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“That was when Estefania, who had made her pain the world’s pain, stood up, her knees dirty, shaking, her tights torn. She took a distanced look around and then she started tearing her tights even more. She kicked her expensive shoes through the wind, then she ripped off her dress, screaming as if it were burning, her second skin, her role as an actress, her one-woman show, as if she herself were on fire, as if her clothes were drenched in acid and abandoned love.”

“He locked himself up in his sanctuary of art and carried the keys with him at all times. He maintained the social façade for financial security. The more tragedies were shackled to his name, the more demand there was for his public persona to clean up after the family name and showcase his art to overshadow his domestic disasters. His prominent reputation in the limelight of the town kept buzzing while the man behind the infamy withered in privacy.”

“When she reached out to the little girl in her, nothing erupted but the dense muteness of her own children in her belly. She felt helpless, alienated from her mirror-image, perceiving her body as a shallow vessel, possessed by human beings that she never met, draining her energy and suppressing her proper self, which she considered absent again.”

“Suddenly, Gabriela felt an unusual hand on her shoulder, branding itself through her clothing. Someone leaned against her body. A head now lay on her shoulder, and blond-reddish strands of hair that were not hers fell over her chest. The hand was glisteningly white with a hint of gray and overflown with blue, halted seams, and rested on Gabriela's hand like a stone on sand.”

“She was now more than ever confronted with the outward cries of help that leaped at her like an overflowing bathtub where the water had grown cold and rancid. The catastrophe had caught up with her. It had always been there, a re-emerging siren in scarlet tones, a temptation of the abysmal artillery of the brain, a carousel waltzing with crazed horses, the heel-clicking and tap-dancing back chambers where arthropods lay on their carapaces.”

“Ladies and Gentlemen, your history starts with your mothers and fathers, grandmothers and grandfathers. You may be swimming against the stream, or you may be holding on to those very roots, but whatever you are doing, you are never without them. Your lives are a reaction to them, good or bad; every love story contains six people from the very beginning, in one form or another. Replicate them, get rid of them, but they existed, and cutting off their influence is a lifelong struggle that not all of us survive wholeheartedly.”

“Marcelian Piaffus adored the heirloom's macabre biography, she could tell. Strangely enough, he had a disregard for its severity despite his beliefs, especially in the hands of a child, and even though Estefania had always been aware that darkness could latch itself onto objects, having grown up among unspeakable atrocities, she decided her daughter had too much grit to decline into madness.”