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“I've never forgotten what it's like to be in your early twenties, which is not a particularly easy time. You've left your family, you've left the strictures of high school, and you're trying to break free and form yourself but you have to support yourself as well. We don't really give enough credence to that time of life and to its troubles.”

“Lend sat up,craning his neck to see down my shirt,which I hurriedly pushed back into place. Last time I checked, you couldn't see souls.He shrugged,an exaggerated look of innocence on his face. Still,it wouldn't hurt for me to try,would it?You have got to be the most sefless boyfriend alive.Like I said,anything worthwhile is worth making sacrifices for.Speaking of which,weren't you going to give me a tongue demonstration?”

“I have this horrific thing where I'm really bad with names and faces. I have an appalling memory. Someone will come up to me in the street and go, 'Eddie!', and I'll try and give myself time by going into overdrive, 'Hey, hi! Nice to see you!' and start a whole conversation because I can't distinguish between who I know and who I don't.”

“It's not that you get a cliché and then wiggle it about or use synonyms. You don't take an ordinary decorative paragraph and give it style. What you're trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There's no objective reason why they're right. They just sound right to me.”

“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

“How about this miracle... God says if you plant the seed I will make the tree. Wow, you can't have a better arrangement than that. First, it gives God the tough end of the deal. What if you had to make a tree? That would keep you up late at night trying to figure out how to make a tree. God says, "No, leave the miracle part to me. I've got the seed, the soil, the sunshine, the rain and the seasons. I'm God and all this miracles stuff is easy for me. I have reserved something very special for you and that is to plant the seed.”

“If my wife is cooking a meal at home, which is not often, thankfully, but you know, she's doing (oh, she's good at some things) but if she's cooking, you know, she's dealing with people on the phone, she's talking to the kids, she's painting the ceiling, she's doing open-heart surgery over here; if I'm cooking, the door is shut, the kids are out, the phone's on the hook, if she comes in I get annoyed, I say "Terry, please, I'm trying to fry an egg in here, give me a break.".”

“there is no prescribed route to follow to arrive at a new idea. You have to make the intuitive leap. But the difference is that once you've made the intuitive leap you have to justify it by filling in the intermediate steps. N my case, it often happens that I have an idea, but then I try to fill in the intermediate steps and find that they don't work, so I have to give it up.”

“No one can liberate you, for no one has bound you; you hold on to the nettle of worldly pleasures and you weep for pain. The kite is pursued by the crows so long as it carries the fish in its beak, it twists and turns in the sky trying to last and it drops the fish. That moment it is free. So give up the attachment to the senses; then grief and worry can harass you no more.”

“Reality is very, very contradictory, and so I try to write just perfecting what I see, what I read, what I feel, in a feel-thinking way. Not only giving ideas, or receiving ideas, or trying to explain something, but mainly feel-thinking, a feel-thinking language able to tie the heart and the mind, which have been divorced.”

“A key difference between a dialogue and an ordinary discussion is that, within the latter people usually hold relatively fixed positions and argue in favor of their views as they try to convince others to change. At best this may produce agreement or compromise, but it does not give rise to anything creative.”