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Nina LaCour Books

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Hold Still

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We Are Okay

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Yerba Buena

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Watch over Me

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“No son of mine, Lord. No son of mine! Beat beat beat You try to beat it out of me Belt it out of me Heartless heart Beat beating You think you can bruise me Out of being Bruise it out of me When you belt it beat it Try to break it- Try to break the thing you cannot break Because I carry it so deep inside No beat of yours no belt of yours Will ever come close. You try to beat it out of me Belt it out of me Belt me into buckling Beat me into heartstopping Stophurting Trying so hard You say you'll kill me to save me Kill the me inside of me Beat it belt it but it Just won't budge. Not for you. I know You can't stay in this room forever I know We can't stay in this room forever You beat me belt me to get to me But you'll never get to me Not the me me heartbeat me. I am saving it. I am saving it for tonight I am saving it for you right there And you over there. I am saving it for Every you with a me deep inside. Now that I've left that room Out into the world as big As a billion rooms I have saved me Yes, I have saved me Constructed of words and hurt And the glass self I've protected All this time To get to this one of a billion rooms This room tonight. Beat beat beat I have found my own beat My own pitter-patter My own sis-boom-bah! Beat beat beat I belt it out Song sung strong Stung song Tongue song Back from being Bitten back Some songs sung beg to be carried home. This song sings To be carried far and wide. Beat beat beat- The sound it brings Is the sound of wings.”

“The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.”

“The common man pays for the internet,” he went on. “He pays for cable, for Christ’s sake! Because he needs more and more and more! Like anyone could watch one hundred channels. What good is a life if you live it like that? Glued to a lightbox showing you pictures. Telling you when to laugh and what to fear. The common man lives this way because he has lost the intuition of our ancestors. All you need in order to live is this.” He took two fingers and pressed them to my mother’s wrist.”

“I can't muster a smile. Even with the knowledge that it's dark outside and light up here, it's hard to believe that he can see us. We should be invisible. We are so alone. Mabel and I are standing side by side, but we can't even see each other. In the distance are the lights of town. People must be finishing their workdays, picking up their kids, figuring out dinner. They're talking to one another in easy voices about things of great significance and things that don't mean much. The distance between us and all of that living feels insurmountable.”

“I was a vase. The thought struck her as she gazed at the wall of them. She had been a vessel; it was true. She'd stepped into this shop, introduced herself, asked for a job, hoped it would fill her. And then, sitting with Jacob at the community table, she'd been a flower. Snipped from the root, quick to wilt, temporary. She'd existed to be lovely and to be chosen. No one had expected her to last. But she hadn't been a flower when she'd gone to live with Claire, had she? Emilie traveled deeper into the shop. She was in the addition now, its ceiling higher, its rows of tables laden with houseplants. Water, she decided. That's what she'd been with Claire. Shapeless, colorless, but necessary. She'd done what she had to. She had been there for her grandmother. She'd kept her family afloat. But what was she now?”

“Sometimes when my favorite songs are on I have to stop what I'm doing and lie down on my carpet and just listen. I feel every word they're singing. Every note. And to think that in twenty years, or ten years, or five, even, I might hear those same songs and just, like, bob my head or something is horrible. Then I'm sure I'll think that I know more about life, but it isn't true. I'll know less.”

“I wish I knew why she never told me any of this. Maybe she thought I wouldn't be able to handle it, that I was too sheltered or too innocent or something. If she had told me why she cut herself all the time, or that it was the pills that made her act so spaced out, or that she was even on pills, or even saw doctors, or any of it, I would have done my best to help her. I'm not saying I'm a superhero. I'm not saying I would have just swooped down and saved her. I'm just saying the only reason everything was a waste was that she made it a waste. That whole time, back when I was just a normal kid in high school, living out my normal life, I really thought everything mattered.”