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Norman Mailer

Norman Mailer Books

Novelist

THE DEER PARK

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“I tell you, say the rich, the poor are naught but dirty wind welling in air-shafts over the cinders and droppings of the past, their voices thick with grease and ordure, sewer-greed to corrode the ear with the horrors of the past and the voids of new stupidity. One could drown waiting for the poor to make one fine distinction. Yes, destroy us say the rich and you lose the roots of God.”

“About a week after they had come back, a load of mail came to the island. They were the first letters the men had received in several weeks, and for a night it relieved the changeless pattern of their lives. One of the infrequent rations of beer was given out the same night, and the men finished their three cans quickly, and sat about without saying very much. The beer had been far too inadequate to make them drunk; it made them only moody and reflective, it opened the gate to all their memories, and left them sad, hungering for things they could not name.”

“No, but why is Croft that way? Oh there are The Answers. He is that way because of the-corruption-of-the-society. He is that way because he is having problems of adjustment. It is because he is a Texan. It is because he has renounced God. He is that way because he was born that way, or because the Devil has claimed him for one of his own, or because the only woman he ever loved was untrue to him.”

“I must purchase this eunuch from You," she said to Ptah-nem-hotep, Who smiled agreeably. "Are they not delightful?" He asked, and looked at the dark bodies of these five slaves with the same love I had seen my great-grandfather give to a team of matched horses or twin bulls, and indeed, since the slave wore nothing, one could see not only their plump and muscular haunches, but the shiny stump where their testicles had been and this gave them a nice resemblance to geldings.”

“I'm not interested in absolute moral judgments. Just think of what it means to be a good man or a bad one. What, after all, is the measure of difference? The good guy may be 65 per cent good and 35 per cent bad—that's a very good guy. The average decent fellow might be 54 per cent good, 46 per cent bad—and the average mean spirit is the reverse. So say I'm 60 per cent bad and 40 per cent good—for that, must I suffer eternal punishment? "Heaven and Hell make no sense if the majority of humans are a complex mixture of good and evil. There's no reason to receive a reward if you're 57/43—why sit around forever in an elevated version of Club Med? That's almost impossible to contemplate.”

“We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?”

“I've always felt that my relationship to the United States is analogous to a marriage. I love this country. I hate it. I get angry at it. I feel close to it. I'm charmed by it. I'm repelled by it. And it's a marriage that's gone on for let's say at least 50 years of my writing life, and in the course of that, what's happened? It's gotten worse. It's not what it used to be.”

“When you know too much information and you acquire it too easily, you tend to either use it in disagreeable ways, out of vanity, or you tend to be indiscriminate about it. I mean, in the old days, it was tricky, you had to go to various encyclopedias, you had to go to the library, maybe spend a day there, whatever. But in the end, if you found something, it was really exciting. Now you hit a couple of buttons and you get some information. Which, by the way, is almost always presented in that same goddamn mediocre style that characterizes the Internet for me. It is slightly deadening.”

“I have always had this very strong, call it a feeling, call it a prejudice, call it a conviction ... that the mysteries are not easily available. You have to earn entrance into them. You didn't learn things for too little. You had to pay a price. And I felt that LSD was just blasting superhighways into the mysteries. And what I really didn't like about LSD is that people who were taking it were seeming to become less and less as they took it. They got emptier and more vapid.”

“Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit.”

“We are close to dead. There are faces and bodies like gorged maggots on the dance floor, on the highway, in the city, in the stadium; they are a host of chemical machines who swallow the product of chemical factories, aspirin, preservatives, stimulant, relaxant, and breathe out their chemical wastes into a polluted air. The sense of a long last night over civilization is back again.”