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Brandon Sanderson

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“I’m glad you have a brand. It says you’re dangerous, and we have narrow confines up here on the wall. We can’t simply press every eligible man; I need real soldiers, men who know what they’re doing.” “So that’s why I’m here?” Kaladin asked. “To see that?” “I want you to think,” Azure said. “I tell the men—this Wall Guard, this is redemption. If you fight here, nobody will care what you did before. Because they know if we fall, this city and this nation will be no more.”

“He was actually glad to be alone with his silence and the remains of those who had died. These men hadn’t cared about the squabbles of those born with lighter eyes than they. These men had cared about their families or—at the very least—their sphere pouches. How many of them were trapped in this foreign land, these endless plateaus, too poor to escape back to Alethkar? Hundreds died each week, winning gems for men who were already rich, winning vengeance for a king long dead.”

“On that day, after a youth activity, another friend suggested we leave to go have some fun. I don’t remember where. Strange, that I’ve lost what this was about, though the rest of the scene is etched into the glacial part of my brain. One of us was old enough to drive, so we headed out to their car. Five seats. Six teens. They’d already counted. Without a word to me, the others climbed in. John gave me one hesitant look, then settled into the front passenger seat and closed the door. They left me on the curb. The car vanished, taillights flaring in the night like lit cigarettes. The memory settled in for the long winter. That night. Watching. Remembering John’s face, which was so strikingly conflicted. Half ashamed. Half resigned.”

“Please don't be angry at me for abandoning you. I was given an extension on life. I should have died in Mare's place years ago. I was ready for this. The others will need you. You're their Mistborn now— you'll have to protect them in the months to come. The nobility will send assassins against our fledgling kingdom's rulers. Farewell. I'll tell Mare about you. She always wanted a daughter.”

“What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past. They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood. I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither. Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse. A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.”

“A little pebble starts as an avalanche," I said. "Life isn't like the craps table, where the next roll has the same chance of winning as the last one. In real life, you lose a little - and that makes you wonder if you deserve to lose. You get nervous, make mistakes, overcompensate. That makes you lose more, then it compounds. Eventually, you're so far gone..." I heaved out a sigh. What was I doing? Trying to justify it all? Heap my bad decisions upon other sources? No, I thought. You've never had a problem taking responsibility. You've always thought you were worthless.”

“He took the teapot and poured two cups. She was grateful. And also frustrated. Not being able to walk was annoying, and that emotion people seemed to understand. But few understood the sense of embarrassment she felt—despite knowing she shouldn’t—at being a burden. While she appreciated the concern people showed for her, she worked so hard to be able to do things on her own. When people accidentally undercut that, it became more difficult to ignore the part of her that whispered lies. That told her that because she was less capable in a few areas, she was worthless in general.”

“...human beings need someone friendly to listen to them when they’re grieving. So feel free to talk to me. I will be friendly. You have nice shoes.” “Is that the only thing you notice about people?” “I’ve always wanted shoes. They’re the sole piece of clothing that makes any sense, assuming ideal environmental conditions. They don’t play into your strange and nonsensical taboos about not letting anyone see your—” “Is this really the only thing you can think of to comfort someone who is grieving?” “It was number one on my list.” Great. “The list has seven million entries. Do you want to hear number two?” “Is it silence?” “That didn’t even make the list.” “Move it to number two.” “All right, I . . . Oh.”

“He had rarely seen her so sincere. And so he kissed her. It was a mistake. He knew it was. He grabbed her anyway, pulling her into a rough, tight embrace and pressing his mouth to hers, unable to contain himself. She melted against him. He tasted the salt of her tears as they ran down to her lips and met his. It lasted long. Too long. Wonderfully long. His mind screamed at him, like a prisoner chained in a cell and forced to watch something horrible. But a part of him had wanted this for decades—decades spent watching his brother court, marry, and then hold the only woman that the young Dalinar had ever wanted. He’d told himself he would never allow this. He had denied himself feelings for Navani the moment Gavilar had won her hand. Dalinar had stepped aside. But the taste of her—the smell of her, the warmth of her pressed against him—was too sweet. Like a blossoming perfume, it washed away the guilt. For a moment, that touch banished everything. He couldn’t remember his fear at the visions, his worry about Sadeas, his shame at past mistakes. He could only think of her. Beautiful, insightful, delicate yet strong at once. He clung to her, something he could hold onto as the rest of the world churned around him. Eventually, he broke the kiss. She looked up at him, dazed. Passion-spren, like tiny flakes of crystalline snow, floated down in the air around them. Guilt flooded him again. He tried gently to push her away, but she clung to him, holding on tight. “Navani,” he said. “Hush.” She pressed her head against his chest. “We can’t—” “Hush,” she said, more insistently. He sighed, but let himself hold her.”

“And is … mercy such a bad thing, aboshi?” “Not bad; merely chaotic. If you look through the records in this hall, you will find the same story told again and again. Leniency and mercy. Men set free despite crimes, because they were good fathers, or well-liked in the community, or in the favor of someone important. Some of those who are set free change their lives and go on to produce for society. Others recidivate and create great tragedies. The thing is, Szeth-son-Neturo, we humans are terrible at spotting which will be which. The purpose of the law is so we do not have to choose. So our native sentimentality will not harm us.”

“People don't read anymore. And, when they do, they don't read books like this one, but instead read books that depress them, because those books are seen as important. Somehow, the Librarians have successfully managed to convince most people in the Hushlands that they shouldn't read anything that isn't boring. It comes down to Biblioden the Scrivener's great vision for the world — a vision in which people never do anything abnormal, never dream, and never experience anything strange. His minions teach people to stop reading fun books, and instead focus on fantasy novels. That's what I call them, because these books keep people trapped. Keep them inside the nice little fantasy that they consider to be the 'real' world. A fantasy that tells them they don't need to try something new. After all, trying new things can be difficult.”