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Famous John Gardner Quotes

“...art deals, at its best, with what has never been observed, or observed only peripherally-darts from what is to what might have been-asking with total interest and sobriety such questions as 'what if apple trees could talk?' or 'what if the haughty old woman next door should fall in love with Mr. Powers, our mailman?' The artist's imagination, or the world it builds, is the laboratory of the unexperienced, both the heroic and the unspeakable.”

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Book:On Moral Fiction
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“This highest kind of truth is never something the artist takes as given. It's not his point of departure but his goal. Though the artist has beliefs, like other people, he realizes that a salient characteristic of art is its radical openness to persuasion. Even those beliefs he's surest of, the artist puts under pressure to see if they will stand.”

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Book:The Art of Fiction: Notes on Craft for Young Writers
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“I'm a machine, like you. Like all of you. Blood-lust and rage are my character. Why does the lion not wisely settle down and be a horse? In any case, I too am learning, ordeal by ordeal, my indignity. It's all I have, my only weapon for smashing through these stiff coffin-walls of the world. So I dance in the moonlight, make foul jokes, or labor to shake the foundations of night with my heaped-up howls of rage. Something is bound to come of all this. I cannot believe such monstrous energy of grief can lead to nothing!”

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Book:Grendel
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“The writer's characters must stand before us with a wonderful clarity, such continuous clarity that nothing they do strikes us as improbable behavior for just that character, even when the character's action is, as sometimes happens, something that came as a surprise to the writer himself. We must understand, and the writer before us must understand, more than we know about the character; otherwise neither the writer nor the reader after him could feel confident of the character's behavior when the character acts freely.”

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Book:The Art of Fiction: Notes on Craft for Young Writers
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“Connectedness is the essence of everything...They sense that, of course, from time to time; have uneasy feelings that all they live by is nonsense. They have dim apprehensions that such propositions as 'God does not exist' are somewhat dubious at least in comparison with statements like 'All carnivorous cows eat meat.' That's where the Shaper saves them. Provides an illusion of reality—puts together all their facts with a gluey whine of connectedness. Mere tripe, believe me. Mere sleight-of-wits. He knows no more than they do about total reality—less, if anything: works with the same old clutter of atoms, the givens of his time and place and tongue. But he spins it all together with harp runs and hoots, and they think what they think is alive, think Heaven loves them. It keeps them going—for what that's worth.”

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Book:Grendel
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“She loved me, in some mysterious sense I understood without her speaking it. I was her creation. We were one thing, like the wall and the rock growing out from it. -- Or so I ardently, desperately affirmed. When her strange eyes burned into me, it did not seem quite sure. I was intensely aware of where I sat, the volume of darkness I displaced, the shiny-smooth span of packed dirt between us, and the shocking separateness from me in my mama's eyes. I would feel, all at once, alone and ugly, almost - as if I'd dirtied myself - obscene.”

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Book:Grendel
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“I am mad with joy.--At least I think it's joy. Strangers have come, and it's a whole new game. I kiss the ice on the frozen creeks, I press my ear to it, honoring the water that rattles below, for by water they came: the icebergs parted as if gently pushed back by enormous hands, and the ship sailed through, sea-eager, foamy-necked, white sails, riding the swan-road, flying like a bird! O happy Grendel! Fifteen glorious heroes, proud in their battle dress, fat as cows!”

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Author:John Gardner
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“Don’t be fooled by clever hands, sir” the Sunlight Man said. He’d be lying with the back of his head on his hands, as he always lay. “Entertainment’s all very well, but the world is serious. It’s exceedingly amusing, when you think about it: nothing in life is as startling or shocking or mysterious as a good magician’s trick. That’s what makes stagecraft deadly. Listen closely, friend. You see great marvels performed on the stage - the lady sawed in half, the fat man supported by empty air, the Hindu vanishing with the folding of a cloth - and the subtlest of poisons drifts into your brain: you think the earth dead because the sky is full of spirits, you think the hall drab because the stage is adazzle with dimestore gilt. So King Lear rages, and the audience grows meek, and tomorrow, in the gray of old groceries, the housewife will weep for Cordelia and despair for herself. They weren’t fools, those old sages who called all art the Devil’s work. It eats the soul.”

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Book:The Sunlight Dialogues
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“In writing short stories—as in writing novels—take one thing at a time. (For some writers, this advice I'm giving may apply best to a first draft; for others, it may hinder the flow at first but be useful when time for revision comes.) Treat a short passage of description as a complete unit and make that one small unit as perfect as you can; then turn to the next unit— a passage of dialogue, say—and make that as perfect as you can. Move to larger units, the individual scenes that together make up the plot, and work each scene until it sparkles.”

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Book:On Becoming a Novelist
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“It was said in the old days that every year Thor made a circle around Middle-earth, beating back the enemies of order. Thor got older every year, and the circle occupied by gods and men grew smaller. The wisdom god, Woden, went out to the king of the trolls, got him in an armlock, and demanded to know of him how order might triumph over chaos. "Give me your left eye," said the king of the trolls, "and I'll tell you." Without hesitation, Woden gave up his left eye. "Now tell me." The troll said, "The secret is, Watch with both eyes!”

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Book:On Moral Fiction
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“The best way a writer can find to keep himself going is to live off his (or her) spouse. The trouble is that, psychologically at least, it’s hard. Our culture teaches none of its false lessons more carefully than that one should never be dependent. Hence the novice or still unsuccessful writer, who has enough trouble believing in himself, has the added burden of shame. It’s hard to be a good writer and a guilty person; a lack of self-respect creeps into one’s prose.”

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Book:On Becoming a Novelist
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“As in the universe every atom has an effect, however minuscule, on every other atom, so that to pinch the fabric of Time and Space at any point is to shake the whole length and breadth of it, so in fiction every element has effect on every other, so that to change a character's name from Jane to Cynthia is to make the fictional ground shudder under her feet.”

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Book:The Art of Fiction: Notes on Craft for Young Writers
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“As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.”

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Author:John Gardner
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