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Writers Quotes

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Writers Quotes

“Nein, die Schule hat keinen bestimmenden Einfluss auf meine Entwicklung gehabt. Die Schule hat von meinen besonderen Anlagen wohl instinktiv etwas gespürt, sie aber als obstinate Untauglichkeit gewertet und verworfen. Ein Lehrer drohte, zufällig nicht mir, sondern einem anderen Schüler, mit den Worten: "Ich werde dir deine Karriere schon verderben!" Am gleichen Tag las ich bei Storm den Spruch: "Was du immer kannst, zu werden, scheue Arbeit nicht und Wachen, aber hüte deine Seele vor dem Karrieremachen.”

“It's just that some of the people I've met through her, the athletes, the influencers and writers? They all have this same self-righteousness, like this assumption that what they're doing is more valuable than anyone else's work, but they don't do anything if they're not the marquee name, if it doesn't further their brand in some way. They're fucking hollow inside. I don't know, it makes my skin crawl. And it doesn't help that they all happen to be rich.”

“No writing is wasted. Did you know that sourdough from San Francisco is leavened partly by a bacteria called lactobacillus sanfrancisensis? It is native to the soil there, and does not do well elsewhere. But any kitchen can become an ecosystem. If you bake a lot, your kitchen will become a happy home to wild yeasts, and all your bread will taste better. Even a failed loaf is not wasted. Likewise, cheese makers wash the dairy floor with whey. Tomato gardeners compost with rotten tomatoes. No writing is wasted: the words you can't put in your book can wash the floor, live in the soil, lurk around in the air. They will make the next words better.”

“I hope I don't write TOO many books! When I look at authors who have written too many books, I wonder to myself "When did they live?" I certainly want to write BECAUSE I live! I know I don't want to write in order to live! My writing is an overflow of the wine glass of my life, not a basin in which I wash out my ideals and expectations.”

“If art is not to be life-enhancing, what is it to be? Half the world is feminine--why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'?”

“Every artist loved their art for the same reason, and this caused no suspicion to the world. They regularly say: 'My field captures the human experience.' 'And what is the human experience to you exactly?' questions O’Hare. 'I want to be a storyteller who inspires and expresses their imagination.' 'But how does your chosen art differ from other mediums?' questions O’Hare. 'I am a quiet observer who innately loves philosophy.' But here you are screaming this in a room, cries Dr. O’Hare. 'I am beyond grateful for the people I’ve worked with who made this the greatest collaboration I could have ever asked for.' 'But how did you collaborate—with thought and rehearsal?—or did you just perform some damn thing and sign both your names on it?' asked O’Hare.”

“He did not want to write a book about it. He’d tried once, attempting a novel, even some poems, but they broke his heart and he could not bring himself to art anymore. 'So the only way to end this painful curiosity is to transfer it to someone else? To fictionalize it? To talk about it and still live the same problem tomorrow? To appear as if you’ve beaten it just because you can identify the problem?' He would sob in museums, where he sought refuge but escaped in horror. 'Fuck that—art’s not an answer to life, it’s a disguise.”

“In 1961, a recovering addict was saved by the works of an uplifting novelist. Months later, the man found out his role model committed suicide one morning. Liar, he cried. It was like watching his hero say that heroes don’t exist and then flying away. What do books mean if the writer gave up? The reader decided to give heroism a try and wrote stories about how great life can be until he could convince himself of it. The experiment is still in the works.”

“He spent decades researching his imagination. During this, he gave up the creation of children, the thrill of romance, and even religion for what he believed to be the most important story he could write. When you read his pages, and knew what was sacrificed, each chapter provided you an obscure timeline of a life he never got to live. The publishers will lie and say it costs twelve dollars plus tax.”

“It is to change a life. That’s why you do it. An enormous urge for change is the only reason to suffer. They can call your mission cliché, but someone needs to be hideous, otherwise we’ll all believe we’re perfect. It’s important that your work is important. There’s not enough time for anything less. Not that your life span is short, but the world’s life span is short. It is being destroyed every day. Sprint your nervous legs towards the finish line of language! And we’re not so good at capturing ourselves, but thank God, because if humans were fluent in human, new art would cease.”

“There will always be more exciting things. Casinos will blink with avenues of exhilaration and offers to be devilish. The shelf of alcohol behind the bar looks like it may have a good read for you. A Chinese restaurant will buzz with customers and ticket orders. A booming concert may scream it has an extra spot, with strobe lights to hide your human. Partying people do not look like people who weep. You’ll think literature has no relevance to them. But eventually, the light will die down and the world will need to return home again. The fire will give out and the coals will glow and when the rising smoke clouds our vision, we will look for what we need: hearth. And there, the ignored is seen again. Asked for. There are exciting days, but the moment our flames die and we shiver honestly in our freezing universe, we will return to our homes, coming to what we need to, like mothers, like old love poems, like stringed instruments, like heroes.”

“Soldiers were shot outside a poet’s door and a bomber plane was on its way. So he took his manuscript, folded it, and locked it into a tin chest. There was a place east of town where it could be safely buried and found by another someday. He ran out during battle, was shot multiple times in his legs, slithered his way in a swamp of gushing muscle, and alas, could not make it. So, in desperation, he opened up the holes in his stomach and inserted the tin chest where his poems lie safe and died there. One day, a medic will read about birds that chirped on emerald trees.”

“Advice to my younger self: 1 Start where you are with what you have 2 Try not to hurt other people 3 Take more chances 4 If you fail, keep trying”

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Author:Germany Kent

“I feel like a fraud, what do I do? I have lied to millions, I have hurt many. I just divorced number 3, what do I do? I still love number 1, and number 2, but they have moved on, I will still get what I want. My worlds are blending, my online fantasy becoming further from my real truth of life. I wish I could have both, Maybe if I lie more no one will ever know, who I really am. but will I remember? who am I again? Louise short, or Veronica Jensen? my worlds are colliding, fusing together. I now have two, delusional worlds. I will keep up the fraud. No one must know. only my Soul, and number 3 but I dealt with him. no one will believe him, Because I am Veronica Jensen, Who are you?”

“The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book. The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them. The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.”

“Each sentence as it is written is written to lead us to a place of silence. The silence that follows each sentence should endure as long as it has taken you to read the sentence. This silence is different from white space. Silence should fill your body, not simply remain on the page. Your body needs to experience the space between. Silence needs to mark you.”

“I think one of the things I’ve learned as a writer...is that speech is a form of power in this world. As a writer, being able to articulate what other people may be feeling but perhaps struggle to put into words themselves, it is valued. But I also believe we—all of us—communicate in silence, in energy, in a love that extends from our hearts. And, to me, this is another form of inner power.”