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Trying Quotes

“To me, the scariest movie ever made to this day is The Exorcist. It still scares the living hell out of me, and it’s because of the fantasy element. It’s the exorcism. It’s the Devil. It’s not a guy breaking into your house trying to torture you or cut your whatever off. Those kinds of movies don’t do it for me, and I don’t call them horror.”

“I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.”

“I don't want to lose ever. I don't want to lose at anything. I want to make weight faster than the guy that I'm fighting if we both go into the sauna at the same time. When we're doing interviews I want to have quicker wit so that I can make him feel stupid. I want to drink my water faster. And then when we get in the cage I want to beat him up. I don't think people really truly understand the extent that I go to try not to use.”

“My best advice for mental training is simply to create good habits, in order to build a sense of security and calm around you. Also, you could try to distance yourself emotionally from the whole situation. In my case, I just look at it objectively: We are two guys going inside a cage to work. That's it. Try to de-escalate the pressure. Take a couple of deep breaths. Don't hype things up. And stay positive, even if you're fighting for your life.”

“On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.”

“I think for my parents it was like "A Boy Named Sue," the Johnny Cash song. A guy named Sue tries to track down his father to take it out on his father for naming him Sue. And his father says, "Look, I knew I wasn't going to be around. So I gave you the name so that you would grow up strong enough to take the hits and fight back." So I like to believe that's why my parents gave me this stupid name.”

“What we were trying to do was take the notion of Greek tragedy, of fated and doomed people, and instead of these Olympian gods, indifferent, venal, selfish, hurling lightning bolts and hitting people in the ass for no reason — instead of those guys whipping it on Oedipus or Achilles, it’s the postmodern institutions . . . those are the indifferent gods.”