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Violence Quotes

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Violence Quotes

“The only guy that speaks at any sort of depth is, in my mind, Eminem. He's a guy that does music that talks about the struggles of addiction and before that violence, with growing up in a broken family, not being a good enough father. So, you know that's what I enjoy about it. It's harder to listen to than ever before because I have a bunch of kids and you just can't put it on.”

“I asked Shia: who is the guy that terrifies you the most? And he said Mads. So it was somebody we both really wanted to work with. He's intimidating, but has a really big heart and he's sexy. He's got this sexiness, even guys fall for him. He just penetrates everything-not literally. So we needed a brokenhearted thug that could really give us the heartache. And going between the violence and viciousness and the complete softness without making it too much. A lot of those characters can go into a charade, and I needed it to be genuine heartbrokenness and that's what he's great at doing.”

“The violence you witness is Denzel doing it and we're taking some visual effects and doing some things and you see something happen it's happening in front of you as opposed to cutting away and doing a bunch of tricks. It's in front of you. So it's hard not to make it a hard "R" if you see a guy get punched and teeth wind up in someone's knuckles.”

“I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?”

“Me? I see an old, broke-ass black guy taking care of a bunch of kids, living life, taking them to school, and all that stuff, who's asking himself: What the hell is this? But I wouldn't give it up for the world because I love my wife. I never expected to have a life like this. No chaos... no confusion... no lawsuits... no violence... no going to jail.”

“When you look at police violence, over the last three or four years, whether you call it a social, economic or racial thing, these are the guys that we're supposed to trust. These are the guys who are given these guns and weapons to protect us. Not to use them upon us, but to protect us, and they can't even get it right. So, if they can't get it right, how can you fault a society for fearing them, and fearing them in a way that makes them want to take up arms and fight back.”

“The second half [of Valley of Violence], you're with the guys that you should hate, but when you start seeing what their real lives are, you're like, "I do hate you, but at the same time, all right - maybe take it down a notch." The complications of all that are what's so interesting to me, those esoteric details - that's what people will hopefully take away from the movie.”

“I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people watch this. He's so great. The bravado thing and the foolishness, he does them both so well. It's weird because he's so hateable in the movie, but in the end, you're also going, "I feel bad for him." That's hard to do. It's hard to do that to where you're like, "This guy's the worst, but I know why he's the worst, so it's a shame this is happening." That's the whole thing.”

“I began to think of war, even so-called "good wars" like World War II, as corrupting everybody. Violence begetting violence. The good guys beginning to act like the bad guys. And when I studied the history of wars, it seemed to me that that was the case. Athens vs. Sparta in the Peloponnesian War. The Athenians presumably the democratic state. The Spartans the totalitarian state. But as the war went on, the Athenians began to act like the Spartans. They began committing atrocities and cruelties. So I saw this as a characteristic of war, even so-called "good wars."”

“I don't attract violence because of my stature and because of my lifestyle choices. I don't like to go out and be out of control or intoxicated because you could be the toughest guy in the world and still be vulnerable if you're not in control of yourself. And I don't like to go to place that are unnecessarily confrontational or dangerous. But I used to work in a pub and had to help the doorman fight off a load of people at one time. So, I've seen enough.”