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Walt Whitman Quotes

Browse 22 quotes about Walt Whitman.

Walt Whitman Quotes

“The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself.”

“Whitman, you once told me, is democracy on the page, messy and imperfect as we are in real life, which gave you hope that we would one day make real life true democracy, ripe blossom, pollen dusting every moment and person, each scampering mote of light. This is why as you lay dying, I read “I Hear America Singing” and knew you heard every word and could feel my hand on yours though you were already moving toward other miracles than this life. A sunflower followed your motion and a yellow dog stood guard. You, who lived the notion that the sun belongs to each and every one, beggars, dreamers, kings, all. You who believed banks could have hearts, for god’s sake! You have left it to us, messy and imperfect as we are and will be, to keep to the work side by side and as long as it takes, all the while singing of miracles just as Whitman and you taught us to do.”

“This hour I tell things in confidence. I might not tell everybody, but I will tell you. To publish these lines is, of course, to tell everybody. Much as he wants to take us into his confidence, seduce with the warmth and directness of his voice, he's also making one of his sly jokes: he's created an intimacy with all the doors and windows open, in which you could be anyone at all. Even as I laugh at the line, I feel the gesture of his arm around my shoulder, drawing my ear nearer his mouth. What is the difference, in a poem, between performed intimacy and the real thing? What, in a work of art, is not performed? Whitman, perhaps more than any poet before him, explored and exploited poetry's strange duality. In the best poems, we feel the poet's breath, the almost-physical presence of the speaker created by all the tools at the writer's disposal. I sometimes feel that Walt has just walked into the room, as present now as he ever was, a sensual, breathing body that he somehow seems to have constructed of nothing but words.”

“This is What You Shall Do and Not Do Know your worth, know your limits, know your boundlessness, know your strengths, know your weaknesses, know your accomplishments, and know your dreams. Be a mirror for all those who project their darkness onto you; do not internalize it. Don’t seek validation from those who will refuse to understand you. Don’t say yes, when you need to say no. Don’t stay when you know you should go. Don’t go when you know you should stay. Respond, don’t react. Behave in a manner aligning with your values. Sleep. Seek out quiet. Don’t glorify busyness. Reignite your curiosity for the world. Explore new horizons. Be honest with yourself. Be gentle with yourself. Approach yourself as you would approach a child—with a kind tone and deep understanding. Love yourself or, at the very least, have mercy on yourself. Be your own parent, your own child, your own lover, your own partner. Give less of your time to employment that drains you of your enthusiasm for life. Reclaim your freedom by redefining your necessities. Take that gathered energy; devote your precious life to your passions. Unplug from the babble. Seek awe. It is the counterbalance to trauma. Do your psychological work, and don’t take any one else’s work upon yourself. Protect your peace. Listen to what your heart knows; fuck everything else.”

“To the bankrupt poet, to the jilted lover, to anyone who yearns to elude the doubt within and the din without, the tidal strait between Manhattan Island and her favorite suburb offers the specious illusion of easy death. Melville prepared for the plunge from the breakwater on the South Street promenade, Whitman at the railing of the outbound ferry, both men redeemed by some Darwinian impulse, maybe some epic vision, which enabled them to change leaden water into lyric wine. Hart Crane rejected the limpid estuary for the brackish swirl of the Caribbean Sea. In each generation, from Washington Irving’s to Truman Capote’s, countless young men of promise and talent have examined the rippling foam between the nation’s literary furnace and her literary playground, questioning whether the reams of manuscript in their Brooklyn lofts will earn them garlands in Manhattan’s salons and ballrooms, wavering between the workroom and the water. And the city had done everything in its power to assist these men, to ease their affliction and to steer them toward the most judicious of decisions. It has built them a bridge.”

“Sun so generous it shall be you, Vapors lighting and shading my face it shall be you, You sweaty brooks and dew it shall be you, Winds whose soft-tickling genitals rub against me it shall be you, Broad muscular fields, branches of liveoak, loving lounger in my winding paths, it shall be you, Hands I have taken, face I have kissed, mortal I have ever touched, it shall be you." Robert stopped, and surveyed her face. Waiting, Lavender supposed, for a response. "The passage strikes me as amorous and carnal, Sir. The parlor grows cold. We need more fire." She rose quickly and scratched around with kindling and sticks Arlo Snook had, in his habitual way, stacked neatly by the fireplace. The task allowed her to turn away from Robert, for in truth, Whitman's words unsettled her, their anatomy parts she'd heard only in ladies' physical education at Cobourg Academy.”

“I situate myself, and seat myself, And where you recline I shall recline, For every armchair belonging to you as good as belongs to me. I loaf and curl up my tail I yawn and loaf at my ease after rolling in the catnip patch." (From Meow of Myself, from LEAVES OF CATNIP)”

“Lavender's thoughts returned to the poetry, and Robert reading it, canting, rich-toned, about hands, kisses. It shall be you. Having no smelling salts nearby, Lavender moved matters to a more pragmatic realm. "I must warm the tea," she told Robert. For the pot had sat, untouched, for some time, and had surely cooled. (In the kitchen, she loosened her collar, to alleviate her overheated state, to avoid becoming a sweaty brook.)”