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Rainer Maria Rilke

Rainer Maria Rilke Quotes

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Famous Rainer Maria Rilke Quotes

“How can I keep my soul in me, so that it doesn’t touch your soul? How can I raise it high enough, past you, to other things? I would like to shelter it, among remote lost objects, in some dark and silent place that doesn’t resonate when your depths resound. Yet everything that touches us, me and you, takes us together like a violin’s bow, which draws one voice out of two separate strings. Upon what instrument are we two spanned? And what musician holds us in his hand? Oh sweetest song. - Love Song”

LoveSoulPoetrySoul Mate
Book:Ahead of All Parting: The Selected Poetry and Prose
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“Quiet friend who has come so far, feel how your breathing makes more space around you. Let this darkness be a bell tower and you the bell. As you ring, what batters you becomes your strength. Move back and forth into the change. What is it like, such intensity of pain? If the drink is bitter, turn yourself to wine. In this uncontainable night, be the mystery at the crossroads of your senses, the meaning discovered there. And if the world has ceased to hear you, say to the silent earth: I flow. To the rushing water, speak: I am. - Let This Darkness Be a Bell Tower”

Poetry
Book:Sonnets to Orpheus
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“How surely gravity's law, strong as an ocean current, takes hold of the smallest thing and pulls it toward the heart of the world. Each thing--- each stone, blossom, child--- is held in place. Only we, in our arrogance, push out beyond what we each belong to for some empty freedom. If we surrendered to earth's intelligence we could rise up rooted, like trees. Instead we entangle ourselves in knots of our own making and struggle, lonely and confused. So like children, we begin again to learn from the things, because they are in God's heart; they have never left him. This is what the things can teach us: to fall, patiently to trust our heaviness. Even a bird has to do that before he can fly.”

Poetry
Book:Rilke's Book of Hours: Love Poems to God
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“You are so young; you stand before beginnings. I would like to beg of you, dear friend, as well as I can, to have patience with everything that remains unsolved in your heart. Try to love the questions themselves, like locked rooms and like books written in a foreign language. Do not now look for the answers. They cannot now be given to you because you could not live them. It is a question of experiencing everything. At present you need to live the question. Perhaps you will gradually, without even noticing it, find yourself experiencing the answer, some distant day.”

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Book:Letters to a Young Poet
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“Trust yourself and your instincts; even if you go wrong in your judgement, the natural growth of your inner life will gradually, over time, lead you to other insights. Allow your verdicts their own quiet untroubled development which like all progress must come from deep within and cannot be forced or accelerated. Everything must be carried to term before it is born. To let every impression and the germ of every feeling come to completion inside, in the dark, in the unsayable, the unconscious, in what is unattainable to one’s own intellect, and to wait with deep humility and patience for the hour when a new clarity is delivered: that alone is to live as an artist, in the understanding and in one’s creative work.”

PatienceInstinctLiving As An Artist
Book:Letters to a Young Poet
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“so much is happening now; you must be patient like someone who is sick, and confident like someone who is recovering; for perhaps you are both. And more: you are also the doctor, who has to watch over himself. But in every sickness there are many days when the doctor can do nothing but wait. And that is what you, insofar as you are your own doctor, must now do, more than anything else.”

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Book:Letters to a Young Poet
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“Bisognerebbe saper attendere, raccogliere, per una vita intera e possibilmente lunga, senso e dolcezza, e poi, proprio alla fine, si potrebbero forse scrivere dieci righe valide. Perché i versi non sono, come crede la gente, sentimenti (che si acquistano precocemente), sono esperienze. Per scrivere un verso bisogna vedere molte città, uomini e cose, bisogna conoscere gli animali, bisogna capire il volo degli uccelli e comprendere il gesto con cui i piccoli fiori si aprono al mattino. Bisogna saper ripensare a itinerari in regioni sconosciute, a incontri inaspettati e congedi previsti da tempo, a giorni dell'infanzia ancora indecifrati, ai genitori che eravamo costretti a ferire quando portavano una gioia e non la comprendevamo (era una gioia per qualcun altro), a malattie infantili che cominciavano in modo così strano con tante profonde e grevi trasformazioni, a giorni in stanze silenziose e raccolte e a mattine sul mare, al mare sopratutto, a mari, a notti di viaggio che passavano con un alto fruscio e volavano assieme alle stelle - e ancora non è sufficiente poter pensare a tutto questo. Bisogna avere ricordi di molte notti d'amore, nessuna uguale all'altra, di grida di partorienti e di lievi, bianche puerpere addormentate che si rimarginano. Ma bisogna anche essere stati accanto ad agonizzanti, bisogna essere rimasti vicino ai morti nella stanza con la finestra aperta e i rumori intermittenti. E non basta ancora avere ricordi. Bisogna saperli dimenticare, quando sono troppi, e avere la grande pazienza di attendere che ritornino. Perché i ricordi in sé ancora non sono. Solo quando diventano sangue in noi, sguardo e gesto, anonimi e non più distinguibili da noi stessi, soltanto allora può accadere che in un momento eccezionale si levi dal loro centro e sgorghi la prima parola di un verso.”

