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Subjects Quotes

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Subjects Quotes

“There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, "Le jeu et les moi." It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.”

“I was playing heavy metal when I was 18. I had to evolve out of that into an alternative consciousness about what it meant to change the way I played guitar, and the kind of songs, and the subject matter, and singing about child abuse, and all this stuff. I had to come from somewhere, and I had to take chances to do that.”

“Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.”

“I think we owe it to children to let them dig their knowledge, of whatever subject, for themselves out of the "fit" book; and this for two reasons: What a child digs for is his own possession; what is poured into his ear, like the idle song of a pleasant singer, floats out as lightly as it came in, and is rarely assimilated. I do not mean to say that the lecture and the oral lesson are without their uses; but these uses are, to give impulse and to order knowledge; and not to convey knowledge.”

“You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.”