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Stories Quotes

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Stories Quotes

“The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.”

“Nine Years Under is a sparkling debut--- brimming with love and bursting with life. Booker's Baltimore is equal parts The Wire and The Cosby show. She doesn't shrink from the realities of life in an inner city funeral home, but she is also a loving witness, documenting the big hearted community that takes care of its own. Told with compassion, wit, and good old fashioned story telling, Sheri Booker gives us unforgettable characters who will make you laugh right up until they break your heart.”

“I don't know enough about the lower classes to write about them. I don't feel with them, and that could be regarded as a defect, a limitation of my imagination. I could put myself in their position, but not politically. The idea of writing a story or a book about somebody completely devoid of appreciation of anything I care about is completely foreign to me.”

“Elegant in its simplicity and practicality, Lee has distilled many powerful leadership strategies into the lessons many of us learned as children. They are no less relevant to our working lives. At its core, Creating Magic is a collection of stories that reminds us to demonstrate care and respect for every member of the team and to focus our efforts not our ourselves but on the people we lead.”

“I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.”

“Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor. ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal.”