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Quote by Abhijit Naskar

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Kral Fakir: When Calls The Kainat

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Abhijit Naskar

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“I have zero tolerance for the use of AI in any aspect of human creative endeavor. We can make a separate space for AI art, but AI trash passed as human art, is an abomination of creativity - for our imperfections bear the keynote of truth. Art is a testament to human struggle - remove the human, and it's art no more. Either you are an artist or you use AI, you cannot do both.”

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Book:Kral Fakir: When Calls The Kainat
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“A writer works himself up to a pitch of ecstasy, otherwise he does not take up his pen. But ecstasy is not so easily distinguished from other kinds of excitement. And as a writer is always in haste to write, he has rarely the patience to wait, but at the first promptings of animation begins to pour himself forth. So in the name of ecstasy we are offered such quantities of banal, by no means ecstatic effusions. Particularly easy it is to confound with ecstasy that very common sort of spring-time liveliness which in our language is well-named calf-rapture. And calf-rapture is much more acceptable to the public than true inspiration or genuine transport. It is easier, more familiar.”

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Book:All Things are Possible
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“از عزیمت آرگونات ها تا تشکیل مجمع نخبگان، از آن ژرفنای دوزخ تا واپسین اختر میخکوب بر دامان راه شیری، تا مرزهای کیهان تا دروازه های آشوب ازلی... این است گستره ی فراخی که من در طول و عرض آن گام می زنم، یکسره نیز به تفریح و تفنن، زیرا نه دچار فقدان زمانم و نه گرفتار در تنگنای مکان. این است باراندازی که با پیروی از گام های هومر، میلتون، ویرژیل، اوسیان و دیگران بار هستی خود را بدان جا می کشانم.”

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Book:Voyage autour de ma chambre
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