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Book:The notebooks of Malte Laurids Brigge
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“This is the creature there has never been. They never knew it, and yet, none the less, they loved the way it moved, its suppleness, its neck, its very gaze, mild and serene. Not there, because they loved it, it behaved as though it were. They always left some space. And in that clear unpeopled space they saved it lightly reared its head, with scarce a trace of not being there. They fed it, not with corn, but only with the possibility of being. And that was able to confer such strength, its brow put forth a horn. One horn. Whitely it stole up to a maid - to be within the silver mirror and in her.”

Poetry
Author:Rainer Maria Rilke
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“In one creative thought a thousand forgotten nights of love come to life again and fill it with majesty and exaltation. And those who come together in the nights and are entwined in rocking delight perform a solemn task and gather sweetness, depth, and strength for the song of some future poet, who will appear in order to say ecstasies that are unsayable.”

LoveLifeSongStrengthPoetThoughtsDepthForgottenSweetnessNights
Book:Letters to a Young Poet
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“But on the other hand, I am very concerned when I imagine how strangled and cut off you currently live, afraid of touching anything that is filled with memories and what is not filled with memories?). You will freeze in place if you remain this way. You must not, dear. You have to move. You have to return to his things. You have to touch with your hands his things, which through their manifold relations and affinity are after all also yours.”

DeathGrief
Book:The Dark Interval: Letters on Loss, Grief, and Transformation
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“The loss that now casts its deep shadow over you is also a task to endure and a matter of coming to terms with all of the suffering that may befall us—for once the mother leaves us, we lose all protection. You have to undergo the terrible process of becoming more resilient. But in return... (and you have also begun to feel this already) in return the power of protection now becomes yours, and all the gentleness which until now you had been able to receive will blossom more and more inside of you into your new capacity to share it as something—inherited and acquired unspeakably, at the deepest price—of your own.”

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Book:The Dark Interval: Letters on Loss, Grief, and Transformation
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“Juicy apple, pear, and banana, Gooseberry ... They all speak of Death and life in the mouth ... I have a presentiment ... Read it from a child’s expression If she savours them. It comes from far, from far ... Aren’t you slowly becoming aware of something inexpressible in your mouth? Where a moment ago were words, a flowing discovery Is released, startling, from the fruit’s flesh. Venture to say what your apple is called. This sweetness, which originally condensed itself, Spreading out, slowly in being tasted rose up To achieve a clarity, awake and of transparency, Resonant of opposites, sunny, earthy, of the here and now -: Oh the experience of it, the feeling, the joy -, immense!”

MetaphorLife And DeathAppleFruit Quotes
Book:Sonnets to Orpheus
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“Be ahead of all parting, as though it already were behind you, like the winter that has just gone by. For among these winters there is one so endlessly winter that only by wintering through it will your heart survive. (Sei allem Abschied voran, als wäre er hinter dir, wie der Winter, der eben geht. Denn unter Wintern ist einer so endlos Winter, daß, überwinternd, dein Herz überhaupt übersteht.)”

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Author:Rainer Maria Rilke
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“And in fact the artist's experience lies so unbelievably close to the sexual, to its pain and its pleasure, that the two phenomena are really just different forms of one and the same longing and bliss. And if instead of "heat" one could say "sex";- sex in the great, pure sense of the word, free of any sin attached to it by the Church, - then his art would be very great and infinitely important. His poetic power is great and as strong as a primal instinct; it has its own relentless rhythms in itself and explodes from him like a volcano.”

ArtArtistSexLongingBliss
Book:Letters to a Young Poet
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“Sometimes, in the rue de Seine for instance, I go past little shops. Vendors of second-hand goods, or small-time antiquarian booksellers, or dealers in engravings, all of them with overcrowded windows. No one ever goes inside them, they don’t look as if they do any business. But look inside and you can see them sitting there and reading, completely at ease, with no thought to the morrow, or of making a success of things; they have a dog that sits cheerfully by their feet, or a cat that makes the silence even greater as it brushes along the rows of books as if it were wiping the names off the spines. Ah, if only that would do: sometimes I could wish I could buy myself a crowded shop-window like that and sit down behind it with a dog for twenty years.”

Reading
Book:The notebooks of Malte Laurids Brigge
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“The art of creating is nothing without the vast ongoing participation and collaboration of the real world, nothing without the thousandfold harmonizing of things and beings; and the creator’s pleasure is thereby inexpressibly rich because it contains memories of the begetting and bearing of millions. In a single creative thought dwell a thousand forgotten nights of love, which infuse it with immensity. And those who come together in the night, locked in thrusting desire, are gathering nectar, generating power and sweetness for some future poetic utterance that will sing the rapture.”

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Author:Rainer Maria Rilke
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“And even if you were in some prison the walls of which let none of the sounds of the world come to your senses—would you not then still have your childhood, that precious, kingly possession, that treasure-house of memories? Turn your attention thither. Try to raise the submerged sensations of that ample past; your personality will grow more firm, your solitude will widen and will become a dusky dwelling past which the noise of others goes by far away.”

MemoriesSolitude
Book:Letters to a Young Poet
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