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The Green Knight

Book by Iris Murdoch · 50 quotes · Iris Murdoch, The Green Knight, Dialogue

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The Green Knight Quotes

“The theatre is a tragic place, full of endings and partings and heartbreak. You dedicate yourself passionately to something, to a project, to people, to a family, you think of nothing else for weeks and months, then suddenly it's over, it's perpetual destruction, perpetual divorce, perpetual adieu. It's like éternel retour, it's a koan. It's like falling in love and being smashed over and over again.’ 'You do, then, fall in love.’ 'Only with fictions, I love players, but actors are so ephemeral. And then there’s waiting for the perfect part, and being offered it the day after you've committed yourself to something utterly rotten. The remorse, and the envy and the jealousy. An old actor told me if I wanted to stay in the trade I had better kill off envy and jealousy at the start.”

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“But all this, all this shift and change, thought Bellamy, is part of the vast lie which surrounds me and wherein I move from one fantasy to another. I wanted to escape to solitude and darkness in a holy place, but the dark is just the old dark of meaninglessness and falsehood, which separates me from my friends and from the real world where people love and help each other.”

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“When Louise returned to the Aviary the others were playing the game of what character in fiction Peter Mir reminded them of. 'I think he's Mr Pickwick,' said Louise. 'Oh no! Never!' said Sefton. 'I think he's more like Prospero.' 'I think he's the Green Knight,' said Aleph. 'Come on, Moy, what do you think?' 'I think he's the Minotaur.' 'The Minotaur isn't a literary character, he's a mythical character,' Sefton objected. 'Oh really — !' 'What does Clement think?' said Aleph. 'I think he's Mephistopheles,' said Clement. 'Surely not, he's so nice!' said Louise.”

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“But now more often the old stale hopeless weariness overcame him: the black sickness which almost no one else, certainly not his nearest dearest friends, could understand at all. The idea of giving up the world, which had given him for a time so much life-energy, appeared now as a sort of fake suicide, a ghastly play-image of his death. This fatal falseness-of-heart was what perhaps Father Damien, on further acquaintance, had now seen in him.”

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“As he rose to go and held Louise's hand and gazed at her he felt for a moment his old love for her taking possession of his whole being. They looked at each other. I feed upon this looking, thought Clement, but does she? I don't know, and I cannot ask. I am terrified of saying something which would wound our whole precious relationship. We are well as we are. I love her, that's all, that is my drama.”

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