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The Goodbye Song

Book by Karl Kristian Flores · 13 quotes · The Goodbye Song, Sadness, Loneliness

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The Goodbye Song Quotes

“I was attracted to this old woman. It wasn’t because of the flesh, even though she carried with her the remnants of a stunning lady. I was drawn to her personhood. She was sort of a funny thing, that Margo. And in addition to a chosen sweetness, she had a rare humility that shines and caresses you at the same time. It leaves you asking: how’d she get there—to that place? When she looked at you, they were not with any ordinary pair of eyes. They were with eyes that read Ibsen, eyes that competed in tennis matches, that watched loved ones disappear into the ground, that undressed a lifetime of men, that saw the world and now looks at you.”

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“You claim to want love, but how can that be if you have not yet met the person you love? Rather, you desire its advantages: touch, security, and company. Love is born from another person—their touch, their company, their ideas. Love is a hand that knocks on our doors and owns no door of its own for you to knock on. When dealing with people, we are each too unique and changing to be labeled and be fitted to another person’s prerequisite needs. And so, it is our lovers who introduce us to our desire. Until then, it is not love that we want. If we claim, alone in our homes, to so badly want love, or marriage, we likely want that other thing.”

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“There are two types of kindnesses in the world. The first type of kindness is what some people are born with: an innocent, inherent joy to be alive. It’s nurtured with the right family. It laughs and it dances, on playgrounds and nightclubs, girlish and boyish. The second type of kindness is realized. It is born after countless heartbreaks, traumas, and molded by the darkest thoughts the brain can juggle. Add some life experience and a few good people gone, and you’ve got yourself a person who decides to be kind. Margo was the second. And you could tell by the way she spoke—an attentive politeness, a pain in between her blinks, and a tranquil surrender to how pathetic and beautiful we all are. You could feel all the people she carried with her. It was as if you were somehow meeting them all. And if we want to talk instincts, I could sense there was a quiet battle inside her. She wasn’t a saint. Her kindness wasn’t wholly pure, but it tried. It can be like a veil of effort to almost convince ourselves a person can be good, and I think “almost” is as far as we get. In some way, the same as completely good.”

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“We are in the indie age of “don’t love ideas of people,” but ideas of people are all we have when they’re old and gray and forgetful and smelly," said Miguel. "It isn’t fair to punish someone for loving an idea when everything around us is an idea, the only difference is people change ideas, and I, quite frankly, am excited to see what certain people could change to. I love their intervals and their points.”

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“I fell in love with the girl who fell in line for one serving of strawberries," he admitted. A series of thoughts swirl around Miguel’s head of the girl waiting in line with one medium-sized tub of strawberries. The image of it. He asked: “Was it her persistence of wanting the fruit? Was it the youthfulness of the fruit? Was it the mystery of wondering how she’d eat them—on the grass outside or at home or in the car? Why? Was it wanting to know if she felt stupid herself for waiting in such a long line? Or wanting to know if she at any point felt like abandoning the line? Was it the simplicity of someone who knows what they want? The pleasantness of going to the market and not being seduced by other treats? Was it her patience?” Charm is so dissatisfying.”

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“The face Isaac made when bonding with his aluminum toy would have made you smile. The innocence of it. It was one of those mind-lending activities that make us like people—like spying on someone playing the piano or solving a puzzle. Every person looks like a child when de-seeding a pomegranate. If you watch someone open a juice box, however old, you’ll see them young again—their soft, wondering face. It’s one of the most ephemeral beauties for the eyes to partake in.”

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