories of dreams, memories of visions, dreams of hallucinations, refractions of refractions of refractions of that original Alpha and Omega of experience and reality, that Reality on whose repression, denial, splitting, projection, falsification, and general desecration and profanation our civilisation as much as anything is based.”

HelpingDreamRealityMemoriesSpaceVisionViolenceEventsOriginalsDenialHelp MeDestroyingTime And SpaceProjectionRepressionCivilisationSpecialistsHallucinationsGod HelpReverieAlphasSplittingGod Help MeAlpha And OmegaFalsificationDestroying Ourselves
Book:The Politics of Experience
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“I Have often thought if the minds of men were laid open, we should see but little difference between that of the wise man and that of the fool. There are infinite reveries, numberless extravagances, and a perpetual train of vanities which pass through both. The great difference is, that the first knows how to pick and cull his thoughts for conversation, by suppressing some, and communicating others; whereas the other lets them all indifferently fly out in words.”

IfsKnowsMenShouldMindFirstsLittlesDifferencesKnow HowWiseFoolConversationPicksInfiniteTrainCommunicateVanityPerpetualExtravaganceReverieSuppressing
Book:Works, including the whole contents of Bp. Hurd's edition: withletters and other pieces not found in any previous collection; and Macaulay's essay on his life and works
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“A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people, of distant landscapes and faraway cities, of the vanished past-are incitements to reverie. The sense of the unattainable that can be evoked by photographs feeds directly into the erotic feelings of those for whom desirability is enhanced by distance.”

PeopleFeelingsPastRoomsCitiesFireDistancePhotographWoodsAbsenceLandscapeEroticTokensUnattainablePseudoReverieDesirabilityIncitement
Book:On photography
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“A certain ultra-dignified gentleman of unusual prominence carried himself so stiffly that nobody felt free to call him by his first name. He quarreled with a friend of earlier days and from then on the two never spoke. The day the friend died an associate found the ultra-dignified gentleman staring through the window. When he came out of his reverie, he soliloquized with a sigh, ""He was the last to call me John."" Is any man really entitled to regard himself a success who has failed to inspire at least a goodly number of fellow mortals to greet him by his first name?”

MenFirstsTwoLastsCertainFoundNamesFeltFriendshipNumbersInspireWindowDiedRegardFellowsMortalsStaringGentlemanSpokesCall MeUnusualEntitledAssociatesSighReverieUltrasProminenceFriend Died
Author:B. C. Forbes
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“Indolence of course is an absolutely crucial part of the creative process: you do not find poets sitting in rows in cavernous word factories, staring at screens. They are rather to be found lolling on the sofa or strolling through the groves, nursing their melancholic temperaments and losing themselves in extended reveries.”

CoursesFoundProcessCreativePoetLosingSittingScreensStaringCrucialFactoriesCreative ProcessTemperamentNursingStrollingIndolenceSofasGroveReverie
Author:Tom Hodgkinson
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“To one given to day-dreaming, and fond of losing himself in reveries, a sea-voyage is full of subjects for meditation; but then they are the wonders of the deep and of the air, and rather tend to abstract the mind from worldly themes.”

MindDreamGivenWonderMeditationAirSeaSubjectsLosingAbstractThemeWorldlyVoyagesReverieSea Voyage
Book:The Sketch Book of Geoffrey Crayon, Gent. – The Complete Collection: The Legend of Sleepy Hollow, Rip Van Winkle, The Voyage, Roscoe, A Royal Poet, A Sunday in London and many more (Illustrated)
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