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Elizabeth Goudge

Elizabeth Goudge Books

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The White Witch

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Pilgrim's Inn

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The Dean's Watch

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A City of Bells

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Gentian Hill

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“There had come to him one of those moments of quiet despair that lie in wait for even the happiest. Stealthy-footed they leap upon us, as we walk along the street, as we sit at evening with fruit and wine upon the table and laughter on our lips, as we wake suddenly from sleep in the hour before dawn; neither at our work nor our play nor our prayers are we safe, those moments can leap at any time out of the blackness around human life and suddenly the colors that we have nailed to our mast are there no longer and all that we have grasped is dust.”

“Progress in evil was quick and easy; Apollyon was not a chap who hid himself and he gave every assistance in his power. The growth in goodness was so slow, at times so flat, so dull, and like the White Queen one had to run so fast to stay where one was, let alone progress; and there were few men who dared to say they had found God. It was easy to be a clever sinner, for the race to an earthly visible goal was short to run, so impossibly hard to be a wise saint, with the goal set at so vast a distance from this world and clouded with such uncertainty.”

“. . .a peal of laughter sounded from within the room where the firelight was. . . .it was a boy’s laughter, and the joy of it called to the unhappy Marianne as nothing in her life had ever called to her before. He was standing on the hearthrug as a lord of creation should, his legs straddling arrogantly, his arms above his head as he stretched himself, his laughter caught up upon a prodigious yawn. He was broad-shouldered, strong, yet possessed of an elegance that was strangely mature, taller than she was but much younger. . .the brilliance of it was entangled in the wildly untidy shock of red-gold curly hair and there seemed sparks in his tawny eyes. His face was round and ruddy, with freckles on the nose, but finely featured. He had full red lips and a deep cleft in his chin, and he showed a great deal of pink tongue as he yawned. His coat and waistcoat of vivid emerald green cloth were stained with seawater and torn linings protruded from the pockets. His white cravat was soiled, the straps that should have fastened his long peg-top trousers beneath his instep had snapped, so that they coiled round his legs like delirious green snakes, and his shoes needed a polish. Never was a male so much in need of female attention or so blissfully unaware of his need. . . .she stood with her back against the door, stiff and ungainly, staring at him with great dark eyes that seemed to devour his face with the intensity of her gaze, and she could not move or speak because her heart was beating so madly that it made her feel sick and faint. Her figure might have delayed to plump itself out into the womanly roundness proper to her age, but her heart did not delay to claim this male creature for her own. She was in love, in love at sixteen, desperately in love, as Juliet was, and with a boy who for all his height and strength and maturity was only a child of thirteen years. It was absurd. But then Marianne was never at any time in the least like other girls.”

“Someone once said to me,” said Marguerite, “that our home, our special country, is where we find liberation. I suppose she meant that it is where our souls find it easiest to escape from self, and it seems to me it is that way with us when what is about us echoes the best that we are. You feel at home in places that are kind and with people who are good fun because you’re kind and amusing yourself.” “What’s your home like, Marguerite?” asked William. “I can’t describe it exactly,” said Marguerite. “But when I am living in a particular sort of way I say to myself that now I am in my own country. It is when I am living very simply, and rather hardly, and the light is clear and the wind cold and there aren’t any lies or subterfuges. When I am there I have a feeling that a door opens out of it into yet another country where my soul has always lived, and that one day I shall find out how to unlock the door.”

“I loathe, detest, hate and abominate the block, the gibbet, the rack, the pillory and the faggots with equal passion," said the old man vehemently. "Not only are they devilishly cruel but they are not even common sense. They do not lesson the evil in the world, they increase it, by making those who handle these cruelties as wicked as those who suffer them. No, I'm wrong, more wicked, for there is always some expiation made in the endurance of suffering and none at all in the infliction of it.”

“But anyhow it's over. But I am not as happy as I thought I'd be because when something you have dreaded comes to an end there's a sense of anticlimax, like dust in the mouth. All the crashing ruin, the falling and tumbling, are over, but the dust is horrible. They say it won't happen to me again but I expect they only say it to comfort me. But I must think it won't. I must be like the people who plant gardens and build houses all over again where the earthquake has been. At the back of their minds they know there may be another 'quake but with the front of their minds they plant gardens.”

