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“Put crudely, one is left with a choice between two unsatisfactory combinations: artistic integrity married to spiritual compromise; and spiritual integrity married to artistic banality-or, worse, art compromised on both counts. Neither one will satisfy those who recognize the fundamental necessity of integrity in both faith and art.”

“A good two years after Hurricane Katrina I remember feeling so devastated and so ignorant that there was so much damage still left. I felt like here I was an American and this is an American city and the government hasn't done enough and people haven't given back enough. Everyone forgot and the city was lying in waste.”

“And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.”

“And my father left me a legacy of his handwriting through letters and a notebook. In the last two years of his life, when he was sick, he filled a notebook with his thoughts about me… There are times when I want to trade all those years that I was too busy to sit with my dad and chat with him, and trade all those years for one hug. But too late. But that's when I take out his letters and I read them, and the paper that touched his hand is in mine, and I feel connected to him.”

“We can understand that the Fathers of the Church in the East wanted Apocalypse left out of the New Testament. But like Judas among the disciples, it was inevitable that it should be included. The Apocalypse is the feet of clay to the grand Christian image. And down crashes the image, on the weakness of these very feet. There is Jesus--but there is also John the Divine. There is Christian love--and there is Christian envy. The former would "save" the world--the latter will never be satisfied till it has destroyed the world. They are two sides of the same medal.”

“I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff.”

“There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.”