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The Goodbye Song

Book by Karl Kristian Flores · 35 quotes · The Goodbye Song, Sadness, Loneliness

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The Goodbye Song Quotes

“People carry too many memories on their back and after a while it gets too hard to walk. The poets say you get stronger, but the scientists say that overworking the muscle deteriorates the muscle. There had been sensations Isaac wanted to feel, people to meet, and places to see, but the torture one had to endure to get to any one of those points required three to five suicides.”

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“Look out the window. You ask yourself: how are we actually supposed to live? After we’ve eaten and slept well, what is there for us? Is this life supposed to be a kind of animal that fills itself with things like lunch, TV news, occasional travels, and then dies? Like a mortal doll poked with the same colored thumbtacks as everyone else. Eat. Masturbate. Heartbreak. Sleep. Perhaps the answer to a deep boredom is community—but what good are two people but another person to eat lunch, watch TV news, and travel mediocrely with, and also die? Humans don’t know their origins, which explains why we’re always confused and longing for some unattainable dimension from 18 to 80. Can we ever be more?”

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“One day, she told me her favorite color was green. Do you know how much green I see in a day? Enough to remember any other color ain’t her favorite. Green. That’s a whole lifetime with a girl whose face emerges on leaves, tennis courts, the billboard on every nearest passion pit, the emerald fabric of my curtains, hotel salads, on a crumpled Washington, and the two forest eyes of my own that look back at me in the mirror and say, “Diana #1, Diana #2.” Ain’t that a bite. One day, I will lay outside to daydream about her for so long, fungi will grow on my pathetic body, plaguing me with her favorite color. Will she love my algae then?”

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“I won’t lie to you—I’ve walked around entire cities looking for Diana. It wasn’t my purpose for traveling, but it was my intention whenever I asked my pals if they wanted to walk around. She’s the reason my eyes scan crowds, why I buy certain show tickets, or attend daily mass. It has been hard. She left. And hell went out of business.”

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“In case you didn’t know I too went home after the ceremony And replayed the silent pauses of our failed encounter. I thought of a new clever thing I wish I said And you’ll never know it and I won’t know yours. In case you didn’t know I imagine weddings within the first hour of meeting you I felt your peek, but pretended not to look your way I looked you up online and now don’t know where to start That you whispered in my ear and I’ll masturbate To the once hot air on my neck. In case you didn’t know When I turned the corner, I cried. I thought I heard you, too. Maybe both our loved ones Share the same hospital. In case you didn’t know I wore bright colors and made the afternoon men laugh, But tonight I’ll drink to darkness because I have no one. They pay me well, but I only want that other thing— Your poetry, in case I didn’t know.”

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“A cell. An accident. A person who would’ve been miserable anyway. An appointment. A religious order. An expense. A political debate. Anything but a soul. “Why?” I don’t care who fights for my life. I care that they do. They aren’t sure When my life starts, But they tell me when it ends. My body, my rights. Somebody, where’s mine? I wasn’t going to come out As a different thing. So why am I treated Like a different thing? They knew what I’d be,”

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“In 1961, a recovering addict was saved by the works of an uplifting novelist. Months later, the man found out his role model committed suicide one morning. Liar, he cried. It was like watching his hero say that heroes don’t exist and then flying away. What do books mean if the writer gave up? The reader decided to give heroism a try and wrote stories about how great life can be until he could convince himself of it. The experiment is still in the works.”

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“He thrust his pelvis against his mattress, humping his pillow and thinking of no particular woman or memory, but merely the idea of being touched by someone—anyone. It was a sort of sorrowful pornography, masturbating to the day he would never need to masturbate. He closed his eyes and released on his sheets two fluids of desperation: semen of a lonely man and tears of a lonelier one.”

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“The best lover you could ever have will sit on this very bench 270 years from now. You two will never meet. And will never know you’ll never meet. They are, however, currently sitting with you because if you two did meet, you’d spend your time sitting as you are now. Because returning to that bench every afternoon, happily single, was like spending a day with every soul who wants to sit there too.”

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“He spent decades researching his imagination. During this, he gave up the creation of children, the thrill of romance, and even religion for what he believed to be the most important story he could write. When you read his pages, and knew what was sacrificed, each chapter provided you an obscure timeline of a life he never got to live. The publishers will lie and say it costs twelve dollars plus tax.”