“The cathedral towered over it all, benignly great in this quiet weather, the sound of the bells falling gently from the height of the Rollo tower. At evening, when dusk fell, men looked up and saw light shining from the windows of the choir and heard music, for the choristers were practicing for the carol service. Michael seemed dreaming. So many Christmases had gone since he had stood here looking out to the edge of the world, looking down at the city, looking up to heaven. So many Christmas Eves he had stood waiting through hours of snow and storm, of wind and rain or of rapt stillness bright with moon and stars, waiting for the mid-course of the night when he should lift his fist and strike out on the great bell the hour of man's redemption.”

“[He] looked exactly like Michael's idea of Don Quixote, 'the luminary and mirror of all knight-errantry', and for that gentle and melancholy knight Michael had always had the greatest affection. Indeed, he was almost his favourite character in literature . . . And he had been created by a man in prison . . . The thought of the great Cervantes, 'the maimed perfection', and of his sufferings so triumphantly endured, was one of the things that had helped to keep him sane many times, he imagined. He was young enough to believe that men go mad, that men die, more easily than in fact they do. He put the point where endurance is no longer possible at a reasonable distance along the way, not at that distant point where John could have told him that it does in fact exist.”

“There were lights in the nave but they could do no more than splash pools of gold here and there, they could not illumine the shadows above or the dim unlighted chantries and half-seen tombs. The great pillars soared into darkness and the aisles narrowed to twilight. Candles twinkled in the choir and the high altar with its flowers was ablaze with them, but all the myriad flames were no more than seed pearls embroidered on a dark cloak.”

“They had each other. An unusually happy marriage, its selflessness strengthened by shared tragedy, had grown into something more, an identification so close that each could be said to have passed beyond the barriers of self and to live in the other with an immediacy that very largely shut out thought of the future. Largely, not entirely. The thought of death did come at times and they would smile at each other and say, 'We'll go together.' But in each was the fear, never expressed to the other, that it might not be so. They hardly realized the uniqueness of their love, and their good fortune in its possession, though they did know they were happy.”

“If in this life only we have hope....." By God, that was true, too. This quickening divine power that he had experienced could not be confined to this world, for cruel, sordid, ugly, devilish can be this world, and by the nature of things that power could have neither source nor ending in it; only flow through it, around it, over it, under it, gathering up the gold into its eternal shining and burning the dross in its fire.”

“Jocelyn, as the bus rolled along, looked across a space of green grass, elm-bordered, to the grey mass of the Cathedral. Its towers rose four-square against the sky and the wide expanse of the west front, rising like a precipice, was crowded with sculptured figures... About them the rooks were beating slowly and over their heads the bells were ringing for five o'clock evensong... To his left, on the opposite side of the road to the Cathedral, was another, smaller mass of grey masonry, the Deanery, and in front of him was a second archway. Once through it they were in a discreet road bordered on each side with gracious old houses standing back in walled gardens. Here dwelt the Canons of the Cathedral with their respective wives and families, and the few elderly ladies of respectable antecedents, blameless life and orthodox belief who were considered worthy to be on intimate terms with them.”

“Por el este, donde estaba el mar y por donde habría de salir el sol, la luz se acercaba con sigilo tratando de internarse en el bosque como una neblina, y a medida que aumentaba la claridad lo hacía también el ruido del mar. De pronto, la luz pareció tomar forma. Dentro de ella había sombras que se movían, constituidas por otra luz aún más brillante. Eran cientos de caballos blancos al galope, con largas y sueltas crines y elegantes cuellos curvados como los de los caballos de ajedrez que había en la sala de estar. Sus cuerpos, que avanzaban a la velocidad de la luz, estaban hechos de una materia más etérea que del arco iris-”

“Robin: When you do marry, who will you marry? Maria: I have not quite decided yet, but I think I shall marry a boy I knew in London. Robin(yells): What? Marry some mincing nincompoop of a Londoner with silk stockings and a pomade in his hair and face like a Cheshire cheese? You dare do such a thing! You - Maria - if you marry a London man I'll wring his neck! (...) I'll not only wring his neck, I'll wring everybody's necks, and I'll go right away out of the valley, over the hills to the town where my father came from, and I won't ever come back here again. So there! (...) Maria: Why don't you want me to marry that London boy? Robin(shouting): Because you are going to marry me. Do you hear, Maria? You are going to marry me.”

“As this world becomes increasingly ugly, callous and materialistic it needs to be reminded that the old fairy stories are rooted in truth, that imagination is of value, that happy endings do, in fact, occur, and that the blue spring mist that make an ugly street look beautiful is just as real a thing as the street itself.”