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Lewis Hyde

Lewis Hyde Quotes

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Famous Lewis Hyde Quotes

“As those who must worry about the livelihood of artists are fond of saying, “You cannot play ‘The Minute Waltz’ in less than a minute.” Worse (or perhaps better) you cannot write “The Minute Waltz” in less than … what? A day, a week, a year?—however long it takes. There is no technology, no time-saving device that can alter the rhythms of creative labor. When the worth of labor is expressed in terms of exchange value, therefore, creativity is automatically devalued every time there is an advance in the technology of work.”

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Book:The Gift: Imagination and the Erotic Life of Property
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“We must therefore distinguish the necessary feminist demand for “equal pay for equal work” from the equally important need to keep some parts of our social, cultural, and spiritual life out of the marketplace. We must not convert all gift labors into market work lest we wake one day to see that universal market in which all our actions earn a wage and all our goods and services bear a price. There is a place for volunteer labor, for mutual aid, for in-house work, for healings that require sympathetic contact or a cohesive support group, for strengthening the bonds of kinship, for intellectual community, for creative idleness, for the slow maturation of talent, for the creation and preservation and dissemination of culture, and so on. To quit the confines of our current system of gender means not to introduce market value into these labors but to recognize that they are not “female” but human tasks. And to break the system that oppresses women, we need not convert all gift labor to cash work; we need, rather, to admit women to the “male,” money-making jobs while at the same time including supposedly “female” tasks and forms of exchange in our sense of possible masculinity.”

FeminismGenderWage Gap
Book:The Gift: Imagination and the Erotic Life of Property
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“Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master. That is to say, most artists are converted to art by art itself. Finding one's voice isn't just an emptying and purifying oneself of the words of others but an adopting and embracing of filiations, communities, and discourses. Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos. Any artist knows these truths, no matter how deeply he or she submerges that knowing.”

KnowsDoeArtMatterInspirationArtistVoiceCommunityMemoriesKnowingMastersFindingsCreatingChaosOneselfInventionVoidDiscourseVocationAwakenedAdoptingPurifying
Author:Lewis Hyde
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“An essential portion of any artist’s labor is not creation so much as invocation. Part of the work cannot be made, it must be received; and we cannot have this gift except, perhaps, by supplication, by courting, by creating within ourselves that ‘begging bowl’ to which the gift is drawn.”

MadeArtistCreationEssentialsCreatingLaborMade ItPortionsBowlsBeggingSupplicationInvocation
Book:The Gift: Creativity and the Artist in the Modern World
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“All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she has extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity.”

ThinkingWorldShouldMindWellsMayStatesArtistCommunityCreativityTraditionScientistLuckStudiosFacultyStand AloneMoney PowerPower Politics
Book:Common as Air: Revolution, Art, and Ownership
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“For the slow labor of realizing a potential gift the artist must retreat to those Bohemias, halfway between the slums and the library, where life is not counted by the clock and where the talented may be sure they will be ignored until that time, if it ever comes, when their gifts are viable enough to be set free and survive in the world.”

IfsWorldMayEnoughLife IsArtistRealizingLaborLibraryClockIgnoredRetreatHalfwaySlumsBohemia
Book:The Gift: Creativity and the Artist in the Modern World
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“Unlike the sale of a commodity, the giving of a gift tends to establish a relationship between the parties involved. When gifts circulate within a group, their commerce leaves a series of interconnected relationships in its wake, and a kind of decentralized cohesiveness emerges.”

GivingKindPartyGroupsInvolvedSeriesCommerceCommodityInterconnectedCohesiveness
Book:The Gift: Creativity and the Artist in the Modern World
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“What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.”

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Author:Lewis Hyde
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“The gift moves towards the empty place. As it turns in its circle it turns towards him who has been empty-handed the longest, and if someone appears elsewhere whose need is greater it leaves its old channel and moves toward him. Our generosity may leave us empty, but our emptiness then pulls gently at the whole until the thing in motion returns to replenish us. Social nature abhors a vacuum.”

IfsNeedsMayHas BeensWholeMovingTurnsSocialGreaterReturnEmptyCirclesGenerosityEmptinessElsewhereVacuumsEmpty Places
Book:The Gift: Creativity and the Artist in the Modern World
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“Art does not organize parties, nor is it the servant or colleague of power. Rather, the work of art becomes a political force simply through the faithful representation of the spirit. It is a political act to create an image of the self or of the collective.”

DoeArtSelfPoliticalSpiritForcePartyArt IsFaithfulServantCollectivesWorks Of ArtRepresentationOrganizeColleagues
Book:The Gift: Creativity and the Artist in the Modern World
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