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“The shit thing about beauty is only another can redeem it. You can love yourself, but because beauty is in the eye of the beholder, those without beholders aren’t beautiful. They cannot trick themselves into thinking they are. Someone has to say it. Someone has to say, “You are beautiful.” One’s beauty is like the classic fallen tree; “If no one was near the tree when it fell, did it really fall?” If people called you a beautiful baby and now you’ve grown, are you still beautiful?”

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“A post-movie dance: [You walk out of the theatre. You stretch. You toss your popcorn in the trash bin and wonder if it’s recycling. You pretend to be a slow walker on your way to the exit so you don’t appear too close to the stranger in front of you. You walk to the bathroom. You wait in line. You piss. You hold your fart. You come out. You walk to the parking garage. You walk back to the theatre because you forgot to validate your ticket. You come back to your car. You leave the garage. You get a phone call from mom and talk to her. Then you turn on the radio in traffic. Then you come home and respond to e-mails and go back to sleep. And soon, a movie has died.]”

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“It is to change a life. That’s why you do it. An enormous urge for change is the only reason to suffer. They can call your mission cliché, but someone needs to be hideous, otherwise we’ll all believe we’re perfect. It’s important that your work is important. There’s not enough time for anything less. Not that your life span is short, but the world’s life span is short. It is being destroyed every day. Sprint your nervous legs towards the finish line of language! And we’re not so good at capturing ourselves, but thank God, because if humans were fluent in human, new art would cease.”

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“There will always be more exciting things. Casinos will blink with avenues of exhilaration and offers to be devilish. The shelf of alcohol behind the bar looks like it may have a good read for you. A Chinese restaurant will buzz with customers and ticket orders. A booming concert may scream it has an extra spot, with strobe lights to hide your human. Partying people do not look like people who weep. You’ll think literature has no relevance to them. But eventually, the light will die down and the world will need to return home again. The fire will give out and the coals will glow and when the rising smoke clouds our vision, we will look for what we need: hearth. And there, the ignored is seen again. Asked for. There are exciting days, but the moment our flames die and we shiver honestly in our freezing universe, we will return to our homes, coming to what we need to, like mothers, like old love poems, like stringed instruments, like heroes.”

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“He clutched the handle of the knife with the same strength the gang members used to kick him. He was worthless, like a crumpled bit of trash thrown, but not worth picking up, that doesn’t even deserve a courteous foot nudge to hide. He was unseen, like the skin beneath the toga of a female statue made of stone. He was ugly, like the damaged face of the deformed stranger you try not to look at because you don’t want it in your memory. He was as soft as the pull-tab of a soda can, as easily broken as a straw wrapper, and as close to death as a baby slug crawling next to a group of kids at summer camp.”

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“My skin yields acne in double digits—a mountainous domain of genetic misfortune. Sometimes in the morning, the pimples get so bad that if I rinse my face towards the showerhead, the water breaks the pustule and I start to bleed. So I shower the same way I behave in public: with my head down. At bedtime, I get stiff because as soon as I turn to one side and sleep, I’ll wake up with a bloody pillowcase.”

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“And then there were his eyes. I couldn’t see him anymore. When I looked at Mitchell, at his black pupils that I swear are brown, there seems to be an emptiness, as if they are eyeballs with no person behind them. It’s like some part of him is lost in sin, or the thousands of parties he has attended, shrooms, or some evil act no soul could recover from.”

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“We have to be careful how we treat others. The human brain is a sensitive flesh that can be punctured by a single event. Based on your sentence, you can leave someone an insult they’ll never forget. You can sometimes hear this frailty when shy voices ask things like: “Can I have another bite?”, “Please call me back” or “What days do you work?”

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“Soldiers were shot outside a poet’s door and a bomber plane was on its way. So he took his manuscript, folded it, and locked it into a tin chest. There was a place east of town where it could be safely buried and found by another someday. He ran out during battle, was shot multiple times in his legs, slithered his way in a swamp of gushing muscle, and alas, could not make it. So, in desperation, he opened up the holes in his stomach and inserted the tin chest where his poems lie safe and died there. One day, a medic will read about birds that chirped on emerald trees.”

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“And I audition and I see people in the waiting room. And I can’t help but think: there’s a very slim chance people like acting,' said Eden. 'It has too many other things. Attention. Escape. People. Spotlight. But the actual thing of acting, the kernel, has to belong to fewer people than there are actors in this city. They were kids lacking something at a young age and the splendid world of the theatre offered them that, but as soon as they found love, drama, stability, or attention from another source, they abandoned the Theatre. Imagine how sad that feels—to be abandoned. To be told you are loved, again and again, and then be told it was never the case.”

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