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Samuel Taylor Coleridge

Samuel Taylor Coleridge Quotes

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Famous Samuel Taylor Coleridge Quotes

“I love being superior to myself better than [to] my equals.”

“Genius must have talent as its complement and implement, just as in like manner imagination must have fancy. In short, the higher intellectual powers can only act through a corresponding energy of the lower.”

“The definition of good prose is proper words in their proper places; of good verse, the most proper words in their proper places.The propriety is in either case relative. The words in prose ought to express the intended meaning, and no more; if they attract attention to themselves, it is, in general, a fault.”

“Women have their heads in their hearts. Man seems to have been destined for a superior being; as things are, I think women generally better creatures than men. They have weaker appetites and weaker intellects but much stronger affections. A man with a bad heart has been sometimes saved by a strong head; but a corrupt woman is lost forever.”

“A State, in idea, is the opposite of a Church. A State regards classes, and not individuals; and it estimates classes, not by internal merit, but external accidents, as property, birth, etc. But a church does the reverse of this, and disregards all external accidents, and looks at men as individual persons, allowing no gradations of ranks, but such as greater or less wisdom, learning, and holiness ought to confer. A Church is, therefore, in idea, the only pure democracy.”

“It cannot but be injurious to the human mind never to be called into effort: the habit of receiving pleasure without any exertion of thought, by the mere excitement of curiosity, and sensibility, may be justly ranked among the worst effects of habitual novel-reading.”

“Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.”

“The artist must imitate that which is within the thing, that which is active through form and figure, and discourses to us by symbols.”

“The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.”