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Suicide Quotes

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Suicide Quotes

“From the perspective of the one committing suicide, his or her act can be one of the most perverse forms of moral manipulation, as it abandons those left behind to their shame, guilt, and grief. Suicide is something like a metaphysical "I gotcha!" It is often an attempt to kill or wound others.”

“So that's it. That's the big secret. I tried to kill myself on New Year's eve. Just like Sadie did last night. Only she really did it. I don't know all the detatils, just the basics. She took a bunch of pills. I don't know what they were or where she got them. I'd like to think they were Wonder Drug. Then at least she could have gone thinking she was flying.”

“Despair, grief, and depression are not things that people can simply stop, any more than someone can will an end to a toothache or the pain of withdrawal. Acutely suicidal people have lost all sense of having power over their pain. To tell them to magically acquire will power is like asking a crippled person to race against a champion. It does not help them do the thing in question; it just makes them feel worse.”

“The light in that room was a glow; I seem to remember the color green, or perhaps flowers. A pale green sheet covered his inert body but not his head, which lay (eyes closed, mouth set in a tense and terrible grimace) unmoving. Gianluca. Barely able to see, barely able to stand - my knees kept buckling – and breathing so quietly I thought that I, too, might die; that out of shock, I would just drift away, the shell of my body cracking open. No longer anchored by my brother’s love, I would be reabsorbed by sky. Gianluca. If there was never another sound in the world, I would understand – yes, that would be appropriate, it would be fitting. This was the antithesis of music, the antithesis of noise. My brother’s death seemed to demand silence of all the world. Gianluca.”

“If you can't tell your story to another human, find another way: journal, paint, make your grief into a graphic novel with a very dark storyline. Or go out to the woods and tell the trees. It is an immense relief to be able to tell your story without someone trying to fix it. The trees will not ask, "How are you really?" and the wind doesn't care if you cry.”

“Things like "Everything happens for a reason" and "You'll become a stronger/kinder/more compassionate person because of this" brings out rage in grieving people. Nothing makes a person angrier than when they know they're being insulted but can't figure out how. It's not just erasing your current pain that makes words of comfort land so badly. There's a hidden subtext in those statements about becoming a better, kinder, and more compassionate because of your loss, that often-used phrase about knowing what's "truly important in life" now that you've learned how quickly life can change. The unspoken second half of the sentence in this case says you needed this somehow. It says that you weren't aware of what was important in life before this happened. It says that you weren't kind, compassionate, or aware enough in your life before this happened. That you needed this experience in order to develop or grow, that you needed this lesson in order to step into your "true path" in life. As though loss and hardship were the only ways to grow as a human being. As though pain were the only doorway to a better, deeper life, the only way to be truly compassionate and kind.”

“By simply stating the truth, we open conversations about grief, which are really conversations about love. We start to love one another better. We begin to overhaul the falsely redemptive storyline that has us, as a culture and as individuals, insist that there's a happy ending everywhere if only we look hard enough. We stop blaming each other for our pain, and instead, work together to change what can be changed, and withstand what can't be fixed. We get more comfortable with hearing the truth, even when the truth breaks our hearts.”

“Some days are sweetened with pure, but fleeting joy. Just keep keeping on. Some days consist of a kind of sorrow that tries to break you. Just keep keeping on. Some days are filled with bright, warm light that clearly shows the path to follow. Just keep keeping on. Some days are filled with calm and peace. Just keep keeping on. Some days are filled with a violent commotion that does its best to disrupt our innermost harmony. Just keep keeping on. Some days we must just take a rest, until we can once again, keep keeping on. Some days are filled with hope and faith and the recognition of a journey we wouldn't trade for anything. And so we keep keeping on.”

