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Susan Abulhawa

Susan Abulhawa Books

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“كيف يمكن ألا يستطيع الإنسان أن يسير إلى ملكه الخاص؟ أن يزور قبر زوجته؟ أن يأكل ثمار أربعين جيلاً من كدح أسلافه من دون أن يعاقب بالموت رمياً بالرصاص؟ على نحو ما، لم يكن هذا السؤال الفجّ القاسي قد نفذ سابقاً إلي وعي اللاجئين الذين شوشتهم أبدية الانتظار، معلقين آمالهم على قرارات دولية نظرية”

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Book:Mornings in Jenin
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“I have always found it difficult not to be moved by Jerusalem, even when I hated it—and God knows I have hated it for the sheer human cost of it. But the sight of it, from afar or inside the labyrinth of its walls, softens me. Every inch of it holds the confidence of ancient civilizations, their deaths and their birthmarks pressed deep into the city's viscera and onto the rubble of its edges. The deified and the condemned have set their footprints in its sand. It has been conqured, razed and, rebuilt so many times that its stones seem to possess life, bestowed by the audit trail of prayer and blood. Yet somehow, it exhales humility. It sparks an inherent sense of familiary in me—that doubtless, irrefutable Palestinian certainty that I belong to this land. It possesses me, no matter who conquers it, because its soil is the keeper of my roots, of the bones of my ancestors. Because it knows the private lust that flamed the beds of all my foremothers. Because I am the natural seed of its passionate, tempestuous past. I am a daughter of the land, and Jerusalem reassures me of this inalienable right, far more than the yellowed property deeds, the Ottoman land registries, the iron keys to our stolen homes, or UN resolutions and decrees of superpowers could ever do.”

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“I have always found it difficult not to be moved by Jerusalem, even when I hated it—and God knows I have hated it for the sheer human cost of it. But the sight of it, from afar or inside the labyrinth of its walls, softens me. Every inch of it holds the confidence of ancient civilizations, their deaths and their birthmarks pressed deep into the city's viscera and onto the rubble of its edges. The deified and the condemned have set their footprints in its sand. It has been conquered, razed and, rebuilt so many times that its stones seem to possess life, bestowed by the audit trail of prayer and blood. Yet somehow, it exhales humility. It sparks an inherent sense of familiarity in me—that doubtless, irrefutable Palestinian certainty that I belong to this land. It possesses me, no matter who conquers it, because its soil is the keeper of my roots, of the bones of my ancestors. Because it knows the private lust that flamed the beds of all my foremothers. Because I am the natural seed of its passionate, tempestuous past. I am a daughter of the land, and Jerusalem reassures me of this inalienable right, far more than the yellowed property deeds, the Ottoman land registries, the iron keys to our stolen homes, or UN resolutions and decrees of superpowers could ever do.”

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“Thank you,’ I answered, unsure of the proper American response to her gracious enthusiasm. In the Arab world, gratitude is a language unto itself. “May Allah bless the hands that give me this gift”; “Beauty is in the eyes that find me pretty”; “May Allah never deny your prayer”; and so on, an infinite string of prayerful appreciation. Coming from such a culture, I have always found a mere “thank you” an insufficient expression that makes my voice sound miserly and ungrateful.” (169).”

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“Music is like spoken language, inextricable from its culture. If you don't learn a language early in life, its words will forever come out wrinkled and accented by another world, no matter how well you memorize or love the vocabulary, grammar, and cadences of a new language. This is why foreign "belly dancers" have always bothered me. The use of our music as a prop to wiggle and shimmy and jump around offends me. Eastern music is the soundtrack of me..”

CultureCultural Appropriation
Book:Against the Loveless World
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“كنت امرأة قليلة الكلام و بلا أصدقاء. كنت ((إيمي)). اسم بلا معنى. آمال مفرَغة من الأمل. اللغة العملية فقط كان بإمكانها اجتيازُ الغصَّة التي صنعها الحب الذي يتلوى في رماد القصة التي كادت أت تكون. و على كل حال، هل ثمة أي كلمات يمكنها استعادة مستقبَل حُرم زمنَه؟”

Sadness Love
Book:Mornings in Jenin
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“But in our camp, his story was everyone’s story, a single tale of dispossession, of being stripped to the bones of one’s humanity, of being dumped like rubbish into refugee camps unfit for rats. Of being left without rights, home, or nation while the world turned its back to watch or cheer the jubilation of the usurpers proclaiming a new state they called Israel.”

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“On September 16, in defiance of the cease-fire, Ariel Sharon’s army circled the refugee camps of Sabra and Shatila, where Fatima and Falasteen slept defenselessly without Yousef. Israeli soldiers set up checkpoints, barring the exit of refugees, and allowed their Lebanese Phalange allies into the camp. Israeli soldiers, perched on rooftops, watched through their binoculars during the day and at night lit the sky with flares to guide the path of the Phalange, who went from shelter to shelter in the refugee camps. Two days later, the first western journalists entered the camp and bore witness. Robert Fisk wrote of it in Pity the Nation: They were everywhere, in the road, the laneways, in the back yards and broken rooms, beneath crumpled masonry and across the top of garbage tips. When we had seen a hundred bodies, we stopped counting. Down every alleyway, there were corpses—women, young men, babies and grandparents—lying together in lazy and terrible profusion where they had been knifed or machine-gunned to death. Each corridor through the rubble produced more bodies. The patients at the Palestinian hospital had disappeared after gunmen ordered the doctors to leave. Everywhere, we found signs of hastily dug mass graves. Even while we were there, amid the evidence of such savagery, we could see the Israelis watching us. From the top of the tower block to the west, we could see them staring at us through field-glasses, scanning back and forth across the streets of corpses, the lenses of the binoculars sometimes flashing in the sun as their gaze ranged through the camp. Loren Jenkins [of the Washington Post] cursed a lot. Jenkins immediately realized that the Israeli defense minister would have to bear some responsibility for this horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon! This is Deir Yassin all over again.”

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“Do you know, Mother, that Haj Salem was buried alive in his home? Does he tell you stories in heaven now? I wish I had had a chance to meet him. To see his toothless grin and touch his leathery skin. To beg him, as you did in your youth, for a story from our Palestine. He was over one hundred years old, Mother. To have lived so long, only to be crushed to death by a bulldozer. Is this what it means to be Palestinian?”

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Author:Susan Abulhawa
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“Toughness found fertile soil in the hearts of Palestinians, and the grains of resistance embedded themselves in their skin. Endurance evolved as a hallmark of refugee society. But the price they paid was the subduing of tender vulnerability. They learned to celebrate martyrdom. Only martyrdom offered freedom. Only in death were they at last invulnerable to Israel. Martyrdom became the ultimate defiance of Israeli occupation.”

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Book:Mornings in Jenin
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