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Catherynne M. Valente

Catherynne M. Valente Quotes

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Famous Catherynne M. Valente Quotes

“1. Santa Claus is real. However, your parents are folkloric constructs meant to protect and foritfy children against the darknesses of the real world. They are symbols representing the return of the sun and the end of winter, the sacrifice of the king and the eternal fecundity of the queen. They wear traditional vestments and are associated with certain seasonal plants, animals, and foods. After a certain age, no intelligent child continues believing in their parents, and it is embarrassing when one professes such faith after puberty. Santa Claus, however, will never fail us.”

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Author:Catherynne M. Valente
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“Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.”

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Book:The Habitation of the Blessed
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“But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in a while, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not so many facilities in the world that proveide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of spit and polish to make them paladins once more, bold knights and true.”

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Book:The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
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“He was the one who'd come back to life not fifteen minutes ago. Whenever he got sick at home, Aunt Elizabeth and Tabitha made a tremendous fuss with hot water bottles and tinctures and sweets and kisses. It only stood to reason that they should all make an extra-tremendous fuss now. After all, when you rose from the grave in England, people tended to make whole religions out of you.”

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Book:The Glass Town Game
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“September smiled at her wonderful friends in all their colors and bright eyes and gentle ways. “You know, in Fairyland-Above they said that the underworld was full of devils and dragons. But it isn’t so at all! Folk are just folk, wherever you go, and it’s only a nasty sort of person who thinks a body’s a devil just because they come from another country and have different notions.”

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Author:Catherynne M. Valente
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“It's just that in detective stories, women are usually dead before the curtain goes up. In fairy tales, they're usually alive. Fairy tales are about survival. That's all they're about. The princess lives to get married in the last act. The detective solves the woman; the knight saves her. And really, really, when you put a fairy tale together with grime and despair and industrial angst you get the Gothic, and that's where we live, Percy.”

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Book:Radiance
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“It's funny, you know, they're always telling me to be a man, take it like a man, act like a man, like they're afraid if they don't keep reminding me I'll grow up to be a centaur or a dining room table, like they know, somehow, that I'm not a man, like it's a spell they can cast, if they say it enough I'll be tricked into being a man forever." ..."Yes." Tamburlaine nodded. "They always say: be a lady, speak like a lady, behave like a little lady, that's not very ladylike, is it, dear?" "Well, I won't be a man, or take anything like one or act like one!" The troll inside him rubbed his hands gleefully, crackling with anticipation. "Come on, then... Don't let's be men, or ladies either. Don't let's act like them or behave like them or speak like them!”

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Book:The Boy Who Lost Fairyland
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“In Russian fairy tales, the narrative flows a little differently. In those stories, you won’t find a tale for Cinderella, one for Snow White, one for Rapunzel. Instead, a peculiar cast of characters recurs over and over, in nearly every story, performing different acts and suffering different sorrows, but remaining the same. Ivan the Fool. Yelena the Bright. Baba Yaga. Vasilisa the Brave. Koschei the Deathless.”

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Author:Catherynne M. Valente
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“She did not know yet how sometimes people keep parts of themselves hidden and secret, sometimes wicked and unkind parts, but often brave or wild or colorful parts, cunning or powerful or even marvelous, beautiful parts, just locked up away at the bottom of their hearts. They do this because they are afraid of the world and of being stared at, or relied upon to do feats of bravery or boldness. And all of those brave and wild and cunning and marvelous and beautiful parts they hid away and left in the dark to grow strange mushrooms—and yes, sometimes those wicked and unkind parts, too—end up in their shadow.”

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Book:The Girl Who Fell Beneath Fairyland and Led the Revels There
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“...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get. See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On. The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour. And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.”

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Author:Catherynne M. Valente
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“Thieves are not so bad, and killing wears all possible costumes. There is no death, no murder that is better than any other. If you can kill me, the manner hardly bears consideration. You want to kill your own father, and you think it will make your sleep easier for the next seventy years if you can say you did it honorably. But your honor is blackened by patricide, and no amount of high-sounding formalities will make it white again.”

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Book:In the Night Garden
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“Have you never known a cruel wind? What an easy, balmy, tropical life you must have! I never tease, madam! I coax, I beguile, I stomp, I throw tantrums, and for certain, I freeze — I am the Coldest and Harshest of all the Harsh Airs! I am the shiver of the world! But I do not tease. You can cause ever so much more trouble by taking folk seriously, asking just what they're doing and doing just what they ask.”

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Book:The Girl Who Soared Over Fairyland and Cut the Moon in Two
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“Even if you hadn't entirely deposed (and possibly killed) not one but two governments and destabilized all sorts of political regions you couldn't even pronounce, let alone draft up constitutional monarchies for, even if you'd been far more careful about leaving your toys strewn about everywhere when you tire yourself out with anarchy and run on home, I'd say you really are the lowest sort.”

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Book:The Girl Who Soared Over Fairyland and Cut the Moon in Two
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“Origin stories are like birthday parties: very exciting and colorful and noisy; but in the end, they’re all the same. Anticipation sizzles around for weeks before the Big Day, but when it comes, your shindig looks pretty much like the little one Peter had last month. That’s an order of operations: take off your coats, pin the tail on the donkey, infection, singing, cake, mutation, balloon, gifts, branding, maybe a magician or a clown, exhaustion, and a bag of toys to take home. You’re the same person today as yesterday. You just got a really big present and a shiny new hat to wear.”

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Book:The Refrigerator Monologues
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“The reindeer are immortal. They are, in fact, the eight demiurges of reindeer-kind, and this accounts for their flying. Their names might sound whimsical, but they are the closest the human tongue can come to approximating the true names of the caribou lords. Rudolph, far from being the adorable, earnest fellow of the tale, is in fact Ruyd-al-Olafforid, the All-Destroying Flame of the Yukon. His mother was Kali and his father was an ice floe. His nose appears red because his body is full of coals, and his eyes flare with a terrible conflagration of the soul. The tips of his antlers are like candles in the snowy wind. He is not vengeful, but he is the light in the dark of winter, consuming and giving life at the same time. Your carrots only make the lord of flame stronger.”

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Book:The Bread We Eat in Dreams
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“In stories, when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it’s because she’s special, because she’s smart and strong and can solve riddles and fight with swords and give really good speeches, and… I don’t know that I’m any of those things. I don’t even know that I’m as ill-tempered as all that… Maybe you meant to go to another girl’s house and let her ride on the Leopard. Maybe you didn’t mean to choose me at all, because I’m not like storybook girls…”

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Book:The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
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“The Sibyl Slant stared out of her slit eyes, the disc of her face showing no feeling at all. “Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old.”

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Book:The Girl Who Fell Beneath Fairyland and Led the Revels There
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“A Wyvern’s body is different from the body of a young girl in several major respects. First, it has wings, which most young girls do not (there are exceptions). Second, it has a very long, thick tail, which some young girls may have, but those who find themselves so lucky keep them well hidden. Let us just say, there is a reason some ladies wore bustles in times gone by! Third, it weighs about as much as a tugboat carrying several horses and at least one boulder. There are girls who weigh that much, but as a rule, they are likely to be frost giants. Do not trouble such folk with asking after the time or why their shoes do not fit so well.”

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Book:The Girl Who Fell Beneath Fairyland and Led the Revels There
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