“I need to ask, are you afraid of spiders?" Nicholas blinked, suddenly caught off guard, "Yes, I'm afraid of spiders." "Were you always?" "What are you, a psychiatrist?" Pritam took a breath. He could feel Laine's eyes on him, appraising his line of questioning. "Is it possible that the trauma of losing your best friend as a child and the trauma of losing your wife as an adult and the trauma of seeing Laine's husband take his life in front of you just recently..." Pritam shrugged and raised his palms, "You see where I'm going?" Nicholas looked at Laine. She watched back. Her gray eyes missed nothing. "Sure," agreed Nicholas, standing. "And my sister's nuts, too, and we both like imagining that little white dogs are big nasty spiders because our daddy died and we never got enough cuddles." "Your father died?" asked Laine. "When?" "Who cares?" Pritam sighed. "You must see this from our point of - " "I'd love to!" snapped Nicholas. "I'd love to see it from your point of view, because mine is not that much fun! It's insane! It's insane that I see dead people, Pritam! It's insane that this," he flicked out the sardonyx necklace,"stopped me from kidnapping a little girl!" "That's what you believe," Pritam said carefully. "That's what I fucking believe!" Nicholas stabbed his finger through the air at the dead bird talisman lying slack on the coffee table.”

“Going with the flow of life is like catching a train at the station. You need to be at the right station at the right time and board the right train to get you where you need to be. If you go earlier than you’re supposed to, you can catch the wrong train. You don’t want to do that because it will just take you further away from me than you feel you already are. You need to go through the growing pains of grief so that you and I can fulfill our destiny and be in the right place at the right time to be reunited again.”

“THE ONES WE LOSE The ones we lose Take more than themselves with them As they leave, they steal parts of you That you will never grow back Like a tree pruned too much Your blossoms are fruitless But you will heal No matter if it was peaceful, Senseless, Violent Show me your hands When you leave I want to see the parts of me that also disappear”

“I am sitting next to a middle-aged Midwestern blonde from Shakopee, Minnesota. She is unremarkable; from the outside she looks less unkempt than some, a veneer of solidity that makes me wonder what she's doing here. Then she tells her story. Her thirty-year-old daughter, her best friend as she described her, had planned a big fiftieth birthday party for her. She had set up catering, had had a cake delivered to her mom's house. A few hours before the party, she had been with her mom setting up tables and making a playlist, and then left to go to her apartment to change clothes. She said to her mother what she said every time they parted, "I love loving you," and walked out the door. She never showed up for the party. She had gone home and hanged herself. This mother, that veneer I had misrecognized, was a husk, all that was left of a body destroyed by the unknown becoming known. "What had I missed?" she asked. What was lurking inside the body of her daughter that day? What was underneath the party planning and the love of loving her mother? What could that young woman not bear to know, not bear to feel?”

“Dying / Is an art, like everything else," wrote Plath, whose lifelong flirtation with death went too far one fateful February morning. And art is nothing if not subjective. In the same vein, when I think of Virginia Woolf, it is not merely as a helpless participant in the morbid fascination that has sprung up around these two writers--but of the windows of time of their deaths. The time it took Woolf to fill her pockets with rocks. The selection of those rocks. When does a suicide begin? When do we start counting? At the riverbank or in the river? In the kitchen the night before or the next morning? Rilke warned the "we must learn to die: That is all of life. To prepare gradually the masterpiece of a proud and supreme death, of a death where chance plays no part, of a well-made, beatific, and enthusiastic death of the kind the saints knew to shape." That's nice. But it's hard to throw something like that together at the last minute. What gruesome work suicide makes of grief! Sometimes I conflate blame and action, sometimes I separate them as if in a moral centrifuge, sometimes I think it doesn't matter either way.”

“Maybe she liked Van Gogh's work for other reasons, too. Maybe she liked how he created things while never knowing his own value. Maybe she liked the thought of being imperfect, but being loved anyway. Maybe she felt some sort of kinship with a man who, for his entire adult life, warred with his own monsters in his head. Vincent Van Gogh's last words were, after his brother comforted him by telling him he would get better from the self-inflicted gunshot wound to the chest, "La tristesse durera toujours", "the sadness will last forever".”

“That night, you turn in your bed to watch the moon rise, and once more see what a small coin it is against the darkness, and how everything else is a mystery, and you know nothing at all except the moonlight is beautiful – white rivers running together along the bare boughs of the trees – and somewhere, for someone, life is becoming moment by moment unbearable. (From Beaver Moon – The Suicide of a Friend, in Twelve Moons by Mary Oliver)”

“Grief, I learned, doesn’t care how hard you attempt to understand her. She doesn’t care if you are already depressed or suffer from suicidal ideation. She doesn’t wait for you to be ready, and the longer you defer her presence, the heavier her weight becomes.”