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Holly Black

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“Lulled by his conversation, I let myself believe I had fooled him at the very moment he was fooling me. He was as deceptive as the rest of his family. More, maybe. He never let down his guard with me, not once. Too late, I understand what's terrifying about his charm. He seems entirely open when he is unknowable. Every smile is painted on, a mask.”

“What's the number of times that someone tried to assassinate you?' He gives a one-shouldered shrug, his attention on the tableau below. 'Hard to know, but I'd guess there were a few dozen attempts since my sister came to power.' That would be more than twice a year for every year since I met him. And that scar on his neck suggests that someone got very, very close. I think of him as he was in the woods at thirteen, wanting to run away. Angry and afraid. I think of him lying on the sled this morning. I poison everything I touch. Every time I feel as though I know him, it seems there is another Oak underneath.”

“Whom have you fallen in love with?' I ask. 'Well, there was you,' the prince says. 'When we were children.' 'Me?' I ask incredulously. 'You didn't know?' He appears to be merry in the face of my astonishment. 'Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.' I cannot help snorting at the sheer absurdity of his statement. He puts a hand to my heart. 'Ah, and now you laugh. It is my curse to adore cruel women.”

“Do you want-?' he starts, but she is already pushing up her dress. 'I want,' she says. 'That's my problem. I want and I want and I want.' 'What do you want?' he asks, voice soft. 'Everything. Charm me. Rip me open. Ruin me. Go too far.' He shudders at her words, shaking his head against them. She goes on, whispering against his skin. 'You cannot understand. I am a chasm that will never be full. I am hunger. I am need. I cannot be sated. IF you try, I will swallow you up. I will take all of you and want more. I will use you. I will drain you until you are nothing more than a husk.' 'Use me, then,' he whispers, mouth on her throat. Then her lips are against his, and there is no more talking for a long time.”

“What I feel is not like the ballads.' 'No an affliction, then?' Oak raises an eyebrow. 'No fever?' Tiernan gives him an exasperated look- one with which the prince is very familiar. 'It is more feeling that there is a part of me I have left somewhere and I am always looking for.' 'So he's liking a missing phone?' 'Someone ought to pitch you into the sea,' ...”

“My greatest weakness has always been my desire for love. It is a yawning chasm within me, and the more than I reach for it, the more easily I am tricked. I am a walking bruise, an open sore. If Oak is masked, I am a face with all the skin ripped off. Over and over, I have told myself that I need to guard against my own yearnings, but that hasn't worked. I must try something new.”

“The prince doesn't even know what you are,' she says with a glance toward Oak. 'Barely one of the Folk. Nothing but a manikin, little more than the stock left behind when a changeling is taken, a thing meant to wither and die.' Despite myself, my gaze goes to Oak. To see if he understands. But I cannot read anything but pity on his face. I might be only sticks and snow and hag magic, but at least I did not come from her. I am no one's child. That makes me smile, showing red teeth.”

“You might be better served if she didn't wake. What happens when she discovers how you've deceived her? When she realises her role in your plan?' I try not to move, try not to let a twitch of muscle or a tightening of my body give away that I am conscious and listening. Oak's voice is full of resignation. 'She will have to decide how much she hates me.' 'Kill her while you can,' says the old general, softly. He sounds regretful but also resigned. 'That's your answer to everything,' Oak says. 'And yours is to throw yourself into the mouth of the lion and hope it doesn't like your savour.”

“Well, come on,' said Hyacinthe. 'Unless you want me to carry you.'' 'Carry me? What a delightful offer. You can bear me in your arms like a maiden in a fairy tale.' Hyacinthe rolls his eyes. 'I can throw you over my shoulder like a sack of grain.' 'Then I suppose I shall walk,' Oak says, hoping he can.”

“Why not whip me now?' he asks, a challenge in his voice. 'Spending a night dreading what will come in the morning is it's own punishment.' She pauses. 'Especially as you now know your own hand can be turned against you.' Oak looks directly into her eyes. 'Why are you keeping me at all, Wren? Am I a hostage to command? A lover to be punished? A possession to be locked away?' 'That,' she said, bitterness in her voice, 'is what I am trying to figure out myself.”

“Oak puts a hand on my arm. I startle. 'You all right?' he asks. 'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.' Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind. But then, he had sisters who were stolen. Perhaps they had cried, too. 'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.' He nods, just a little, as though more movement might break the spell of my speaking. 'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.' 'You will have this every day if you cease you're crying,' he said. 'But I couldn't stop. 'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't. 'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did. 'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that. 'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good. 'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice. 'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three. 'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.' His eyes shone with horror.”

“He also says you fall in love a lot.' That surprises a laugh out of him, although he doesn't deny any of it. 'There are certain expectations of a prince in Court.' 'You cannot be serious,' I say. 'You feel obliged to be in love?' 'I told you- I am a courtier, versed in all the courtly arts.' He's grinning as he says it, though, acknowledging the absurdity of the statement. I find myself shaking my head and grinning, too. He's being ridiculous, but I am not sure how ridiculous. 'I do have a bad habit, he says. 'Of falling in love. With great regularity and to spectacular effect. You see, it never goes well.' I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He'd only kissed back. 'As charming as you are, how can that be?' I say. He laughs again. 'That's what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would have been his half brother. But it's also alarming, because she's the one who murdered him.' Much as when he spoke about Madoc, it's strange how fond oak can sound when he tells me a horrifying thing a member of his family has done.”

“You like games,' I tell him. 'How about we play one?' 'What's the wager?' 'If I win,' I say, 'You answer my question. Without evasion.' Nothing about the way he looks at me suggests that he does not consider these to be large stakes. Still, he nods. 'And what is the game?' 'You have the piece. Just as when we were children, let's see which of us throws better.' He nods again, taking it from his pocket. The peridot eyes glimmer. 'And if I win?' 'What do you want?' I ask. He studies me and I study him in return. No smile now can disguise the steel underneath. 'You promise to dance with me so that our practice back in the Court of Moths won't be for nothing.' 'Those are absurd stakes,' I tell him, my cheeks hot. 'And yet they are mine,' he says.”

“My sister thinks that she's the only one who can take poison, but I am poison,' he whispers, eyes half-closed, talking to himself. 'Poison in my blood. I poison everything I touch.' That's such a strange thing to hear him say. Everyone adores him. And yet, I recall him running away at thirteen, sure so many things were his fault.”