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Anthony Powell Quotes

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Famous Anthony Powell Quotes

“That was a good straightforward point of view, no pretence that games were anything but an outlet for power and aggression; no stuff about their being enjoyable as such. You played a game to demonstrate that you did it better than someone else. If it came to that, I thought how few people do anything for its own sake, from making love to practising the arts.”

PleasurePowerAggression
Book:A Dance to the Music of Time: 3rd Movement
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“Trapnel wanted, among other things, to be a writer, a dandy, a lover, a comrade, an eccentric, a sage, a virtuoso, a good chap, a man of honour, a hard case, a spendthrift, an opportunist, a raisonneur; to be very rich, to be very poor, to possess a thousand mistresses, to win the heart of one love to whom he was ever faithful, to be on the best of terms with all men, to avenge savagely the lightest affront, to live to a hundred full of years and honour, to die young and unknown but recognized the following day as the most neglected genius of the age. Each of these ambitions had something to recommend it from one angle or another, with the possible exception of being poor - the only aim Trapnel achieved with unqualified mastery - and even being poor, as Trapnel himself asserted, gave the right to speak categorically when poverty was discussed by people like Evadne Clapham.”

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Book:Books Do Furnish a Room
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“Slowly, but very deliberately, the brooding edifice of seduction, creaking and incongruous, came into being, a vast Heath Robinson mechanism, dually controlled by them and lumbering gloomily down vistas of triteness. With a sort of heavy-fisted dexterity the mutually adapted emotions of each of them became synchronised, until the unavoidable anti-climax was at hand. Later they dined at a restaurant quite near the flat.”

RomanceSexRelationshipsSeduction
Book:Afternoon Men
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“Susan poured herself out some more wine. She said: "You're nice. You must come and see me some time. I live miles away from anywhere with my father. You'll like him." "Tell me about him." "He's a curious little man with a walrus moustache." "What does he do?" "He's a failure." "Where does he fail?" "Oh, he doesn't any longer," she said. "He's a retired failure, you see. You must meet him." "I'd like to.”

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Book:Afternoon Men
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“He suddenly began to look wretched, much as I had seen him look as a schoolboy: lonely: awkward: unpopular: odd; no longer the self-confident businessman into which he had grown. His face now brought back the days when one used to watch him plodding off through the drizzle to undertake the long, solitary runs across the dismal fields beyond the sewage farms: runs which were to train him for teams in which he was never included.”

AwkwardUnpopularitySocially Inept
Book:At Lady Molly's
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“Within this hollow bed of the stream the whole range of the quarry was out of sight, except for where the just visible peak of an escarpment of spoil shelved up to the horizon's mountainous coagulations of floating cottonwool, a density of white cloud perforated here and there by slowly opening and closing loopholes of the palest blue light.”

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Book:A Dance to the Music of Time: 4th Movement
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“For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.”

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Book:A Question of Upbringing
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“People think that because a novel's invented, it isn't true. Exactly the reverse is the case. Biography and memoirs can never be wholly true, since they cannot include every conceivable circumstance of what happened. The novel can do that.”

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Book:Hearing Secret Harmonies: Book 12 of A Dance to the Music of Time
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“On the stage . . . masks are assumed with some regard to procedure; in everyday life, the participants act their parts without consideration either for suitability of scene or for the words spoken by the rest of the cast: the result is a general tendency for things to be brought to the level of farce even when the theme is serious enough.”

LifeEnoughLevelsResultsStageSeriousSceneRegardEverydayCastsTendenciesAssumptionThemeConsiderationMaskEveryday LifeProceduresParticipantsFarce
Book:A Question of Upbringing: Book 1 of A Dance to the Music of Time
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“Slowly, but very deliberately, the brooding edifice of seduction, creaking and incongruous, came into being, a vast Heath Robinson mechanism, dually controlled by them and lumbering gloomily down vistas of triteness. With a sort of heavy-fisted dexterity the mutually adapted emotions of each of them became synchronized, until the unavoidable anti-climax was at hand.”

HandsEmotionHeavyControlledMechanismSeductionAdaptedBroodingClimaxEdificeVistasDexterity
Book:Afternoon Men: A Novel
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“For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected, so that, before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity.”

KnowsReasonSeemsLastsTakenEventsEternityOccasionsSignificanceEarnestAvenuesSlippery
Book:A Dance to the Music of Time: First Movement
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“He gave me a look of great contempt; as I supposed, for venturing, even by implication, to draw a parallel between a lack of affluence that might, literally, affect my purchase of rare vintages, and a figure of speech intended delicately to convey his own dire want for the bare necessities of life. He remained silent for several seconds, as if trying to make up his mind whether he could ever bring himself to speak to me again; and then said gruffly: 'I've got to go now.'”

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Book:A Question of Upbringing: Book 1 of A Dance to the Music of Time
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“When people really hate one another, the tension within them can sometimes make itself felt throughout a room, like atmospheric waves, first hot, then cold, wafted backwards and forwards as if in an invisible process of air conditioning, creating a pervasive physical disturbance.”

PeopleIfsFirstsSometimesHateFeltProcessRoomsAirColdCreatingHotWaveInvisibleTensionBackwardsConditioningDisturbanceAir Conditioning
Book:A Dance to the Music of Time: Third Movement
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