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Support Quotes

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Support Quotes

“We, all of us in the First World, have participated in something of a binge, a half century of unbelievable prosperity and ease. We may have had some intuition that it was a binge and the earth couldn't support it, but aside from the easy things (biodegradable detergent, slightly smaller cars) we didn't do much. We didn't turn our lives around to prevent it. Our sadness is almost an aesthetic response - appropriate because we have marred a great, mad, profligate work of art, taken a hammer to the most perfectly proportioned of sculptures.”

“Studying music encourages self-discipline and diligence, traits that carry over into intellectual pursuits and that lead to effective study and work habits. An association of music and math has, in fact, long been noted. Creating and performing music promotes self-expression and provides self-gratification while giving pleasure to others. In medicine, increasing published reports demonstrate that music has a healing effect on patients. For all these reasons, it deserves strong support in our educational system, along with the other arts, the sciences, and athletics.”

“Well, then, Lord Jesus! I will creep if I cannot walk; I will take hold of Thy word. When I stumble, Thou wilt support me; when I fall, Thou wilt hold out Thy cross, and help me with it to rise again, until at length I reach the place where Thou art, and with all my weaknesses and wants, cast myself into Thy bosom.”

“There is some pressure when you are a woman doing what I do that you must support all other women unconditionally, no matter what they're projecting, or writing, or producing, or putting forth as their art. I think that's equally arbitrary and random and unfair, and kind of sexist. The secretly sexist way. I have really high standards for what I think is funny. I have that for everything, and I think it would be disingenuous of me to blanket-ly love everything a woman has produced simply to make a statement that we're all in this together.”

“A lot of artists give up because it's just too damn hard to go on making art in a culture that by and large does not support its artists. But the people who don't give up are the people who find a way to believe in abundance rather than scarcity. They've taken into their hearts the idea that there is enough for all of us, that success will manifest itself in different ways for different sorts of artists, that keeping the faith is more important than cashing the check, that being genuinely happy for someone else who got something you hope to get makes you genuinely happier too.”

“How can we accept a situation in which there are no longer orchestras, choruses, libraries or art classes to nourish our children? We need more support for the arts, not less -- particularly to make this rich world available to young people whose vision is choked by a stark reality. How many children, who have no other outlet in their lives for their grief, have found solace in an instrument to play or a canvas to paint on? When you take into consideration the development of the human heart, soul and imagination, don't the arts take on just as much importance as math or science?”

“In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.”

“We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.”

“For corporations to be bedfellows with the arts is good business for both. The architecture that houses a company is a more visible statement than the president's in the annual report. Ditto interiors, particularly of offices and sometimes, dramatically, in plants. For solvent businesses, support of community cultural undertakings in music, drama, dance creates great goodwill. Also, the existence of such activities is often important to the executives and their families that companies want to keep or attract to keep.”

“Think about the pressure to "pass" by lying about one's agethat familiar temptation to falsify a condition of one's birth oridentity and pretend to be part of a more favored group. Fair-skinned blacks invented "passing" as a term, Jews escaping anti-Semitism perfected the art, and the sexual closet continues the punishment, but pretending to be a younger age is probably the most encouraged form of "passing," with the least organized support for "coming out" as one's true generational self.”

“Writing for publication is an art, a craft, and a business, so you need to develop skill sets in multiple areas. You need to learn how to be a marketer just as much as you need to get past your influences and develop your unique prose voice. And you can't do it alone. You need a strong emotional support system to help cope with the frustrations and setbacks.”

“Never go into debt to become a writer. Always find other ways to support yourself so you can do the work you truly love for the right reasons. Never ask your art to support you. If you ask your art to support you it will either end up comprised or you'll be disappointed with it. It's a lot to ask of creativity for it to provide for you financially. Find a scrappy way to get by and then do the work you love for the reasons you love.”

“Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...”